The Master

 Year:  2012

Director:  Paul Thomas Anderson

Screenplay:  Paul Thomas Anderson

Starring:  Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams

Running Time:  137 minutes

Genre:  Drama

Freddie Quell (Phoenix), a troubled, heavy drinking World War Two veteran, finds it difficult to adjust to postwar American society.  His drinking, coupled with his violent, erratic behaviour, causes him to be fired from several jobs, as he drifts across the States.  In San Francisco, Freddie meets Lancaster Dodd (Hoffman) the founder and leader of a movement known as "The Cause", which claims to help people using a confrontational technique called "Processing".  Freddie becomes fascinated by The Cause and the charismatic Dodd, and soon becomes a devoted follower.

This complex and often bleak drama, inspired by the early years of Scientology, is a powerful and sometimes disturbing piece of work.  Joaquin Phoenix gives one of his best performances as the violent alcoholic Freddie Quell.  The lecherous, mercurial Quell is often a deeply unlikeable character, but Phoenix gives us a glimpse of the humanity at his core.  Philip Seymour Hoffman is perfectly cast the charming, garrulous Dodd.  With Hoffman you can see how someone might fall for Dodd's line.  Dodd and Quell form a kind of father-son relationship, with Dodd frequently talking to him as if he's a small child, despite the fact that Hoffman was only seven years older than Phoenix.  There are moments, however, when Dodd's genial facade slips in brief explosions of rage.  Amy Adams plays Dodd's wife, Peggy, a quiet woman, who is a true believer in Dodd and The Cause, who is a mixture of charm, calm rage and steely determination.  There are also appearances from Laura Dean, Jesse Plemons and Rami Malek.  The film is far more than just a drama about a cult, it deals with America in the late 1940s early 1950s, the need to belong and the deep human will to believe in something.   Most of all it's about the strange connection between two men who are polar opposites and yet have a strange attachment.  Even when Freddie's bad behaviour alienates almost everyone around him, Dodd still insists in bringing him back into the fold.  The film's principal weakness is that it is quite meandering, it's one of those films where the story seems to have reached a conclusion, but there is still more to come.  However, this is a small criticism, since this is a truly great film.

Joaquin Phoenix, Philip Seymour Hoffman and Rami Malek in The Master
  

Big Eyes

Year:  2014

Director:  Tim Burton

Screenplay:  Scott Alexander and Larry Karaszewski

Starring:  Amy Adams, Christoph Waltz, Danny Huston, Jon Polito, Krysten Ritter, Jason Schwartzman, Terence Stamp

Running Time:  106 minutes

Genre:  Drama, comedy, biography

In 1958 aspiring artist Margaret Ulrich (Adams) leaves her husband and travels with her young daughter to San Francisco, where she meets unsuccessful but charismatic painter Walter Keane (Waltz), and they soon get married.  While Walter paints nondescript landscapes, Margaret specialises in pictures of waif-like children with oversized eyes.  As Walter continues to have no success with his own works, he begins to pass off Margaret's work as his own (she signs her paintings simply as "Keane").  The paintings become extremely successful, and Walter becomes something of a celebrity, but Margaret is increasingly dissatisfied at doing all of the work and getting none of the credit.

You may not be familiar with Margaret and Walter Keane and the slightly creepy paintings of sad children with huge eyes (which look now for all the world like the sinister Black Eyed Kids of modern urban legend).  However in the 1960s Walter Keane was a big celebrity, and the paintings were hugely popular.  It turned out of course that the paintings were all the work of his wife, Margaret.  It's a strange and interesting story, and this is an interesting film.  Director Tim Burton and screenwriters Scott Alexander and Larry Karaszewski had previously explored the odd fringes of popular culture with Ed Wood (1994), and while this shares the often humorous take and appreciation of kitsch, Big Eyes is not as distinctive or impressive.  In fact it is a surprisingly conventional film from Tim Burton who made his name with bizarre, grotesque and slightly surreal films, the main stylistic element here is that everything seems overly bright and colourful.  Amy Adams gives a muted, nuanced performance as Margaret Keane, but Christoph Waltz goes completely over the top as the charismatic conman Walter Keane, who comes across as something between a gameshow host and a sleazy used car salesman, he constantly talks about his travels throughout France, and it turns out that he spent all of a week there, and when it come to art he has far more confidence than talent.   Together Amy Adams and Christoph Waltz seem to be making two completely different films.  Amy Adams, a drama about a woman trying to find her voice, and Christoph Waltz, a broad comedy about a lovable rogue.  The film is interesting and always entertaining, but it is quite conventional.  It's certainly worth your time, but probably won't linger very long after the end credits have rolled.  

