Looper

Year: 2012

Director: Rian Johnson
Screenplay: Rian Johnson
Starring: Joseph Gordon-Levitt, Bruce Willis, Emily Blunt, Paul Dano, Noah Segan, Piper Perabo, Jeff Daniels
Running Time: 118 minutes
Genre: Science-fiction, thriller, time travel
In the year 2044 time travel is still thirty years aways from being a reality. However, mobsters in the future use the technology to send their victims back in time to 2044 where they are immediately executed by hit-men known as "Loopers". If a Looper survives long enough he too is sent back in time to 2044 to be killed by his younger self, this is called "closing the loop", and if a Looper fails to kill his future self for whatever reason then the consequences for both of them are severe. Joe (Gordon-Levitt) is a Looper and a drug addict who has ambitions for a better life in France. However, one day Joe discovers that it is his turn to close the loop when his future self (Willis) is sent back for him to kill. However the older Joe escapes and soon younger Joe is on his trail desperate to kill him and make things right. Joe's boss, Abe (Daniels), a gangster from the future living in the past, sends every man he has to dispose of both versions of Joe.
This is an intriguing time travel film which has a fascinating take on the idea of the the temporal paradox which has been a mainstay of time travel stories right from the start. There are obvious influences of The Terminator (1984) and 12 Monkeys (1996), which also starred Bruce Willis. The future Joe hopes to change the past to influence the future. There is also the intesting concept of how you would react if you came face to face with either your younger self or your older self. One of the key scenes in the film being a discussion between the future and the present versions of Joe in a diner, where the older Joe refuses to discuss the complexities of time travel on the grounds that it makes your head hurt. Another key scene occurs when another Looper doesn't kill his future self and ends up being captured and tortured. The torture is depicted as the future version runs, old scars start appearing, his facial features become increasingly disigured and limbs start disappearing and his personality starts changing as the memories of the torture begin to assert themselves.

Joseph Gordon-Levitt, with prosthetics to make him more convincing as a young Bruce Willis, carries the film with a great performance marrying toughness, cockiness and emerging sensitivity, while Bruce Willis is as lost and confused as he was in 12 Monkeys but this time with a horrible moral dilemma to contend with. Emily Blunt is also impressive as the young single mother on whose farm young Joe takes refuge.

This is a dark film with a shocking twist that probably very few mainstream film-makers would have the courage to pull off. It also features an impressive depiction of a depressing, post-economic crash, noirish world. With recent films such as Moon (2009), Inception (2010) and Source Code (2011), intelligent science-fiction is in great shape at the moment and this is one of the best examples of the genre.

Joseph Gordon-Levitt and Bruce Willis in Looper

Sin City

Year: 2005
Directors: Robert Rodriguez and Frank Miller, with "Special Guest Director" Quentin Tarantino
Screenplay: Frank Miller, based on the Sin City graphic novel series by Frank Miller
Starring: Bruce Willis, Mickey Rourke, Clive Owen, Jessica Alba, Benicio del Toro, Brittany Murphy, Elijah Wood, Rosario Dawson, Jaime King, Nick Stahl
Running Time: 124 minutes; 147 minutes extended cut
Genre: Crime, thriller, action, film-noir

Summary: Four stories in the violent world of Basin City (most commonly called "Sin City"). A hitman (Josh Hartnett) shares a tender moment with his victim (Marley Shelton).
Violent but honourable Marv (Rourke) wakes up next to a dead girl and finds himself accused of her murder. Determined to avenge her, he sets off on a brutal quest to find her killer.
After being humiliated during a fight with his ex-girlfriend, Shelley (Murphy), and her new boyfriend, Dwight (Owen), police officer Jack (del Toro) and his friends go too far with the prostitutes of the "Oldtown" area of the city (where the prostitutes have absolute control) and pay the inevitable price, which threatens to destroy the fragile truce between the police and the residents of Oldtown.
On the eve of his retirement, honest cop John Hartigan (Willis) rescues a young girl from a sadistic serial killer (Stahl), seriously wounding him in the process. However the killer is the son of a powerful and corrupt US Senator (Powers Boothe) and Hartigan finds himself convicted of the serial killer's crimes. Years later, the horrifically disfigured killer returns to finish what he started.

Summary: This film is based on three Sin City graphic novels: The Hard Goodbye, The Big Fat Kill and That Yellow Bastard alongside the short story "The Customer is Always Right". The film is a very faithful rendering of the graphic novels, with the books even being used as storyboards, and writer and artist Frank Miller being so involved in the direction of the film that director Robert Rodriguez gave him a credit as co director. However the Director's Guild of America refused to allow the two to share credit as they weren't an established team and Miller had never directed before. Rodriguez planned to give Miller full credit but Miller would not accept it, and neither would Rodriguez accept full credit. As a result Rodriguez resigned from the Guild so the two could share credit. Quentin Tarantino directed one scene in the film and was given a "Special Guest Director" credit.
The movie is film-noir (or more accurately, perhaps, "neo-noir") but with all the stylistic elements ramped up to the nth degree. The movie is filled with over the top graphic violence all shot in glittering high contrast black and white, with the black being as black as pitch and the white being almost dazzlingly bright, and frequent flashes of colour, usually just one element in an otherwise monochrome frame. Shot digitally the movie utilizes a multitude of special effects which actually work well, to create a bizarre and violent world. It features great performances from an all-star cast who all seem to relish Miller's hard-boiled dialogue (mostly taken verbatim from the books).
Technically startling and full of memorable scenes and dialogue, this is a thrilling and exhilirating experience from beginning to end, and one of the most faithful translations ever of a comic to the screen.



Jessica Alba and Bruce Willis in Sin City.