Doctor Strange in the Multiverse of Madness

 Year:  2022

Director:  Sam Raimi

Screenplay:  Michael Waldron, based on characters appearing in Marvel Comics

Starring: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

Running Time:  126 minutes

Genre: Fantasy

New York City:  Doctor Stephen Strange (Cumberbatch), the former "Sorcerer Supreme", is attending the wedding of his ex-girlfriend, Christine (McAdams), when a giant one-eyed, octopus-like monster starts rampaging through the city.  The creature turns out to be hunting teenager America Chavez (Gomez), who has the power to travel between the various dimensions of the "multiverse".  With the help of the current Sorcerer Supreme, Wong (Wong), Strange tries to save America from the unstable, and extremely powerful, Wanda Maximoff (Olsen), the "Scarlet Witch", who wants to steal America's power, which would mean killing America, and endangering the entire multiverse.

This is the 28th film in the ever expanding Marvel Cinematic Universe (MCU) built around characters and situations from Marvel comics.  A sequel to Doctor Strange (2016), this also follows on from the film Spider-Man: No Way Home (2021) and the TV series WandaVision (2021) both of which are heavily referenced.  The film was originally to be directed by Scott Derrickson, who made the first Doctor Strange film, but he left the project due to "creative differences", to be replaced by Sam Raimi, who had directed the pre-MCU Spider-Man (2002) and it's two sequels.  Following the negative response to Spider-Man 3 (2007), Raimi had vowed never to make another superhero film, but being a fan of the Doctor Strange comic, and enjoying the first film, he decided to take up the reins.  While this film, in common with the Spider-Man trilogy, has a dangerous, but almost sympathetic antagonist, the film really harkens back to Raimi's debut feature The Evil Dead (1982), and it's sequels Evil Dead II (1987) and Army of Darkness (1992).  There is a scene with a flying eyeball, a cursed book with devastating powers, Ray Harryhausen-esque stop-motion style monsters and Evil Dead star and Raimi regular Bruce Campbell battling his own possessed limbs.  If you are already a fan of the MCU films already, then this has more than enough action, quips, special effects and references to satisfy any cravings, if you are not a fan, however, then this is unlikely to convert you.  If you have never seen any of the MCU films, then this is not a good place to start, it's very much tied in to what has gone before and lays the ground work for what is to come.    When the film breaks free of it's franchising building duties and is able to tell it's own story, it is a lively, enjoyable film, which gets better as it goes along.  The cast do the best they can with clunky, exposition heavy dialogue, and Benedict Cumberbatch plays it all with his tongue firmly in his cheek, Rachel McAdams, as in the first Doctor Strange, is wasted in a role that requires her to do little except run or stand around.  Elizabeth Olsen is very good as the traumatised, corrupted Wanda.  The film also has a number of fan-pleasing cameos, which point the way towards more crossovers, sequels and spin-offs.  The idea of the multiverse, which are basically different parallel universes, has long been popular in both Marvel and DC comics as a way for writers to manage the continuity of decades with of characters and stories, as well as providing a convenient deus ex machina for example, if you want to bring back a dead character, you can just have their counterpart from another universe pop up.  As I said, this is an enjoyable film, which at time suffers from overly complicated plotting and the need to tie in to so many threads from the larger franchise, as well as an over reliance on humour.  It's also surprisingly gruesome for a Marvel film.  It's probably one of their most violent films.  At it's best, it is imaginative, smart and exciting, and often feels like a comic come to life. As always with an MCU movie, stay for the end credits, because there are two additional scenes, one midway through the credits and one at the very end.

Benedict Cumberbatch and Benedict Wong in Doctor Strange and the Multiverse of Madness

Game Night

Year of Release:  2018
Directors:  John Frances Daley and Jonathan Goldstein
Screenplay:  Mark Perez
Starring:  Jason Bateman, Rachel McAdams, Billy Magnussen, Sharon Horgan, Lamorne Morris, Kylie Bunbury, Jesse Plemons, Michael C. Hall, Kyle Chandler
Running Time:  100 minutes
Genre:  Comedy thriller

Married couple Max (Bateman) and Annie (McAdams) share a deep love of all things competitive and host a weekly game night with their friends.  One night however, Max's vastly more wealthy, charismatic, better looking brother Brooks (Chandler) shows up, much to Max's displeasure, and immediately takes over the game night, infuriating both Max and Annie.  The following week they all have game night at Brooks' huge house.  The game Brooks has arranged is an interactive, mystery game, involving a faked kidnapping.  Shortly thereafter, two masked men break in and snatch Brooks.  As Max, Annie and their friends compete to win the game, they soon realise that this game is all too real.

