Year: 2022
Director: Matt Reeves
Screenplay: Matt Reeves and Peter Craig, based on characters from DC Comics
Starring: Robert Pattinson, Zoë Kravitz, Paul Dano, Jeffrey Wright, John Turturro, Peter Sarsgaard, Andy Serkis, Colin Farrell
Running Time: 176 minutes
Genre: Action, superhero, crime, thriller
On Halloween night, the mayor of Gotham City is brutally murdered by a masked individual calling himself The Riddler (Dano), who leaves a series of cryptic clues aimed at masked vigilante, the Batman (Pattinson), the secret identity of reclusive billionaire Bruce Wayne, who has been fighting crime in Gotham for two years. As Batman investigates, he realises that The Riddler is just getting started, as more and more of the great and good in Gotham turn up murdered. With the help of nightclub waitress Selina Kyle (Kravitz), who has her own secret, the Batman uncovers a vast criminal conspiracy, which hits uncomfortably close to home.
It's tempting to roll the eyes at the thought of yet another Batman film, or indeed yet another superhero film as the last ten years has seen a seemingly endless stream of them. The tendency, particularly of the Batman films, has been to get increasingly dark and gritty, which to be fair is in keeping with the character's origins in the pages of Detective Comics in 1939, but a long way from the colourful, campy Batman TV series with Adam West and Burt Ward which defined the character for decades, at least until the 1989 Tim Burton Batman film. Despite Batman Forever (1995) and Batman and Robin (1997) the character seems to get darker and grittier with each new iteration, and this is possibly the bleakest yet. Devoid of light (literally for the most part, the film takes place almost entirely at night in gloomy, cavernous rooms, and strobe-lit nightclubs), humour and mostly any sense of hope, this is Batman for the 2020s. It is less of a superhero action film, although there are some very good action scenes, including a spectacular car chase, it's more of a gritty crime thriller, closer to films such as Se7en (1995). Batman is more of a detective here, trying to crack the case by solving the clues and interviewing witnesses and suspects. Robert Pattinson is good as Batman, and his Bruce Wayne is a very different take on the character. Instead of the traditional billionaire playboy, his Bruce is a recluse lurking around the Batcave, always in black, listening to Nirvana and writing his thoughts in a journal. and seems to be more than. little bit disturbed, closer to characters such as Travis Bickle in Taxi Driver (1976) or Rorschach in the comic series Watchmen (1986-87), who incidentally was inspired by Batman. Andy Serkis plays Alfred, Bruce's one connection to a normal life. Zoë Kravitz is very good as Selina Kyle aka Catwoman, who helps Batman for her own purposes and whose moral ambiguity challenges Batman's black-and-white worldview. Paul Dano is chilling as the Riddler, turning the character from a gimmicky prankster to a genuinely frightening killer. Jeffrey Wright is good as Commissioner Gordon, Batman's friend on the police force, and one of the few honest cops in a corrupt city. Colin Farrell is almost completely unrecognisable under layers of makeup as mobster and club owner the Penguin. While the Batmobile does make an appearance in the film, and very impressive it is too, Batman uses less gadgets than usual in these films, mostly allowing his targets to hear his heavy footfalls as he looms from the shadows This is an impressive and complex film which spins out an intriguing mystery and remains gripping throughout what could politely be described as a generous run time. While this may be too dark and sombre for many people's tastes it feels right for the character, and I liked the fact that it was a smaller scale than most recent superhero films, and I also liked the portrayal of Batman as a crime-solving detective.
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