Showing posts with label Chiwetel Ejiofor. Show all posts
Showing posts with label Chiwetel Ejiofor. Show all posts

Thursday, 12 May 2022

Doctor Strange in the Multiverse of Madness

 Year:  2022

Director:  Sam Raimi

Screenplay:  Michael Waldron, based on characters appearing in Marvel Comics

Starring: Benedict Cumberbatch, Elizabeth Olsen, Chiwetel Ejiofor, Benedict Wong, Xochitl Gomez, Michael Stuhlbarg, Rachel McAdams

Running Time:  126 minutes

Genre: Fantasy


New York City:  Doctor Stephen Strange (Cumberbatch), the former "Sorcerer Supreme", is attending the wedding of his ex-girlfriend, Christine (McAdams), when a giant one-eyed, octopus-like monster starts rampaging through the city.  The creature turns out to be hunting teenager America Chavez (Gomez), who has the power to travel between the various dimensions of the "multiverse".  With the help of the current Sorcerer Supreme, Wong (Wong), Strange tries to save America from the unstable, and extremely powerful, Wanda Maximoff (Olsen), the "Scarlet Witch", who wants to steal America's power, which would mean killing America, and endangering the entire multiverse.


This is the 28th film in the ever expanding Marvel Cinematic Universe (MCU) built around characters and situations from Marvel comics.  A sequel to Doctor Strange (2016), this also follows on from the film Spider-Man: No Way Home (2021) and the TV series WandaVision (2021) both of which are heavily referenced.  The film was originally to be directed by Scott Derrickson, who made the first Doctor Strange film, but he left the project due to "creative differences", to be replaced by Sam Raimi, who had directed the pre-MCU Spider-Man (2002) and it's two sequels.  Following the negative response to Spider-Man 3 (2007), Raimi had vowed never to make another superhero film, but being a fan of the Doctor Strange comic, and enjoying the first film, he decided to take up the reins.  While this film, in common with the Spider-Man trilogy, has a dangerous, but almost sympathetic antagonist, the film really harkens back to Raimi's debut feature The Evil Dead (1982), and it's sequels Evil Dead II (1987) and Army of Darkness (1992).  There is a scene with a flying eyeball, a cursed book with devastating powers, Ray Harryhausen-esque stop-motion style monsters and Evil Dead star and Raimi regular Bruce Campbell battling his own possessed limbs.  If you are already a fan of the MCU films already, then this has more than enough action, quips, special effects and references to satisfy any cravings, if you are not a fan, however, then this is unlikely to convert you.  If you have never seen any of the MCU films, then this is not a good place to start, it's very much tied in to what has gone before and lays the ground work for what is to come.    When the film breaks free of it's franchising building duties and is able to tell it's own story, it is a lively, enjoyable film, which gets better as it goes along.  The cast do the best they can with clunky, exposition heavy dialogue, and Benedict Cumberbatch plays it all with his tongue firmly in his cheek, Rachel McAdams, as in the first Doctor Strange, is wasted in a role that requires her to do little except run or stand around.  Elizabeth Olsen is very good as the traumatised, corrupted Wanda.  The film also has a number of fan-pleasing cameos, which point the way towards more crossovers, sequels and spin-offs.  The idea of the multiverse, which are basically different parallel universes, has long been popular in both Marvel and DC comics as a way for writers to manage the continuity of decades with of characters and stories, as well as providing a convenient deus ex machina for example, if you want to bring back a dead character, you can just have their counterpart from another universe pop up.  As I said, this is an enjoyable film, which at time suffers from overly complicated plotting and the need to tie in to so many threads from the larger franchise, as well as an over reliance on humour.  It's also surprisingly gruesome for a Marvel film.  It's probably one of their most violent films.  At it's best, it is imaginative, smart and exciting, and often feels like a comic come to life. As always with an MCU movie, stay for the end credits, because there are two additional scenes, one midway through the credits and one at the very end.



Benedict Cumberbatch and Benedict Wong in Doctor Strange and the Multiverse of Madness


Saturday, 24 February 2018

Melinda and Melinda

Year of Release:  2004
Director:  Woody Allen
Screenplay:  Woody Allen
Starring:  Radha Mitchell, Chloe Sevigny, Jonny Lee Miller, Chiwetel Ejiofor, Will Ferrell, Amanda Peet, Wallace Shawn
Running Time: 95 minutes
Genre:  Comedy drama

In a Manhattan diner, four friends discuss whether life is essentially comic or tragic.  To illustrate their points two playwrights take a simple premise (an emotionally fragile woman, Melinda (Mitchell), disrupts a dinner party) and tell their own versions of what happens to her. One version plays as a tragedy, and the other as a light romantic comedy.

It is an interesting premise, the problem is that the tone is very jarring throughout, most of the film is taken up with recounting Melinda's story interweaving the two versions moving from bleak drama to frothy comedy.  Some of the film is pretty repetitive, we see the same events play out in two different versions.  Radha Mitchell plays Melinda in both stories, with Chloe Sevigny, Jonny Lee Miller and Chiwetel Ejiofor starring in the tragic story, and Will Ferrell and Amanda Peet starring in the comedy version (which also features Steve Carell in a small role as Ferrell's friend).  The performances are good for the most part, with Mitchell in particular giving a stunning performance in the central role, although Will Ferrell's performance seems to consist mainly of him doing a Woody Allen impression.  The film feels very much like a filmed play at times, it has a fairly small cast of characters and is almost entirely dialogue driven, however the tragic storyline has muted colours and a slightly dull, slightly overcast look to it, while the comic sequences are bright, vibrant and sunlit.
While this is far from Woody Allen's best films, it still has it's moments.

