The Batman

Year:  2022

Director:  Matt Reeves

Screenplay:  Matt Reeves and Peter Craig, based on characters from DC Comics

Starring:  Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, Colin Farrell

Running Time:  176 minutes

Genre:  Action, superhero, crime, thriller

On Halloween night, the mayor of Gotham City is brutally murdered by a masked individual calling himself The Riddler (Dano), who leaves a series of cryptic clues aimed at masked vigilante, the Batman (Pattinson), the secret identity of reclusive billionaire Bruce Wayne, who has been fighting crime in Gotham for two years.  As Batman investigates, he realises that The Riddler is just getting started, as more and more of the great and good in Gotham turn up murdered.  With the help of nightclub waitress Selina Kyle (Kravitz), who has her own secret, the Batman uncovers a vast criminal conspiracy, which hits uncomfortably close to home.  

It's tempting to roll the eyes at the thought of yet another Batman film, or indeed yet another superhero film as the last ten years has seen a seemingly endless stream of them.  The tendency, particularly of the Batman films, has been to get increasingly dark and gritty, which to be fair is in keeping with the character's origins in the pages of Detective Comics in 1939, but a long way from the colourful, campy Batman TV series with Adam West and Burt Ward which defined the character for decades, at least until the 1989 Tim Burton Batman film.  Despite Batman Forever (1995) and Batman and Robin (1997) the character seems to get darker and grittier with each new iteration, and this is possibly the bleakest yet.  Devoid of light (literally for the most part, the film takes place almost entirely at night in gloomy, cavernous rooms, and strobe-lit nightclubs), humour and mostly any sense of hope, this is Batman for the 2020s.   It is less of a superhero action film, although there are some very good action scenes, including a spectacular car chase, it's more of a gritty crime thriller, closer to films such as Se7en (1995).  Batman is more of a detective here, trying to crack the case by solving the clues and interviewing witnesses and suspects.  Robert Pattinson is good as Batman, and his Bruce Wayne is a very different take on the character.  Instead of the traditional billionaire playboy, his Bruce is a recluse lurking around the Batcave, always in black, listening to Nirvana and writing his thoughts in a journal. and seems to be more than. little bit disturbed, closer to characters such as Travis Bickle in Taxi Driver (1976) or Rorschach in the comic series Watchmen (1986-87), who incidentally was inspired by Batman.  Andy Serkis plays Alfred, Bruce's one connection to a normal life.  Zoë Kravitz is very good as Selina Kyle aka Catwoman, who helps Batman for her own purposes and whose moral ambiguity challenges Batman's black-and-white worldview.  Paul Dano is chilling as the Riddler, turning the character from a gimmicky prankster to a genuinely frightening killer.  Jeffrey Wright is good as Commissioner Gordon, Batman's friend on the police force, and one of the few honest cops in a corrupt city.  Colin Farrell is almost completely unrecognisable under layers of makeup as mobster and club owner the Penguin.  While the Batmobile does make an appearance in the film, and very impressive it is too, Batman uses less gadgets than usual in these films, mostly allowing his targets to hear his heavy footfalls as he looms from the shadows  This is an impressive and complex film which spins out an intriguing mystery and remains gripping throughout what could politely be described as a generous run time.  While this may be too dark and sombre for many people's tastes it feels right for the character, and I liked the fact that it was a smaller scale than most recent superhero films, and I also liked the portrayal of Batman as a crime-solving detective.

Catwoman (Zoë Kravitz) and Batman (Robert Pattinson) in The Batman

The Lighthouse

Year of Release:  2019

Director:  Robert Eggers

Screenplay:  Robert Eggers and Max Eggers

Starring:  Robert Pattinson, Willem Dafoe

Running Time:  109 minutes

Genre:  Period drama, horror

In the late 19th century, two lighthouse keepers (or "wickies") head out to tend to a remote lighthouse off the coast of New England.  When they are stranded at the lighthouse during a terrible storm, their sanity begins to unravel due to the stress, the lack of supplies, the harsh conditions on the island, their isolation and their heavy drinking.

