Jackie Brown

Year of Release:  1997

Director:  Quentin Tarantino

Screenplay:  Quentin Tarantino, based on the novel Rum Punch by Elmore Leonard

Starring:  Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, Robert De Niro

Running Time:  154 minutes

Genre:  Crime drama

Flight attendant Jackie Brown (Grier) supplements her income by acting as courier for gun runner Ordell Robbie (Jackson).  Returning from one of her trips she is arrested by the police and ATF who are trying to find some evidence against Ordell.  Under pressure from the authorities, Jackie realises that not only her freedom but her life is in danger from Ordell.  However, with the aid of of world-weary bail bondsman Max Cherry (Forster), Jackie decides to play them off against each other in a very dangerous game.

A homage to the "Blaxploitation" films of the 1970s, and adapted from the 1992 novel Rum Punch by Elmore Leonard (to date the only Tarantino film to be adapted from another medium), this surprised many audiences and critics on it's first release.  It lacks the innovation of Pulp Fiction (1994) as well as the stylised carnage that had become the Tarantino trademark in many people's eyes.  Instead it has a level of tenderness and humanity that hadn't really appeared in Tarantino films before.  At it's core is the romance that develops between Jackie and Max, which is rare enough in Hollywood films, a romance between two older people.  While Tarantino does display his trademark stylistic flourishes in places, by and large the film takes it's time, the main pleasure here is less the complex narrative and more the characters who are allowed to develop.  Blaxploitation icon Pam Grier is perfect as the cool but vulnerable Jackie Brown and there is real chemistry between her and the rumpled Robert Forster, who gives Max real emotional weight.  Both Grier and Forster were big stars in the 1970s but hadn't headlined films in years before this revitalised their careers.  Samuel L. Jackson gives one of his best performances as the charming but terrifying gun runner.  In supporting roles are Bridget Fonda as Ordell's stoner girlfriend, Melanie; Michael Keaton as the ATF agent investigating Jackie; and Robert De Niro as Ordell's taciturn friend, all of whom are very good.  Cult actor Sid Haig, who appeared alongside Pam Grier in several Blaxploitation films, has a small role as a judge.  The script is full of Tarantino's typically profane and witty dialogue, it also proved very controversial due to the amount of racial epithets.  I can't comment on the adaptation, having not read the book, but this is definitely a Tarantino film, with many of his trademarks being present and correct, such as the cool soundtrack, references to '70s pop culture, and bare feet.  However Tarantino was frequently criticised for the level of violence, but it is quite restrained here, there are several on screen murders, but they are not particularly nor are they really dwelt upon.  It also has real heart, and is often surprisingly moving.  For a long time it seemed to be overlooked in Tarantino's oeuvre, but it has had something of a reassessment in recent years.  It may not be a perfect film, it is definitely too long, but it is very good, and worth investing the time in, even if you're not a Tarantino fan.

Pam Grier is Jackie Brown 

 

Reservoir Dogs

Year of Release:  1992
Director:  Quentin Tarantino
Screenplay:  Quentin Tarantino
Starring:  Harvey Keitel, Tim Roth, Steve Buscemi, Micheal Madsen, Chris Penn, Laurence Tierney, Quentin Tarantino, Eddie Bunker
Running Time:  94 minutes
Genre:  Thriller, Crime

When a jewelry store robbery goes badly wrong, the surviving robbers retreat to their warehouse rendezvous.  It soon becomes clear that one of them was an undercover cop.  As suspicions and accusations pile up, the survivors are soon violently out of control.

