The French Dispatch

Year of Release:  2021

Director:  Wes Anderson

Screenplay:  Wes Anderson, from a story by Wes Anderson, Roman Coppola, Hugo Guinness and Jason Schwartzman

Starring:  Bill Murray, Benicio del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, Owen Wilson

Running Time:  103 minutes

Genre:  Drama, comedy

The French Dispatch, the foreign bureau of a Kansas newspaper, is based in the quirky city of Ennui-sur-Blasé, and presided over by formidable editor Arthur Howitzer Jr. (Murray).  When Arthur dies suddenly of a heart attack, the staff of the magazine prepare one final issue, which will serve as a memorial to Arthur and a farewell to the magazine.  It consists of an obituary, a travelogue feature, and three stories:  A murderer (del Toro) serving a life sentence for double murder proves to be a talented artist, with the help of a prison guard (Seydoux), and attracts the attention of a sleazy art dealer (Brody).  In the second story, an American writer (McDormand) becomes involved in a protest movement lead by a chess-playing revolutionary (Chalamet).  In the third story, a food writer (Wright) becomes involved in a kidnapping scheme while trying to write an article about legendary police chef (Park).

The film is an anthology and what we see is the final issue of The French Dispatch, which is clever and, to my knowledge, unique way of presenting a film.  It has a huge ensemble cast, which also includes Edward Norton, Willem Dafoe, Saoirse Ronan, Elisabeth Moss, Christoph Waltz and Anjelica Huston in small roles.  Set in a fictional city, in an undefined mid 20th Century setting, this is a delightful film, everything is intricately designed, and every frame is carefully composed.  The film moves from colour to black and white, there are spilt screen images, quirky captions,  and even a couple of animated sequences.  It feels like a delicately constructed piece of elaborate machinery, where any flaw in the thing and the whole would collapse.  Often when comedy is too carefully constructed and designed, it can work against the humour and feel airless, however this is a very funny film, although, as with most Anderson films, it is more whimsical and witty than hysterical.  The music by Alexandre Desplat helps invoke the Sixties French glamour, and the soundtrack features Charles Aznavour, Ennio Morricone, Grace Jones, Chantal Goya and Jarvis Cocker.  This is very much a Wes Anderson film and if you don't like his work, then this will likely not win you over, I do like his work and I enjoyed this film a lot. The cast is all good, and there is so much charm in this film that it is almost impossible not to be won over.  It's a love letter to journalism, sixties France and French cinema, and I was left wishing that The French Dispatch might put out some more issues.

The staff of The French Dispatch

The Usual Suspects

Year of Release:  1995
Director:  Bryan Singer
Screenplay:  Christopher McQuarrie
Starring:  Stephen Baldwin, Gabriel Byrne, Benicio del Toro, Chazz Palminteri, Kevin Pollak, Pete Postlethwaite, Kevin Spacey
Running Time:  106 minutes
Genre:  crime, thriller

This became one of the iconic films of the 1990s, launching director Bryan Singer and stars Kevin Spacey and Benicio del Toro into the front ranks of Hollywood.  Following a horrific gun battle which leaves twenty seven dead, the sole survivor, small time con man "Verbal" Kint (Spacey) tells FBI agent Kujan (Palminteri) of the events leading up to the massacre, starting six weeks earlier in New York City, when Verbal met thieves McManus (Baldwin), Fenster (del Toro), Hockney (Pollak) and Keaton (Byrne) at a police line-up.  In the holding cell they come up with an audacious robbery, that brings them into contact with lawyer Kobayashi (Postlethwaite) who claims to represent the mysterious and legendary criminal mastermind Keyser Soze.

The film is mostly constructed in a flashback structure moving between Kujan's interrogation of Verbal and Verbal's telling his story.  It's a fast-moving and intriguing story that mostly seems to be moving one way, telling a story that will doubtless be familiar to any thriller fan, but then takes some real turns, leading up to what is one of the most famous final twists in movie history.  Writer Christopher McQuarrie won the Best Original Screenplay Academy Award.

The film has some great performances, Kevin Spacey won Best Supporting Actor at the Academy Awards.  However, the casting of white English actor Pete Postlethwaite as the apparently Indian Kobayashi strikes something of a false note, although the false note might actually be intentional.  Also the only prominent female character, Keaton's lawyer girlfriend Edie played by Suzy Amis, barely has any screentime, and really has nothing to do.

