Hitman's Wife's Bodyguard

 Year of Release: 2021

Director:  Patrick Hughes

Screenplay:  Tom O'Connor, Brandon Murphy, Philip Murphy

Starring:  Ryan Reynolds, Samuel L. Jackson, Salma Hayek, Antonio Banderas, Frank Grillo, Morgan Freeman, Richard E. Grant

Running Time:  100 minutes

Genre:  Action, comedy

Former bodyguard Michael Bryce (Reynolds), whose license has been suspended, takes a sabbatical on advice of his therapist.  However, his rest is soon ruined when he is contacted by Sonia Kincaid (Hayek), the wife of hitman Darius Kincaid (Jackson).  The three soon find themselves caught up in a plot to destroy the power grid and infrastructure of the whole of Europe.

I have not seen The Hitman's Bodyguard (2017), so I can't say how good a sequel this is.  It is basically a blend of James Bond-style spy thriller, action and comedy and it really doesn't always hold together.  It's often funny, and the three leads have real chemistry together, and are all talented comedy performers, but there really is nothing novel or original here.  Despite not being a long film, it still feels stretched, jokes are repeated, and the frequent action setpieces, while well-staged, were old hat back in the 1980s.  There is also a problem with tone, where it does touch on the sanctions imposed by the European Union against Greece, and the very real problems going on there, but it doesn't fit with the goofy tone of the rest of there film.  Also the frequent violence is surprisingly sadistic.  Given the comedic nature of the film it is really quite graphic.  Antonio Banderas has some good moments as the villain of the piece, despite a ridiculous hairpiece, Frank Grillo plays an obnoxious American Interpol agent who really doesn't do much except yell at people and insult his Scottish translator (Alice McMillan), but Morgan Freeman is very funny, and there are appearances from British TV comedy star Rebecca Front as Bryce's therapist, and Richard E. Grant and Gary Oldman appear in small roles.  If you are a fan, or really seen any of this type of film, then you will have seen this all before, but is is enjoyable enough, and there are some laughs to be had.  It will find it's rightful place in a few months time on late night TV.

Ryan Reynolds, Salma Hayek and Samuel L. Jackson in Hitman's Wife's Bodyguard

Jackie Brown

Year of Release:  1997

Director:  Quentin Tarantino

Screenplay:  Quentin Tarantino, based on the novel Rum Punch by Elmore Leonard

Starring:  Pam Grier, Samuel L. Jackson, Robert Forster, Bridget Fonda, Michael Keaton, Robert De Niro

Running Time:  154 minutes

Genre:  Crime drama

Flight attendant Jackie Brown (Grier) supplements her income by acting as courier for gun runner Ordell Robbie (Jackson).  Returning from one of her trips she is arrested by the police and ATF who are trying to find some evidence against Ordell.  Under pressure from the authorities, Jackie realises that not only her freedom but her life is in danger from Ordell.  However, with the aid of of world-weary bail bondsman Max Cherry (Forster), Jackie decides to play them off against each other in a very dangerous game.

A homage to the "Blaxploitation" films of the 1970s, and adapted from the 1992 novel Rum Punch by Elmore Leonard (to date the only Tarantino film to be adapted from another medium), this surprised many audiences and critics on it's first release.  It lacks the innovation of Pulp Fiction (1994) as well as the stylised carnage that had become the Tarantino trademark in many people's eyes.  Instead it has a level of tenderness and humanity that hadn't really appeared in Tarantino films before.  At it's core is the romance that develops between Jackie and Max, which is rare enough in Hollywood films, a romance between two older people.  While Tarantino does display his trademark stylistic flourishes in places, by and large the film takes it's time, the main pleasure here is less the complex narrative and more the characters who are allowed to develop.  Blaxploitation icon Pam Grier is perfect as the cool but vulnerable Jackie Brown and there is real chemistry between her and the rumpled Robert Forster, who gives Max real emotional weight.  Both Grier and Forster were big stars in the 1970s but hadn't headlined films in years before this revitalised their careers.  Samuel L. Jackson gives one of his best performances as the charming but terrifying gun runner.  In supporting roles are Bridget Fonda as Ordell's stoner girlfriend, Melanie; Michael Keaton as the ATF agent investigating Jackie; and Robert De Niro as Ordell's taciturn friend, all of whom are very good.  Cult actor Sid Haig, who appeared alongside Pam Grier in several Blaxploitation films, has a small role as a judge.  The script is full of Tarantino's typically profane and witty dialogue, it also proved very controversial due to the amount of racial epithets.  I can't comment on the adaptation, having not read the book, but this is definitely a Tarantino film, with many of his trademarks being present and correct, such as the cool soundtrack, references to '70s pop culture, and bare feet.  However Tarantino was frequently criticised for the level of violence, but it is quite restrained here, there are several on screen murders, but they are not particularly nor are they really dwelt upon.  It also has real heart, and is often surprisingly moving.  For a long time it seemed to be overlooked in Tarantino's oeuvre, but it has had something of a reassessment in recent years.  It may not be a perfect film, it is definitely too long, but it is very good, and worth investing the time in, even if you're not a Tarantino fan.

