Showing posts with label Denis Villeneuve. Show all posts
Showing posts with label Denis Villeneuve. Show all posts

Saturday, 23 October 2021

Dune

 Year of Release:  2021

Director:  Denis Villeneuve

Screenplay:  Jon Spaihts, Denis Villeneuve and Eric Roth, based on the novel Dune by Frank Herbert

Starring:  Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Stellan Skarsgård, Dave Bautista, Zendaya, Chang Chen, Sharon Duncan-Brewster, Charlotte Rampling, Jason Momoa, Javier Bardem

Running Time:  156 minutes

Genre:  Science-fiction


In the far future, the most valuable substance in the universe is the "Spice" which makes interstellar travel possible.  The only place where Spice can be found is on the desert planet Arrakis (nicknamed "Dune").  for the past 80 years, the brutal House Harkonnen have held the monopoly on Spice mining on Arrakis.  The Emperor Shaddam IV transfers the rights to Arrakis to the Harkonnen's arch-rivals, the noble House Atreides.  Despite his suspicions, Duke Leto Atreides (Isaac) accepts the assignment.  Meanwhile, his son Paul (Chalamet) has been having strange, mystical dreams of Arrakis, and is on his way to his own destiny.


Franks Herbert's classic 1965 science-fiction novel Dune has baffled and stymied many a filmmaker to the extent that it has been considered "unfilmable".  Cult Chilean director Alejandro Jodorowsky planned an adaptation starring Salvador Dalí, Orson Welles, Gloria Swanson and Mick Jagger, with production design by H. R. Giger and comics artist Jean Girard (Moebius), and music by Pink Floyd, was aborted due to the planned 14 hour running time and rapidly ballooning budget.  Ridley Scott planned an adaptation, but abandoned it in favour of Blade Runner (1982).  David Lynch finally brought the novel to the screen with Dune (1984), which has had what politely could be termed a mixed reception from critics and fans, although personally I enjoyed it.  The Sci-Fi channel made a three part miniseries based on the book in 2000.    The problem for filmmakers for the book is that it is long, complex and sprawling with a complicated backstory, that is portrayed in the book through footnotes and appendices, but is difficult to portray on screen.  The first thing to be aware of with Denis Villeneuve's film is that it is properly titled Dune: Part One, and it only adapts the first half of the novel, which means that it just stops with no conclusion,  whether or not we get a Part Two depends (at the time of this writing) as to how well this does commercially. This is really a kind of mainstream art film.  It looks beautiful, with Arrakis ranging from bleached vistas, to red-gold deserts, riddled with deadly sandworms, mouths bristling with delicate, filament-like teeth; the chilly grey, Northern landscapes of the Atreides' homeward of Caladan, and the shadowy world of Geidi Prime, home of the Harkonnens, lit boy shafts of light slicing through the gloom.  Denis Villeneuve is a master of beautiful science-fiction, sometimes focussing on visual splendour at the expense of character.  The film creates this richly detailed imaginative universe, with some spectacular action scenes.  This also has some great performances, with Timothée Chalamet in particular impressive as Paul moving from sulky teen to courageous warrior, and Rebecca Ferguson as Paul's mother, Lady Jessica, a member of the mystical Bene Gesserit order, who breaks the most sacred rules of her order for love.  As it stands, this is probably the best possible adaptation of Herbert's prose in to film, if the second part gets made, it could be one of the highpoint of science-fiction in cinema.   



Rebecca Ferguson, Zendaya, Javier Bardem and Timothée Chalamet in Dune

Sunday, 8 October 2017

Blade Runner 2049

Year of Release:  2017
Director:  Denis Villeneuve
Screenplay:  Hampton Fancher and Michael Green, from a story by Hampton Fancher, based on characters from the novel Do Androids Dream of Electric Sheep? by Philip K. Dick
Starring:  Ryan Gosling, Harrison Ford, Ana de Armas, Sylvia Hoeks, Robin Wright, Mackenzie Davis, Carla Juri, Lennie James, Dave Bautista, Jared Leto
Running Time:  163 minutes
Genre:  Science-fiction

This is the long-awaited sequel to Blade Runner (1982), one of the most influential science-fiction movies of all time.  The film is set in 2049, where a series of environmental disasters have made the use of biologically engineered artificial humans known as "replicants" a necessity for humanity's survival.  However some of the older model replicants have not integrated and they are hunted down and executed (or "retired") by police "Blade Runner" units.  The film focuses on K. (Gosling), a Blade Runner, and I won't say anything else because it would be something of a spoiler.