The film is full of quotable lines, and Singer directs with a distinct style, creating some memorable images.  Several scenes have really entered the annals of pop-culture.  It's not a perfect film by any means, many of the characters are quite cliched and, aside really from Verbal and Keaton, the rest of the gang of crooks just seem to be there to fill up space.  It's worth watching though, because it is very entertaining, and the climax is still effective.

 Round up The Usual Suspects: Kevin Pollak, Stephen Baldwin, Benicio del Toro, Gabriel Byrne and Kevin Spacey

      

Sicario

Year of Release:  2015
Director:  Denis Villeneuve
Screenplay:  Taylor Sheridan
Starring:  Emily Blunt, Benicio del Toro, Josh Brolin, Daniel Kaluuya, Victor Garber
Running Time:  121 minutes
Genre:  crime, drama, action, thriller

This is a powerful crime thriller.  Following a raid on a suspected Mexican drug cartel's safehouse, young FBI agent Kate Marcer (Blunt) is recommended for a task force led by CIA agent Matt Graver (Brolin) and involving the ruthless and mysterious Alejandro (del Toro).  The task force's mission is to bring down the powerful cartel which owned the safehouse.  However, as the operation progresses, Kate becomes increasingly concerned about the task force's brutal tactics, and dubious morality.

There has been no shortage of gritty thrillers about drugs and guns on the Mexican-American border, but this is certainly one of the better ones.  It's a complex story that deals with the moral questions of the "War on Drugs", and how it has the potential to corrupt the very people whose job it is to protect, and the lines between the good guys and the bad guys are completely blurred here.  The title, "sicario", is Mexican for "hitman", and that applies both to the cartels and the task force assigned to bring them down.  

In the lead role Emily Blunt has too little to do, initially she is the audience surrogate, as the new person on the team she is there to get the situation and the mission explained to her/us.  However, she becomes the heart of the film.  She provides the film's humanity and moral compass, along with Daniel Kaluuya as Kate's protective partner and friend.  Benicio del Toro shines as the quietly terrifying Alejandro who is mostly quietly in the background until he snaps into action in truly shocking ways.

The pacing flags at times, and the story is a little shapeless, but this is well above the typical crime thriller and provides much food for thought.  The action scenes are well handled  and exciting.  It's a fascinating, and at times gripping thriller, and by the end it is devastating.

      Emily Blunt in Sicario

Fear and Loathing in Las Vegas

Year:  1998
Director:  Terry Gilliam
Screenplay:  Terry Gilliam, Tony Grisoni, Alex Cox and Tod Davies, based on the book Fear and Loathing in Las Vegas by Hunter S. Thompson 
Starring:  Johnny Depp, Benicio del Toro
Running Time:  119 minutes
Genre:  Drama, comedy,

This film is a screen adaptation of the cult 1971 book by Hunter S. Thompson.  In 1971, journalist Raoul Duke (Depp) and his friend and attorney Doctor Gonzo (del Toro) travel from Los Angeles to Las Vegas because Duke has an assignment to cover a prestigious motorcycle race, however they have equipped themselves with an astonishing arsenal of alcohol and illegal drugs, and manage to turn a simple sportswriting assignment into a prolonged binge of drug and alcohol fueled madness, as they tear Las Vegas apart and glimpse the dark side of the American Dream.

The film uses a barrage of visual and auditory techniques to recreate the experiences of Duke and Gonzo.  Director Terry Gilliam has a strong visual sense and the frequent use of TV screens showing footage from the Vietnam war and the anti-war protests give a sense of the wider world at the time. 

The development of the film was protracted and troubled.  Both Martin Scorsese and Oliver Stone at various times tried and failed to get film versions of the book off the ground, and Ralph Bakshi at one time tried to do it as an animated film.  Eventually British director Alex Cox was hired as a director for the film, until he fell out with Thompson and was dropped, although he is still credited as co-writer on the film.