Will Ferrell and Radha Mitchell in Melinda and Melinda.            

Saturday, 29 October 2016

Doctor Strange

Year of Release:  2016
Director:  Scott Derrickson
Screenplay:  Jon Spaihts, Scott Derrickson and C. Robert Cargill, based on the character created by Steve Ditko
Starring:  Benedict Cumberbatch, Chiwetel Ejiofor, Tilda Swinton, Benedict Wong, Rachel McAdams, Mads Mikkelsen, Michael Stuhlbarg, Benjamin Bratt
Running Time:  115 minutes
Genre:  Fantasy, science-fiction, action, superhero


This is a film based on the Marvel Comics character and is part of the ongoing Marvel Cinematic Universe franchise.  In New York City, Doctor Stephen Strange (Cumberbatch) is an acclaimed neurosurgeon, until he is badly injured in a car accident.  Unable to return to surgery because of nerve damage to his hands, Strange is confronted with the loss of his purpose in life.  Desperate to heal his hands by any means necessary, Strange's quest leads him to Kathmandu, Nepal, where he enconters the Ancient One (Swinton), and her followers, known as "Masters", including Mordo (Ejiofor), who Strange befriends, and stern librarian Wong (Wong).  The Ancient One takes Strange on as a pupil, training him in mystical practices and sorcery.  However, Stange soon becomes aware of the dark side of sorcery, when a renegade (Mikkelsen) threatens to unleash dark and terrible forces.

This is very much a superhero origin story and follows a path that we have seen many times before.  There is also the problem that Strange's powers and the film's mythos are quite complex and so there is a lot of exposition necessary.  However in the confines of this, the film manages to work.  It's smart, funny and full of action.   Cumberbatch has a lot of charisma and makes the, at times, pretty unlikable Strange an interesting and amusing character, however no one else really gets a chance to shine, being there to provide  exposition or conflict.  The character of the Ancient One in the comics is a Tibetan man, the film swaps the gender and, controversially, the ethnicity of the character, in another example of Hollywood whitewashing.  Another problem is that Rachael McAdams is completely underused as Strange's colleague and love interest, and really has more or less an extended cameo.

However the film has a lot going for it, and is well worth seeing on the biggest screen you can find.  For one thing it is possibly the closest thing you can get, legally, to a full on psychedelic trip.  The special effects are absolutely stunning, with buildings and entire cities becoming beautifully complex, floating, changing Rubik's cubes (ask someone who remembers the 80s).  It has a distinct look and style, and may be too oddball for some True Believers.  Speaking of which, look out for the obligatory cameo from Stan Lee, and remember to stay until the end of the credits.

           Benedict Cumberbatch is Doctor Strange

Saturday, 20 August 2016

The Martian

Year of Release:  2015
Director:  Ridley Scott
Screenplay:  Drew Goddard, based on the novel The Martian by Andy Weir
Starring:  Matt Damon, Jessica Chastain, Kristen Wiig, Jeff Daniels, Michael Pena, Kate Mara, Sean Bean, Chiwetel Ejiofor, Benedict Wong, Donald Glover, Sebastian Stan, Aksel Hennie
Running Time:  141 minutes
Genre:  science-fiction, drama

This thrilling science-fiction survival story is adaptation of the acclaimed novel by Andy Weir.  The manned Ares III mission on Mars is aborted early due to a violent storm, during the evacuation, astronaut Mark Watney (Damon) is hit by a piece of debris and, presumed dead, is left behind on the surface of Mars.  Watney finds himself completely alone on a desolate planet, and faced with finding a way to get in contact with Earth, and keeping himself alive long enough to be rescued, with a rapidly diminishing supply of food, drink and air.

The film moves between Watney's desperate attempts to survive on Mars and the efforts back on Earth to retrieve him.  It's an exciting, straightforward story, which is gripping, despite the fact that it is basically about one man alone on a planet.  Matt Damon makes Watney a likeable and engaging anchor for the film, and he has strong support from a large and impressive cast.  It benefits from the switching back and forth between Mars, Earth and the mission's spaceship, opening up the narrative and making it far more than a one man show.  It's a deeply human film, about people trying to save one life.  All the conflict in the film comes from people arguing about how best to do that.

It is worth pointing out that this is a science-fiction film but there are no aliens or killer robots or anything like that, instead it tries to be relatively realistic.  Although it is worth pointing out that in reality, a Martian storm would only really be like a light breeze, rather than the raging hurricane depicted in the film.

By and large it is pretty faithful to the Weir novel and the dialogue is witty and there is plenty of humour to alleviate the tension, and quirky and amusing details such as the frequent 1970s songs on the soundtrack (the only music that Watney has available to him in his shelter).

Aside from a couple of moments of introspection there is little of the angst and despair that the situation might engender, which strikes a bit of a false note.  However this is a hugely enjoyable film.


 
    Matt Damon is The Martian