This is a hugely entertaining comedy-thriller, with plenty of laughs throughout as well as a mystery that piles on twists and turns.  Jason Bateman and Rachel McAdams, both very talented comic actors, have great chemistry together and they are supported by a strong supporting cast (including Sharon Horgan, of Pulling (2006) and Catastrophe (2015- ) fame) who all get a chance to shine.  The action is well-staged and stylish, for example many of the establishing shots of the locations are made to look like a game board with pieces.  There are several late reveals that seriously strain credibility, which to be fair, there are jokes about in the film itself.  This is not a film that is going to change the world.  It is the kind of movie that is ideal for when you just want something light, that is going to give you a couple of hours of solid entertainment.  Stay until the end of the credits for an additional scene.

Jason Bateman and Rachel McAdams in Game Night

Doctor Strange

Year of Release:  2016
Director:  Scott Derrickson
Screenplay:  Jon Spaihts, Scott Derrickson and C. Robert Cargill, based on the character created by Steve Ditko
Starring:  Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Benedict Wong, Rachel McAdams, Mads Mikkelsen, Michael Stuhlbarg, Benjamin Bratt
Running Time:  115 minutes
Genre:  Fantasy, science-fiction, action, superhero


This is a film based on the Marvel Comics character and is part of the ongoing Marvel Cinematic Universe franchise.  In New York City, Doctor Stephen Strange (Cumberbatch) is an acclaimed neurosurgeon, until he is badly injured in a car accident.  Unable to return to surgery because of nerve damage to his hands, Strange is confronted with the loss of his purpose in life.  Desperate to heal his hands by any means necessary, Strange's quest leads him to Kathmandu, Nepal, where he enconters the Ancient One (Swinton), and her followers, known as "Masters", including Mordo (Ejiofor), who Strange befriends, and stern librarian Wong (Wong).  The Ancient One takes Strange on as a pupil, training him in mystical practices and sorcery.  However, Stange soon becomes aware of the dark side of sorcery, when a renegade (Mikkelsen) threatens to unleash dark and terrible forces.

This is very much a superhero origin story and follows a path that we have seen many times before.  There is also the problem that Strange's powers and the film's mythos are quite complex and so there is a lot of exposition necessary.  However in the confines of this, the film manages to work.  It's smart, funny and full of action.   Cumberbatch has a lot of charisma and makes the, at times, pretty unlikable Strange an interesting and amusing character, however no one else really gets a chance to shine, being there to provide  exposition or conflict.  The character of the Ancient One in the comics is a Tibetan man, the film swaps the gender and, controversially, the ethnicity of the character, in another example of Hollywood whitewashing.  Another problem is that Rachael McAdams is completely underused as Strange's colleague and love interest, and really has more or less an extended cameo.

However the film has a lot going for it, and is well worth seeing on the biggest screen you can find.  For one thing it is possibly the closest thing you can get, legally, to a full on psychedelic trip.  The special effects are absolutely stunning, with buildings and entire cities becoming beautifully complex, floating, changing Rubik's cubes (ask someone who remembers the 80s).  It has a distinct look and style, and may be too oddball for some True Believers.  Speaking of which, look out for the obligatory cameo from Stan Lee, and remember to stay until the end of the credits.

           Benedict Cumberbatch is Doctor Strange

Sherlock Holmes: A Game of Shadows

Year:  2011
Director:  Guy Ritchie
Screenplay:  Kieran Mulroney and Michelle Mulroney, based on characters created by Sir Arthur Conan Doyle
Starring:  Robert Downey, Jr., Jude Law, Noomi Rapace, Jared Harris, Stephen Fry, Kelly Reilly, Rachel McAdams
Running Time:  129 minutes
Genre:  Mystery, crime, adventure, period

This film is the sequel to the blockbuster 2009 film Sherlock Holmes.  The film is very loosely based on the legendary detective stories created by Sir Arthur Conan Doyle, most particularly the 1893 story The Final Problem.  However the plot of the film is by and large original.  In 1891, consulting detective Sherlock Holmes (Downey, Jr.) becomes convinced that a series of bombings in France and Germany are the work of criminal mastermind Professor Moriarty (Harris).  However, the difficulty is that there is no evidence to connect the respected professor to any wrongdoing.  After enlisting the aid of his recently engaged best friend, Doctor John Watson (Law), Holmes soon realises that he has put Watson, and his bride to be (Reilly), at risk of lethal retaliation from Moriarty's men.  With the help of Holmes' well-connected brother, Mycroft (Fry), and a tough gypsy woman, Simza (Rapace), whose brother is working with Moriarty, Holmes and Watson set off on a journey across Europe, on the trail of one of the world's most powerful and dangerous criminals.