The film features impressive performances.  Benicio del Toro put on 45 pounds in nine weeks for his role and extensively researched the life of the real life attorney Oscar Zeta Acosta (upon whom the character of Doctor Gonzo was based)  and Johnny Depp lived in Hunter Thompson's home for four months and formed a strong friendship with the writer which lasted until Thompson's death in 2005.  Raoul Duke is pretty obviously Hunter Thompson (at one point the name Raoul Duke is referred to as an assumed name, and in another scene he recieves a telegram addressed to "Thompson").  There are also a number of well-known actors in small roles, including Tobey Maguire, Cameron Diaz, Christina Ricci, Ellen Barkin and Gary Busey. 

The tone of the film veers from wild comedy to genuinely disturbing sequences and creates a powerful and memorable viewing experience.        

Benicio del Toro and Johnny Depp take a trip in Fear and Loathing in Las Vegas

Sin City

Year: 2005
Directors: Robert Rodriguez and Frank Miller, with "Special Guest Director" Quentin Tarantino
Screenplay: Frank Miller, based on the Sin City graphic novel series by Frank Miller
Starring: Bruce Willis, Mickey Rourke, Clive Owen, Jessica Alba, Benicio del Toro, Brittany Murphy, Elijah Wood, Rosario Dawson, Jaime King, Nick Stahl
Running Time: 124 minutes; 147 minutes extended cut
Genre: Crime, thriller, action, film-noir

Summary: Four stories in the violent world of Basin City (most commonly called "Sin City"). A hitman (Josh Hartnett) shares a tender moment with his victim (Marley Shelton).
Violent but honourable Marv (Rourke) wakes up next to a dead girl and finds himself accused of her murder. Determined to avenge her, he sets off on a brutal quest to find her killer.
After being humiliated during a fight with his ex-girlfriend, Shelley (Murphy), and her new boyfriend, Dwight (Owen), police officer Jack (del Toro) and his friends go too far with the prostitutes of the "Oldtown" area of the city (where the prostitutes have absolute control) and pay the inevitable price, which threatens to destroy the fragile truce between the police and the residents of Oldtown.
On the eve of his retirement, honest cop John Hartigan (Willis) rescues a young girl from a sadistic serial killer (Stahl), seriously wounding him in the process. However the killer is the son of a powerful and corrupt US Senator (Powers Boothe) and Hartigan finds himself convicted of the serial killer's crimes. Years later, the horrifically disfigured killer returns to finish what he started.

Summary: This film is based on three Sin City graphic novels: The Hard Goodbye, The Big Fat Kill and That Yellow Bastard alongside the short story "The Customer is Always Right". The film is a very faithful rendering of the graphic novels, with the books even being used as storyboards, and writer and artist Frank Miller being so involved in the direction of the film that director Robert Rodriguez gave him a credit as co director. However the Director's Guild of America refused to allow the two to share credit as they weren't an established team and Miller had never directed before. Rodriguez planned to give Miller full credit but Miller would not accept it, and neither would Rodriguez accept full credit. As a result Rodriguez resigned from the Guild so the two could share credit. Quentin Tarantino directed one scene in the film and was given a "Special Guest Director" credit.
The movie is film-noir (or more accurately, perhaps, "neo-noir") but with all the stylistic elements ramped up to the nth degree. The movie is filled with over the top graphic violence all shot in glittering high contrast black and white, with the black being as black as pitch and the white being almost dazzlingly bright, and frequent flashes of colour, usually just one element in an otherwise monochrome frame. Shot digitally the movie utilizes a multitude of special effects which actually work well, to create a bizarre and violent world. It features great performances from an all-star cast who all seem to relish Miller's hard-boiled dialogue (mostly taken verbatim from the books).
Technically startling and full of memorable scenes and dialogue, this is a thrilling and exhilirating experience from beginning to end, and one of the most faithful translations ever of a comic to the screen.



Jessica Alba and Bruce Willis in Sin City.

Swimming with Sharks

Year: 1994
Director: George Huang
Screenplay: George Huang
Starring: Kevin Spacey, Frank Whaley, Michelle Forbes, Benicio del Toro, T.E. Russell
Running Time: 93 minutes
Genre: Comedy, drama, Hollywood

Summary: In Los Angeles, California, film-school graduate Guy (Whaley) works as an assistant to powerful studio executive Buddy Ackerman (Spacey). One night, Guy shows up at Buddy's house and holds him hostage at gunpoint. During the course of the night the two relive the endless barrage of insults, abuse, humiliation and betrayal which Buddy has heaped on Guy while he has been his assistant.

