Director: Jane Campion
Screenplay: Jane Campion, based on the book The Power of the Dog by Thomas Savage
Starring: Benedict Cumberbatch, Kirsten Dunst, Jesse Plemons, Kodi Smit-McPhee, Thomasin McKenzie, Genevieve Lemon, Keith Carradine, Frances Conroy
Running Time: 126 minutes
Genre: Western
1920s Montana: George Burbank (Plemons) and his brother Phil (Cumberbatch) co-own a successful cattle ranch. During a cattle drive the brothers meet widow and inn owner Rose (Dunst). George immediately falls for her, but the volatile, bullying Phil immediately dislikes her, believing that she is just after their money. Phil particularly dislikes Rose's teenage son, Peter (Smit-McPhee), who he sees as soft and weak. George and Rose quickly get married and she moves into the ranch while Peter is away studying medicine. When Peter returns for the holidays he finds that Rose is descending into alcoholism, and soon his and Phil's mutual dislike changes not a much more complex relationship.
Based on a 1967 novel by Thomas Savage, The Power of the Dog is a complex, bleak, psychological drama in a Western setting. Filmed in director Jane Campion's native New Zealand, the film features beautiful landscapes and almost impressionistic imagery of seas of dusty cattle. In fact it is kind of a pity that, since it is a Netflix film, it will mostly only be available to watch on television, because it really cries out for a big cinema screen. Benedict Cumberbatch is impressive as the verbally abusive Phil, who constantly gives the impression that he is just about to burst into violence. Kirsten Dunst gives a great performance as the troubled, struggling Rose, with Jesse Plemons as the husband who deeply cares about her but doesn't know how to help her, and really can't unless they move off the ranch and away from Phil. Kodi Smit-McPhee is very good as Peter, Rose's intelligent, artistic, sensitive son, who can't fit in with the macho world of the ranch, and is constantly taunted by all the cowboys and ranch hands. Thomasin McKenzie (from JoJo Rabbit (2019) and Last Night in Soho (2021)) has a small role as the ranch's cheery maid, Lola. The film depicts a dark, alienating world, where danger is a constant fact of life, and there is always threat in the air. Phil belongs fully to that world, but Rose and Peter belong to towns and cities, they are part of a more urbane world, and George has a foot in both worlds. He is a rancher and something of a cowboy, but he is also kindly, gentle and reasonable, and he wants to become a "gentleman rancher" and the state governor, along with his and Phil's wealthy parents. There is a strong, intelligent script by Jane Campion who directs beautifully, with memorable imagery and very strong performances. This is a great film.
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