This is possibly one of the most visually stunning films that I have ever seen.  It is absolutely beautiful, moving from neon-drenched cityscapes to desolate, grey wasteland, to burnished orange deserts, all swathed in mist, dust, rain and snow.  However, as with the original film, this is a demanding watch, because it is very slow, and long.  It moves at it's own rhythm, and if you can go along with that and surrender yourself to it's spell then it really works.  As with the original the characters tend to get washed out in the visuals.  Ryan Gosling plays his lead role in a similar manner to his role in Drive (2011), Ana de Armas gives the film some much needed heart as Gosling's hologram girlfriend, and it is worth pointing out that, while Harrison Ford does reprise his role from the first film, he does not appear until very late in this film and has little more than an extended cameo.  In fact, Harrison Ford's appearance is something of a spoiler, but he is featured very heavily on the poster and all the publicity for the film.
In many ways, I prefer this to the original, the storyline is intriguing, with an interesting central mystery, and it still tackles the Big Issues about the nature of humanity.  While the length and pace might put off some viewers, I think that this film will find it's audience sooner or later, and there are images and scenes that I think will become iconic in the future.   
See this film, and see it on the biggest screen possible. This is dark, beautiful and intelligent science-fiction.


Ana de Armas and Ryan Gosling in Blade Runner 2049       

Wednesday, 7 December 2016

Arrival

Year of Release:  2016
Director:  Denis Villeneuve
Screenplay  Eric Heisserer, based on the short story "Story of Your Life" by Ted Chiang
Starring:  Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Tzi Ma
Running Time:  116 minutes
Genre:  Science-fiction

Twelve giant objects appear floating above apparently random places around the globe.  Linguist Dr. Louise Brooks (Adams) and theoretical physicist Dr. Ian Donnelly (Renner) are called in to investigate an object hovering above Montana.  As they try and find a way to communicate with the alien creatures inside, the international situation quickly deteriorates into fear and panic, and it becomes a race against time to discover the alien's purpose before global war breaks out.

If your a fan of science-fiction, then you have likely seen about a million and one films about aliens arriving on Earth, or humans discovering aliens in outer space, and almost immediately being able to communicate with them.  This film shows how difficult communication would likely be.  If humanity was to encounter an alien race, their terms of reference, the way their minds would work, would be so different to ours, it would be extremely difficult to find any common ground.  This is not an action-packed alien invasion film, it is serious-minded science-fiction dealing with big issues such as the nature of time and memory, communication between species, human aggression and connection.  There are shades of films such as The Day the Earth Stood Still (1951), Close Encounters of the Third Kind  (1977) and Interstellar (2014) but this is very much it's own film.  There is at least one element at the end that felt a little pat, but this is a minor quibble, and this remains one of the best science-fiction films of recent years, mixing suspense, food for thought and emotion.  It benefits from some incredible performances with Amy Adams proving that she is one of the greatest actresses working today.

Amy Adams in Arrival

Wednesday, 24 August 2016

Sicario

Year of Release:  2015
Director:  Denis Villeneuve
Screenplay:  Taylor Sheridan
Starring:  Emily Blunt, Benicio del Toro, Josh Brolin, Daniel Kaluuya, Victor Garber
Running Time:  121 minutes
Genre:  crime, drama, action, thriller

This is a powerful crime thriller.  Following a raid on a suspected Mexican drug cartel's safehouse, young FBI agent Kate Marcer (Blunt) is recommended for a task force led by CIA agent Matt Graver (Brolin) and involving the ruthless and mysterious Alejandro (del Toro).  The task force's mission is to bring down the powerful cartel which owned the safehouse.  However, as the operation progresses, Kate becomes increasingly concerned about the task force's brutal tactics, and dubious morality.

There has been no shortage of gritty thrillers about drugs and guns on the Mexican-American border, but this is certainly one of the better ones.  It's a complex story that deals with the moral questions of the "War on Drugs", and how it has the potential to corrupt the very people whose job it is to protect, and the lines between the good guys and the bad guys are completely blurred here.  The title, "sicario", is Mexican for "hitman", and that applies both to the cartels and the task force assigned to bring them down.  

In the lead role Emily Blunt has too little to do, initially she is the audience surrogate, as the new person on the team she is there to get the situation and the mission explained to her/us.  However, she becomes the heart of the film.  She provides the film's humanity and moral compass, along with Daniel Kaluuya as Kate's protective partner and friend.  Benicio del Toro shines as the quietly terrifying Alejandro who is mostly quietly in the background until he snaps into action in truly shocking ways.

The pacing flags at times, and the story is a little shapeless, but this is well above the typical crime thriller and provides much food for thought.  The action scenes are well handled  and exciting.  It's a fascinating, and at times gripping thriller, and by the end it is devastating.

      Emily Blunt in Sicario