Pam Grier is Jackie Brown 

 

Captain Marvel

Year of Release:  2019
Directors:  Anna Boden and Ryan Fleck
Screenplay:  Anna Boden, Ryan Fleck and Geneva Robertson-Dwort, story by Nicole Perlman, Meg Lefeuvre, Anna Boden, Ryan Fleck and Geneva Robertson-Dwort, and based on a character created by Stan Lee, Jack Kirby, Gene Colan and Roy Thomas
Starring:  Brie Larson, Samuel L. Jackson, Ben Mendelsohn, Djimou Hounsou, Lee Pace, Lashana Lynch, Gemma Chan, Annette Bening, Clark Gregg, Jude Law
Running Time: 124 minutes
Genre: Science-fiction, action, adventure, superhero

In the year 1995, on the planet Hala, homeworld of the Kree Empire, Vers (Larson) is training to be a warrior, but is haunted by nightmares of a past on Earth that she does not consciously remember.  The Kree are at war with the shape-shifting Skrulls.  When a mission to extract a Kree spy turns out to be a Skrull trap, Vers is captured and her mind is probed, revealing that she is a human from Earth.  Vers escapes to Earth and soon learns that she is a test pilot named Carol Danvers.  Teaming up with spy Nick Fury (Jackson) Carol fights to stop the Skrull infiltrating Earth, as well as trying to discover the secret of her past and powers.

This is the latest entry in the seemingly endless MCU (Marvel Cinematic Universe) franchise based on Marvel comicbooks.  At this late stage, the MCU is like a well-oiled machine, churning out well-made, entertaining films at a rate of two or three a year, so it really isn't a surprise that this is a good, fun film.  Here we are introduced to Carol Danvers, aka Captain Marvel, and the usual superhero origin story film tends to be:  The hero is introduced as a normal person, they get their powers somehow, they learn how to use their powers and finally fight with a villain for the rest of the film.  Here Carol already has powers, and her origin story is a mystery that is revealed slowly throughout the film.  The film is funny, well-paced, with some genuinely exciting action scenes (even if, as is almost inevitable with these movies, it feels like a special effects showcase towards the end), and there is fun 1990s nostalgia.  The script is well-written, with regular twists and surprises, and a surprisingly contemporary relevance.  Brie Larson is a great actress, and she is perfectly cast as Carol Danvers, making for an engaging, kickass new hero, and she has real chemistry with a youthed down Samuel L. Jackson as a young Nick Fury, and it's fun to see Fury take his first steps into the superhero universe.  There is a fun cameo from the late Stan Lee riffing on his cameo in Mallrats (1995).  While there are many references to other MCU movies this can be enjoyed even if you've somehow avoided the others.  The ending sets up sequels and, to be honest, I am more looking forward to them than I am to the upcoming Avengers: Endgame. 
A quick note: As always with MCU films there are additional scenes during the end credits, here there are two, one in the middle of the credits and one at the very end, so make sure to stick around.   

Brie Larson leads the charge in Captain Marvel   

Trees Lounge

Year of Release:  1996
Director:  Steve Buscemi
Screenplay:  Steve Buscemi
Starring:  Steve Buscemi, Chloe Sevigny, Mark Boone Junior, Anthony LaPaglia, Elizabeth Bracco, Seymour Cassel, Carol Kane, Samuel L. Jackson
Running Time:  95 minutes
Genre:  Drama, slice-of-life

In a tough, working-class neighbourhood of New York City, alcoholic Tommy Basilio (Buscemi) is a fixture at the local bar, Trees Lounge.  His girlfriend of eight years has left him for his boss and former best friend, Rob (LaPaglia).  Rob subsequently fired Tommy from his job as a mechanic for stealing money form the till.  In between drinking at the Trees Lounge, Tommy spends his time half-heartedly looking for work, eventually being given an ice-cream truck, following the death of the owner.  He also manages to form a connection with Debbie (Sevigny), the seventeen-year-old niece of a former girlfriend.