This was the film that introduced the world, for better or worse, to Quentin Tarantino.  While this was a moderate success upon it's initial US release, it was an absolute sensation in Britain, where it was very controversial due to it's violence.  Denied a home video release in Britain until 1995, the film played pretty much constantly in late-night screenings for almost three years. 
The film opens with a pre-credit sequence set in a diner where the characters banter and kvetch about Madonna and the ethics of tipping, and then you're pretty much thrown into the action.  It takes place almost entirely in the aftermath of this botched heist, and unfolds in real time in this derelict warehouse, with flashbacks delineating the backstories of various characters and the events leading up to and immediately following the robbery (which crucially we never actually see).  It's well-written with Tarantino's typically profane, pop-culture fueled dialogue, and well-performed by a talented cast of notable character actors.  It's a violent, bloody film but not quite as violent as it's reputation suggests, the famous ear-slicing scene is never actually shown in all it's gory details.
It's a gritty, funny and genuinely exciting thriller.  Tarantino has made better films, but none of them have the stripped-down, muscular grit of this one.

Micheal Madsen, Harvey Keitel and Steve Buscemi in Reservoir Dogs 
         

Desperado

Year of Release:  1995
Director:  Robert Rodriguez
Screenplay:  Robert Rodriguez
Starring:  Antonio Banderas, Joaquim de Almeida, Salma Hayek, Steve Buscemi, Cheech Marin, Quentin Tarantino
Running Time:  105 minutes
Genre:  Action

This film is a sequel to Robert Rodriguez ultra-low-budget debut El Mariachi (1992), but is also kind of a remake with a much bigger budget, because, although it follows directly on from El Mariachi, and events from that film are referenced, it follows the plot of the first very closely, and several set-pieces form the original are recreated on a much grander scale.  The unnamed Mariachi (Bandreas, replacing Carlos Gallardo from the first film) is seeking revenge on crime boss, Bucho (de Almeida), for the death of his one true love.  With the help of his American pal (Buscemi), the Mariachi wanders from town to town with a guitar case full of guns pursuing Bucho.

Full of stylish action and violence, which is graphic enough to be appealing to action fans, but not too graphic to be too disturbing.  Antonio Banderas makes for a great action hero, and Salma Hayek, who made her breakthrough performance with this film, is good as the bookstore owner who helps the Mariachi.  There is also a fun cameo from Quentin Tarantino.  This is the kind of movie that is just a fun action packed romp.        

Salma Hayek and Antonio Banderas in Desperado

Natural Born Killers

Year: 1994
Director: Oliver Stone
Screenplay: Oliver Stone, Dave Veloz and Richard Rutowski, from a story by Quentin Tarantino
Starring: Woody Harrelson, Juliette Lewis, Robert Downey, Jr., Tom Sizemore, Tommy Lee Jones, Rodney Dangerfield
Running Time: 119 minutes, and a 123 minute Director's Cut
Genre: Crime, thriller, action, satire, dark comedy

Opinions: Mickey Knox (Harrelson) and Mallory Knox (Lewis) are a married pair of serial killers who leave a swathe of murder and devastation over the southern USA. They are chased by unbalanced celebrity cop Jack Scagnetti (Sizemore), who has a personal mission against serial killers, and sleazy Australian television personality Wayne Gale (Downey, Jr.), host and producer of popular true-crime show American Maniacs, alongside almost every law enforcement agency in the USA.
While seeking treatment for a rattlesnake bite, Mickey and Mallory are arrested, after a three week crime spree that has left fifty-two people dead. A year later they are in prison, and the warden, Dwight McClusky (Jones), enlists Scagnetti to help transport the two to a mental hospital with the understanding that they will be killed on the way. However, Mickey has plans of his own and agrees to a live TV interview with Gale as tensions in the prison approach boiling point.