Amy Adams in Big Eyes
   

Justice League

Year of Release:  2017
Director:  Zack Snyder
Screenplay:  Chris Terrio and Joss Whedon, from a story by Zack Snyder and Joss Whedon, based on the comic book series Justice League created by Gardner Fox
Starring:  Ben Affleck, Henry Cavill, Amy Adams, Gal Gadot, Ezra Miller, Jason Momoa, Ray Fisher, Jeremy Irons, Diane Lane, Connie Nielsen, J. K. Simmons
Running Time:  120 minutes
Genre:  Science-fiction, fantasy, action,

While the world mourns the death of Superman, Bruce Wayne, aka Batman, (Affleck) becomes aware of strange, flying cybernetic alien creatures who are behind a string of abductions in Gotham City and Metropolis.  Diana Prince, aka Wonder Woman, (Gadot)  recognises them as Parademons, the army of the evil multi-dimensional entity Steppenwolf who wants to fid three powerful devices that will enable him to take over the world.  Recognising that Steppenwolf is far too powerful for them on their own, Bruce and Diana decide to recruit a team of superheroes:  Arthur Curry, aka Aquaman, (Momoa), from the undersea kingdom of Atlantis; Barry Allen, aka The Flash, (Miller), who suffered an accident that gave him the ability to move at superhuman speeds, and Victor Stone, aka Cyborg (Fisher), who was cybernetically reconstructed with alien technology following a near-fatal accident.

This is the fifth film in the DC Extended Universe series, based on characters appearing in DC Comics.  Here they seem to be following the Marvel mold, with more humour than usual and also two post-credit sequences.  The DC movies tend to be criticised for being too dark, and while this is still pretty bleak, it is still much lighter than usual.  The first half of the film is putting the team together, and introducing the characters of The Flash, Cyborg and Aquaman into the film universe, previously having only been seen in brief cameos in Batman v Superman: Dawn of Justice (2016), although of course The Flash is likely to be familiar to viewers through the TV series The Flash (2014- ).  The putting the team together scenes are too long, and Steppenwolf and his plan are all revealed too early and feel like kind of an afterthought and the action scenes don't have the sense of danger necessary to really be thrilling.  The performances are fine, Gal Gadot in particular is fantastic as Wonder Woman, and Ezra Miller is very funny as The Flash.  However, when the team are together and interacting and joking that is when the film really takes off.  The added warmth and humanity in the film is welcome, and point to a very promising future for the franchise.  A truly great movie is waiting to be made with these characters.  This isn't it, but gives cause for hope.

Batman (Ben Affleck), Wonder Woman (Gal Gadot), Cyborg (Ray Fisher), The Flash (Ezra Miller) and Aquaman (Jason Momoa) are ready for action in  Justice League.

Arrival

Year of Release:  2016
Director:  Denis Villeneuve
Screenplay  Eric Heisserer, based on the short story "Story of Your Life" by Ted Chiang
Starring:  Amy Adams, Jeremy Renner, Forest Whitaker, Michael Stuhlbarg, Tzi Ma
Running Time:  116 minutes
Genre:  Science-fiction

Twelve giant objects appear floating above apparently random places around the globe.  Linguist Dr. Louise Brooks (Adams) and theoretical physicist Dr. Ian Donnelly (Renner) are called in to investigate an object hovering above Montana.  As they try and find a way to communicate with the alien creatures inside, the international situation quickly deteriorates into fear and panic, and it becomes a race against time to discover the alien's purpose before global war breaks out.

If your a fan of science-fiction, then you have likely seen about a million and one films about aliens arriving on Earth, or humans discovering aliens in outer space, and almost immediately being able to communicate with them.  This film shows how difficult communication would likely be.  If humanity was to encounter an alien race, their terms of reference, the way their minds would work, would be so different to ours, it would be extremely difficult to find any common ground.  This is not an action-packed alien invasion film, it is serious-minded science-fiction dealing with big issues such as the nature of time and memory, communication between species, human aggression and connection.  There are shades of films such as The Day the Earth Stood Still (1951), Close Encounters of the Third Kind  (1977) and Interstellar (2014) but this is very much it's own film.  There is at least one element at the end that felt a little pat, but this is a minor quibble, and this remains one of the best science-fiction films of recent years, mixing suspense, food for thought and emotion.  It benefits from some incredible performances with Amy Adams proving that she is one of the greatest actresses working today.

Amy Adams in Arrival