This is a downbeat, slice-of-life drama, very much in the John Cassavetes school of gritty realism, and features Cassavetes regular Seymour Cassel.  By and large the film sticks with Tommy, but it also deals with the lives of other Trees Lounge regulars, all of whom seem to lead pretty miserable lives.  Some crucial elements in the film are left ambiguous, not depicted on screen we are left to decide for ourselves what really happened from the often differing versions of events that the characters give us.  Not much happens in the film and, in keeping with the lives these characters lead, there are no real conclusions, despite glimmerings of hope it looks as if they will keep doing the same things over and over again.  This is a strong debut from Buscemi as a writer-director making largely unlikeable characters sympathetic and giving the film a strain of dark comedy.  The film has a strong cast full of recognisable faces from nineties independent movies.  The film's largely plotless nature and slow pace may put off some viewers but it is worth sticking with because it is a well-performed and well-written drama.  Buscemi scripted and directed one other film Animal Factory (2003) and has directed a number of TV episodes, but Trees Lounge really makes me which that he had done more as a writer/director because, on the evidence of this, he could have become a notable filmmaker as well as an actor.     

Steve Buscemi in Trees Lounge

Iron Man 2

Year: 2010
Director: Jon Favreau
Screenplay: Justin Theroux, based on the comic-book series Iron Man by Stan Lee, Larry Lieber, Don Heck and Jack Kirby
Starring: Robert Downey, Jr., Gwyneth Paltrow, Don Cheadle, Scarlett Johansson, Sam Rockwell, Mickey Rourke, Samuel L. Jackson
Running Time: 125 minutes
Genre: Superhero, action, science-fiction

Summary: Billionaire industrialist Tony Stark (Downey, Jr.) has publicly revealed himself as armoured superhero "Iron Man". With Iron Man helping to maintain world peace, Stark becomes a beloved national hero. However the US Government are deeply uncomfortable with allowing the technology and power of the Iron Man armour to remain in private hands and demands that Stark hands over his armour and equipment.
However Stark is more concerned about the fact that the equipment which he designed to save his life and power the Iron Man armour is slowly poisoning him and his behaviour becomes increasingly irrational and unstable much to the concern of his friends such as Air Force Lieutenant Colonel James "Dusty" Rhodes (Cheadle) and Pepper Potts (Paltrow), as well as mysterious new employee Natalie Rushman (Johansson).
Meanwhile Stark's arch-rival Justin Hammer (Rockwell) enlists the help of murderous Russina scientist Ivan Vanko (Rourke) to build an even more advanced version of the Iron Man armour in order to beat Stark. However, Vanko has an agenda all of his own.

Opinions: This movie is a fun sequel to Iron Man (2008) and is intended to be the middle part of a proposed trilogy. The special effects are spectacular and the movie includes some memorable set pieces, such as Mickey Rourke's interruption of the Monaco Grand Prix. The piece is anchored by some great performances from a very talented cast. Robert Downey, Jr. does brilliant work in the central role, making the character of Tony Stark, who could very easily come across as just obnoxious, arrogant and cocky, both likeable and sympathetic. Gwyneth Paltrow also does well as Stark's put upon friend and assistant.
The problem that the film has is that there are so many story lines running through it that they don't all have a chance to fully develop. Also, despite the set pieces, through most of the middle of the film there isn't really much of a sense of jepordy or danger.
However the script is witty and the film is well directed making of a great piece of action entertainment. It should appeal to people who aren't necessarily superhero fans, since it isn't as fantasy oriented as most superhero movies, and plays more as a techno thriller. It also doesn't hurt that the film includes Scarlett Johansson in a very fetching superhero costume.
Watch out for comic-book icon Stan Lee appearing in a brief cameo (where he is mistaken for Larry King). There is also a brief scene at the end of the closing credits which serves almost as a teaser for Thor (2011). Thor, Hulk, Iron Man and Captain America are due to meet up in The Avengers which is due for release in 2012.



Robert Downey, Jr. faces off in Iron Man 2