Opinions: This film, based loosely on an original screenplay by Quentin Tarantino, was hugely controversial on its orignally release for its arguable glamorising of the violence. The movie utilises almost every cinematic technique in the book, the film stock changes seemingly at random, moves from colour to black-and-white, tinted images, weird camera angles, animation, on-screen captions, stock footage, distorted images, clips from TV shows and movies, a frenzied editing style and weird back-projection. Some scenes detailing Mallory's abusive family life are even shot in the style of an old TV sitcom. This is combined with a frenetic and eclectic soundtrack which blends in everything from classical to country to hard rock.
Woody Harrelson is genuinely terrifying as the charismatic but murderous Mickey, and he gets strong support from Juliette Lewis as the frenzied Mallory, both of whom manage to be genuinely touching in their romantic scenes. Tom Sizemore also works well as the sinister cop on their trail. However both Robert Downey, Jr. and Tommy Lee Jones are completely over the top as the TV journalist and prison warden respectively. Which does largely fit in with Stone's excessive style.
The movie is an attack on the way that the media ostensibly condemns criminals while at the same time glamorising them, which is not a particularly new point, and it's treatment here is not in any way subtle, but is effective.
The film is still shocking and disturbing though more for it's style than for anything really in the content. It has aged surprisingly well, and remains a striking and memorable viewing experience.



Woody Harrelson and Juliette Lewis pose for the camera in Natural Born Killers

Sin City

Year: 2005
Directors: Robert Rodriguez and Frank Miller, with "Special Guest Director" Quentin Tarantino
Screenplay: Frank Miller, based on the Sin City graphic novel series by Frank Miller
Starring: Bruce Willis, Mickey Rourke, Clive Owen, Jessica Alba, Benicio del Toro, Brittany Murphy, Elijah Wood, Rosario Dawson, Jaime King, Nick Stahl
Running Time: 124 minutes; 147 minutes extended cut
Genre: Crime, thriller, action, film-noir

Summary: Four stories in the violent world of Basin City (most commonly called "Sin City"). A hitman (Josh Hartnett) shares a tender moment with his victim (Marley Shelton).
Violent but honourable Marv (Rourke) wakes up next to a dead girl and finds himself accused of her murder. Determined to avenge her, he sets off on a brutal quest to find her killer.
After being humiliated during a fight with his ex-girlfriend, Shelley (Murphy), and her new boyfriend, Dwight (Owen), police officer Jack (del Toro) and his friends go too far with the prostitutes of the "Oldtown" area of the city (where the prostitutes have absolute control) and pay the inevitable price, which threatens to destroy the fragile truce between the police and the residents of Oldtown.
On the eve of his retirement, honest cop John Hartigan (Willis) rescues a young girl from a sadistic serial killer (Stahl), seriously wounding him in the process. However the killer is the son of a powerful and corrupt US Senator (Powers Boothe) and Hartigan finds himself convicted of the serial killer's crimes. Years later, the horrifically disfigured killer returns to finish what he started.

Summary: This film is based on three Sin City graphic novels: The Hard Goodbye, The Big Fat Kill and That Yellow Bastard alongside the short story "The Customer is Always Right". The film is a very faithful rendering of the graphic novels, with the books even being used as storyboards, and writer and artist Frank Miller being so involved in the direction of the film that director Robert Rodriguez gave him a credit as co director. However the Director's Guild of America refused to allow the two to share credit as they weren't an established team and Miller had never directed before. Rodriguez planned to give Miller full credit but Miller would not accept it, and neither would Rodriguez accept full credit. As a result Rodriguez resigned from the Guild so the two could share credit. Quentin Tarantino directed one scene in the film and was given a "Special Guest Director" credit.
The movie is film-noir (or more accurately, perhaps, "neo-noir") but with all the stylistic elements ramped up to the nth degree. The movie is filled with over the top graphic violence all shot in glittering high contrast black and white, with the black being as black as pitch and the white being almost dazzlingly bright, and frequent flashes of colour, usually just one element in an otherwise monochrome frame. Shot digitally the movie utilizes a multitude of special effects which actually work well, to create a bizarre and violent world. It features great performances from an all-star cast who all seem to relish Miller's hard-boiled dialogue (mostly taken verbatim from the books).
Technically startling and full of memorable scenes and dialogue, this is a thrilling and exhilirating experience from beginning to end, and one of the most faithful translations ever of a comic to the screen.



Jessica Alba and Bruce Willis in Sin City.