Director and co-writer Robert Eggers first came to prominence in 2016 with his feature debut The Witch, and has come out with one of the strangest films in recent years.  Filmed in crisp black-and-white, with dialogue influenced by the journals of lighthouse keepers of the period and the works of 19th Century American writer Sarah Orne Jewett, with elements from Herman Melville, Samuel Taylor Coleridge, Robert Louis Stevenson and Edgar Allan Poe, the film mixes bleak realism, surreal fantasy and elements of lowbrow comedy (there are a surprising amount of fart jokes).  The film is almost entirely a two hander between Robert Pattinson as the neurotic newcomer and Willem Dafoe, as the irritable, superstitious veteran, both turning in fantastic performances, alternating between tentative friendliness, almost homoerotic intimacy, odd-couple comedy and real menace and threat as the balance of powers shifts in some unexpected ways.  The film almost feels like a queasy nightmare, and a relic from a previous age.  It's full of references to art, literature and mythology, and cinematically feels like a folk horror film from Ingmar Bergman or Carl Theodor Dreyer, although it properly belongs to a world far older than cinema.  This is a film that may not exactly be enjoyable in a conventional sense, but people will be looking at it and analysing it for years to come.

 Willem Dafoe and Robert Pattinson in The Lighthouse

Tenet

Year of Release:  2020
Director:  Christopher Nolan
Screenplay:  Christopher Nolan
Starring:  John David Washington, Robert Pattinson, Elizabeth Debicki, Dimple Kapadia, Michael Caine, Kenneth Branagh
Running Time:  150 minutes
Genre:  Thriller, science-fiction, spy

The Protagonist (Washington) is a secret agent who finds himself embroiled in a bizarre adventure involving weapons that are "chronologically inverted" meaning that they move backwards in time, and the effect comes before the cause.  These weapons have the potential to destroy the world due to entropy.

This film has had a difficult road to the screen, despite being one of 2020's most anticipated films, having been delayed three times due to the COVID-19 pandemic.  Is it worth the wait?  Yes and no.  Tenet is almost textbook Nolan, for better and worse.  It features some incredible action set pieces, and much of it is really exciting, it also has some great performances, with John David Washington, in particular, impressive as the suave super-spy.  However the plot is extremely confusing and it is often hard to follow.  You really need to keep your wits about you the entire time, there is not much humour, and the dialogue is full of complex exposition.  It also has an air of coldness and detachment about the whole thing, which makes it hard to engage with the characters.  It is still worth seeing, though,  because when it is good, it is very very good, and there are times when it is an extremely exciting, complex thriller.

Robert Pattinson and John David Washington in Tenet 

High Life

Year of Release: 2018
Director:  Claire Denis
Screenplay:  Claire Denis and Jean-Pol Fargeau, story by Claire Denis
Starring:  Robert Pattinson, Juliette Binoche, André Benjamin, Mia Goth
Running Time:  110 minutes
Genre:  Science-fiction, horror, drama

A group of death-row inmates are sent on an expedition into deep space to attempt to extract energy from a Black Hole.  The expedition has been sold to them as an alternative to the death penalty, but in reality they have no way of ever returning to Earth.  On the long voyage the prisoners are subjected to a series of medical experiments by the sinister Doctor Dibs (Binoche).  As time goes on the tensions between the prisoners, in the close quarters of the increasingly run-down spaceship lead to madness and violence.

This is the first English-language film, and the first science-fiction film from critically acclaimed French director Claire Denis.  It has to be said that for anyone looking for sci-fi action-adventure, you will not find it in High Life.  Told in a fragmented, non-linear style, this is a slow, meditative film, punctuated by brief bursts of graphic violence, and explicit sex and nudity.  The prisoners are kept drugged throughout most of their voyage and speak to each other in slow, hushed tones.  The film opens with Robert Pattinson's Monte, who has been condemned for killing his friend over a dog as a child, alone on the spaceship with his baby daughter.  The rest of the crew and prisoners are all dead, and the bulk of the film is taken up with flashbacks to how the prisoners met their fates and how Monte came to have a child in outer space, and flashforwards.  Pattinson gives an icy performance as Monte, usually calm and introverted, but given to bouts of violence.  Juliette Binoche is also memorable as the disturbed and frustrated Doctor Dibs, who uses the other prisoners for sex and experimentation.  The film is frequently aching slow and deathly dull, punctuated by genuinely shocking scenes (including scenes of sexual assault), and hauntingly beautiful images.  The film is at it's best in the later scenes with Monte and his teenage daughter (played by Jessie Ross), which provide the only touches of warmth and humanity in the film.  I did not enjoy this film, I probably won't see it again, and yet there are moments that I think will stay with me for a long time.

Jessie Ross and Robert Pattinson blast off in High Life