This is a hugely entertaining mix of globe-trotting adventure, explosive action and humour.  Robert Downey, Jr. is perfectly cast as Holmes and Jude Law makes for an engaging Doctor Watson, and there is great banter and chemistry between the two leads, with Watson refreshingly being portrayed as more than a match for Holmes in many places.  It will doubtless infuriate Conan Doyle purists, but for anyone else it is a fun period adventure.  The action scenes are well handled and the film provides more than enough spectacle.  As Moriarty, Jared Harris makes for a great, slippery villain, and he shares a number of great scenes with Robert Downey, Jr..  Stephen Fry is entertainingly arch as Mycroft Holmes (the scene where he turns up in the nude and happily chats away to Kelly Reilly, oblivious to her shock, is a comedy highlight).  Noomi Rapace is also impressive, lending gravitas to a fairly underwritten role.  The movie lacks any real surprises, the suspense in the film coming not so much from discovering who the villain is, because it is made clear right from the outset, but instead from how Holmes and Watson will unravel the criminal plot in time.  It also tends to meander at times, but mostly succeeds in being an entertaining, light-hearted, adventure romp, which will doubtless please fans of the original. 

Robert Downey, Jr., Noomi Rapace and Jude Law in Sherlock Holmes:  A Game of Shadows                

Midnight in Paris

Year:  2011
Director:  Woody Allen
Screenplay:  Woody Allen
Starring:  Owen Wilson, Rachel McAdams, Marion Cotillard, Kathy Bates, Carla Bruni, Adrien Brody, Michael Sheen
Running Time:  100 minutes
Genre:  Comedy, fantasy, romance, time-travel

Have you ever wished that you could escape from the present day and live in an earlier time?  This is the question dealt with in writer/director Woody Allen's 41st film.  Hollywood screenwriter and aspiring novelist Gil Pender (Wilson) takes a holiday to Paris with his fiancee Inez (McAdams).  Gil falls in love with Paris while Inez is much more resistant to it's charms.  In particular Gil imagines what the city would have been like in the Golden Age of the 1920s.  While Inez is distracted by her friend Paul (Sheen), a pedantic pseudo-intellectual who she idolizes, Gil takes to wandering the city streets at night, until one night, at the stroke of midnight, he is picked up by a vintage car and finds himself whisked back to the Paris of the 1920s.  Soon Gil is spending every night partying with F. Scott and Zelda Fitzgerald (Tom Hiddleston and Allison Pill), Gertrude Stein (Bates), Salvador Dali (Brody), Ernest Hemingway (Corey Stoll), Cole Porter (Yves Heck), Luis Bunuel (Adrien de Van) and Pablo Picasso (Marcial Di Fonzo Bo).  He quickly finds himself becoming increasingly disenchanted with both the 21st Century and Inez, especially when he meets the alluring Adriana (Cotillard).  However Adriana herself is in love with the idea of her own Golden Age:  Paris in the 19th century Belle Epoque.

This is Woody Allen's best movie in recent years and probably one of the best movies that he is made.  An engaging and effortlessly charming film, which is genuinely funny and directed with a light touch.  The performances are uniformly brilliant and there is a genuine sense of magic .  Despite a brief, half-hearted discussion of contemporary politics (Inez's father (Kurt Fuller) is a fervent Republican and not a fan of the French) this is timeless.  It both celebrates and critiques the yearning for some nostalgic, long departed Golden Age.  Woody Allen's earlier films are often seen as being love letters to his native New York, and this is an unashamed love letter to Paris and is more affecting and beautiful than any of his earlier New York celebrations.  There is a sense here also of Woody Allen rediscovering the magic of cinema itself.  

Entertaining and funny, this is a perfect romantic movie and will appeal to more than just Woody Allen fans.  This film is going to do wonders for the Parisian tourist industry.

Marion Cotillard and Owen Wilson spend Midnight in Paris