Showing posts with label Keith Gordon. Show all posts
Showing posts with label Keith Gordon. Show all posts

Wednesday, 12 October 2022

Christine

Year:  1983

Director:  John Carpenter

Screenplay:  Bill Phillips, based on the novel Christine by Stephen King

Starring:  Keith Gordon, John Stockwell, Alexandra Paul, Robert Prosky, Harry Dean Stanton, Roberts Blossom

Running Time:  110 minutes

Genre:  Horror


1978:  Arnie Cunningham (Gordon), a nerdy, unpopular teenager, spots a broken down, derelict 1958 Plymouth Fury for sale.  Despite the protestations of his best friend, Dennis (Stockwell), Arnie buys the car from a sinister old man, George LeBay (Blossoms), whose deceased brother was the original owner of the Plymouth and named it "Christine".  Arnie sets to work restoring the car at a local do-it-yourself garage, and begins to exhibit strange and disturbing personality changes.  When Arnie starts dating the popular new girl in school, Leigh (Paul), Christine begins to manifest a jealous, murderous personality of her own.

Producer Richard Kobritz snapped up the film rights to Stephen Kings 1983 novel Christine before it was even published, and it certainly looks like a sure fire winner on paper:  King, one of the world's most popular novelists; teenagers; cars; horror and rock 'n'roll.  Director John Carpenter, who had made the seminal horror film Halloween (1978), was attached to direct.  However Carpenter's previous film, The Thing (1982), had been staged by critics and was a commercial flop (even though it is now seen as one of the best films of it's type ever made), and he was not interested in Christine, commenting that he felt the book "was not very scary" but felt that he needed to do the film to help his career.  Certainly the film is a surprisingly bland, workmanlike affair.  In the novel, the car is possessed by the evil spirit of it's former owner, which begins to channel itself to Arnie, however the film opens with a short prologue set in the Detroit production line in 1957 where Christine manifests her hostile personality before she even rolls off the assembly line.  It's never explained in the film why the car has a mind of it's own.  Some of the performances are fairly bland, and some of the high school "teenagers" look as if they are well into their 30s.  In the novel much of the horror comes from Arnie's transformation, as he becomes increasingly paranoid, arrogant and angry, which would probably strike a chord with parents of teenagers, but the film centres the car.  However there are moments when the film works really well.  After Christine is trashed by Arnie's high school bullies, she resurrects herself in a hugely impressive sequence, which is one of the film's biggest set pieces, and when Christine is tracking down and murdering the bullies is really where John Carpenter comes into his own, particularly the scene where the car is on fire chasing after the leader of the gang (William Ostrander).  Roberts Blossom, who became known to horror fans for his lead in the cult film Deranged (1974) and is probably most familiar for his role in Home Alone (1990), is very good in a small role as the dirty, bleary-eyed George LeBay, and Robert Prosky is great as the bad-tempered, raspy-voiced, cigar chewing Darnell, owner of the garage where Arnie keeps Christine.  Harry Dean Stanton is wasted in a small role as the police detective who investigates the mysterious number of deaths surrounding Arnie and his car.  Kelly Preston appears in a small role as Dennis' cheerleader girlfriend.  Keith Gordon is good in the lead, but John Stockwell and Alexandra Paul give quite bland performances.  Also the red and white Plymouth herself, is an impressive looking vehicle, which manages to be genuinely sinister.  In the novel, Stephen King uses the lyrics of rock 'n' roll songs throughout, in the film the 1950s song playing on the car radio serve as Christine's language.  In the prologue she rolls off the production line, warning the world that she is "Bad to the Bone".  When she is alone with Arnie she plays "Pledging My Love" and "We Belong Together", and when she locks her doors to prevent Arnie rescuing a chocking Leigh in the front seat, she plays "Keep A-Knockin'".  While there is nothing particularly unmissable, there is certainly enough here to make recommend the film to horror fans.



Bad to the Bone: Christine

Thursday, 9 September 2010

The Singing Detective

Year: 2003
Director: Keith Gordon
Screenplay: Dennis Potter
Starring: Robert Downey Jr., Robin Wright Penn, Jeremy Northam, Katie Holmes, Adrien Brody, Jon Polito and Mel Gibson
Running Time: 109 minutes
Genre: Drama, crime, thriller, mystery, musical, fantasy

Summary: In the present day United States, Dan Dark (Downey Jr.) is an author of pulp detective stories centering around the character of the "Singing Detective", a private detective in the 1950s who moonlights as a singer in a rock 'n' roll band. Dark is in hospital with severe psoriasis and is in constant pain and unable to move. To escape his situation he reworks the plot of his first book, imagining himself as the Singing Detective and people from his own life as the characters. In the hospital he often escapes into surreal musical fantasies and experiences disturbing memories of his childhood. As Dark's paranoia and bitterness increase, reality and fantasy begin to collide.

Opinions: This film is an adaptation of Dennis Potter's controverisal and hugely acclaimed 1986 miniseries The Singing Detective. The movie attempts the almost impossible task of effectively condensing a six hour television series into a one hour forty nine minute movie. The film updates the story from 1980s England to 2003 USA, and the fantasy sequences (and musical numbers) are updated from the 1940s to the 1950s also the name of the lead character is changed from Philip Marlowe (played by Michael Gambon) in the original. Dennis Potter, who died in 1994, had been very enthusiastic about the idea of a film version and the script had been circulating around Hollywood for a long time with various directors including Robert Altman and David Cronenberg, and actors such as Dustin Hoffman and Al Pacino attached at different times.
The thing is that despite the film being savaged by critics, it isn't really all that bad, it's fast moving and entertaining with most of the themes and incidents of the original cropping up, it also features some good performances from a talented cast (including Mel Gibson looking almost unrecognisable as a bald psychiatrist). The problem is that it feels rushed. Lacking the time that the TV series had, various parts of the story just feel rushed, for example the "Singing Detective" mystery just seems abandoned part way through and the childhood memories which are a key part of the story or reduced to just a few brief scenes. The thing is that the film is frustrating because so much of the show survives that it just makes you miss the show.
By the way, if you've never seen the 1986 series dio yourself a favour and check it out as soon as possible.

"There are things in that book, doc, that are reaching out to grab me by the throat."
- Dan Dark (Robert Downey Jr.) in The Singing Detective