Opinions: When watching this movie it is tempting to speculate on just what George Huang experienced in Hollywood to give him such a devestatingly bleak view on the place and on the people who live and work there. It is depicted as a brutal, savage jungle where everyone will line up to stab you in the back and the most horrible cruelty and betrayals are not only permitted but actively encouraged. The movie back and forth between the hostage situation in Ackerman's home and the flashbacks which make up most of the running time to Guy's experiences on the job. This is the movie which really brought Kevin Spacey, who also co-produced the film, to the attention of A-list Hollywood and he makes the most of his role as the loathsome executive spitting an endless stream of orders and the most horrible insults at a machine-gun pace and it is fair to say that he has some classic lines. Many rumours have circulated over the years as to who Ackerman is based on with real-life producers Scott Rudin and Joel Silver named. It's also worth noting that at one time Huang worked as an assistant to Barry Josephson, who was Senior Vice President of Development at Sony Pictures. The thing is that everyone else in the film is pretty much overshadowed by Spacey, although they all do well enough in their roles. Also the story has it's share of clicches and depends in several places on coincidence.
It is worth watching though for Spacey and some hilarious dialogue. A final note though is, according to the non-fiction book Down and Dirty Pictures by Peter Biskind, the film could be a pretty mild version of what life is really like in a movie studio.

"You are nothing! If you were in my toilet I wouldn't bother flushing it! My bathmat means more to me than you."
-Buddy Ackerman (Kevin Spacey) in Swimming with Sharks

The Wolfman

Year: 2010
Director: Joe Johnston
Screenplay: Andrew Kevin Walker and David Self, from an original screenplay by Curt Siodmak
Stars: Benicio del Toro, Anthony Hopkins, Emily Blunt and Hugo Weaving
Running Time: 103 minutes theatrical version and 119 minutes extended version
Genre: Horror, supernatural, thriller, monsters

Summary: In 1891, Lawrence Talbot (del Toro) is a successful Shakesperean actor on the London stage, until he is contacted by Gwen Conliffe (Blunt), his brother's fiancee, who informs him that his brother has been missing for a month. Reluctantly Lawrence returns to the family home of Talbot Hall in the village of Blackmoor, and to his estranged father, Sir John Talbot (Hopkins). On arrival Lawrence learns that his brother has been brutally killed and decides to stay until he can find out what happened to him. Treated by suspicion by the superstitious villagers, Talbot turns his investigation to the local gypsy camp when it is attacked by a vicious and powerful creature which severely wounds Lawrence. The wound heals surprisingly quickly. However at the next full moon, Lawrence undergoes a horrific transformation.

Opinions: This film is a loose remake of the 1941 movie The Wolf Man which is remembered as one of the best of the "Universal Horror" cycle released by Universal Studios during the 1930s and 1940s and produced such classics as Dracula (1931), Frankenstein (1931) and The Bride of Frankenstein (1935) before being reduced to farce in a series of movies usually featuring Abbott and Costello. This movie is not as effective as the original, but it does stand up well in it's own right. It has an atmospheric, gothic quality about it, which it maintains throughout even when it becomes a riot of CGI effects. Of course it features all the usual hallmarks of the werewolf movie, including a gruesome transformation scene (which still isn't a patch on the one in An American Werewolf in London (1981)) and plenty of annoying villagers played by the usual cast of vaguely recognisable British character actors who are so irritating that you're kind of rooting for the Wolfman to turn them into Puppy Chow. The central cast are effective, especially del Toro as the tormented Lawrence Talbot and Emily Blunt who does well with an underwritten part. Anthony Hopkins hams it up well as the creepy Sir John Talbot. The thing that the movie does lack is any kind of subtlety piling on gore, bizarre nightmare sequences and CGI creatures. It also takes it's time getting going. Interesting the movie was released in a 103 minute long version in cinemas but is also available in an extended 119 minute version. In the extended version there is an early scene which was not in the theatrical version where Gwen visits Lawrence backstage at the theatre, which creates a continuity error later on in the movie when there are repeated references to Gwen writing a letter to Lawrence instead of visiting him. The extended version also features an uncredited cameo by Max Von Sydow.
This is an enjoyable movie, and it is nice to see a real werewolf movie without vampires, for a change.