Invasion of the Body Snatchers

Year of Release:  1978

Director:  Philip Kaufman

Screenplay:  W. D. Richter, based on the novel The Body Snatchers by Jack Finney

Starring:  Donald Sutherland, Brooke Adams, Jeff Goldblum, Veronica Cartwright, Leonard Nimoy

Running Time:  115 minutes

Genre:  Science-fiction, horror

Elizabeth Driscoll (Adams) is a laboratory scientist for the San Francisco Department of Public Health, with an interest in botany.  She becomes aware of unusual pink flowers growing out of small pods.  Shortly afterwards she notices that her boyfriend (Art Hindle) is acting strangely, and she becomes convinced that somehow he has become someone she doesn't know.  She approaches her friend and fellow employee at the Department of Health, Matthew Bennell (Sutherland).  At first Matthew doesn't believe her, but when he notices increasingly strange things happening, he realises that what has happened to Elizabeth's boyfriend is just the beginning.  Alien seed pods have landed on Earth and are somehow replacing people while they sleep: replacements that are physically identical to the original, and have the same memories and personalities, but lack emotion or basic humanity.  Matthew and Elizabeth have to save themselves and stop the invasion, but it may already be too late.

Jack Finney's 1953 science-fiction novel The Body Snatchers had previously been adapted in 1956 as Invasion of the Body Snatchers, directed by Don Siegel, one of the classics of science-fiction cinema.  It was later adapted in 1993 as Body Snatchers, directed by Abel Ferrara and starring Gabrielle Anwar, and most recently as The Invasion (2007), starring Nicole Kidman and Daniel Craig.  Of course, it's a very risky proposition to remake a classic.  This film updates the setting from 1950s small town California, to 1970s San Francisco.  While Jack Finney denied that the novel was intended to be anything other than an exciting adventure story, the 1956 film is usually seen as a parable about the Communist scare of the 1950s, either a warning that there is a "Red under every bed" or a warning about the McCarthyite witch hunts of the time.  This film could be seen as a film about urban alienation and paranoia.  The mobile camera frequently following the actors like a surveillance camera.  The fact is that this has a very scary premise, your loved ones becoming someone that you don't recognise; the idea of losing your own humanity, and worse yet, they get you while you sleep, while you are at your most defenceless.  Also there is the general uneasiness of city life, living cheek by jowl with countless strangers, some of whom may not have your best interests at heart.  Seen in 2021, the film has the added resonance of the age of social distancing, with the fear of catching a fatal disease just from being around people.  The film has an interesting cast, with Donald Sutherland handling the heroics; Brooke Adams affecting as the first person to become suspicious; an early role for a nervously funny Jeff Goldblum as a struggling poet; Veronica Cartwright, who would later have to deal with even more unpleasant pods in Alien (1979), as Goldblum's frantic wife; and Leonard Nimoy as a pop-psychiatrist (this was the '70s, remember).  Nimoy's casting is interesting, as his best known role was half-alien half-human Spock in Star Trek (1966-1969) who was constantly trying to suppress his human emotions, and almost marks him as an emotionless "pod-person" right from the start, and he gives an effective and quite sinister performance.  Kevin McCarthy, who starred in the 1956 film, cameos as a man yelling warnings at passing cars, as in the previous film's famous ending.  The film is stylishly directed, opening with strangely poetic images of the gossamer pods drifting through space, and the film is shot with the afore-mentioned roving camera, and odd camera angles, right from the start everyone appears suspicious and strange, including Robert Duvall appearing in an uncredited cameo as a priest on a park swing set, gazing at the camera.  It sets itself up slowly, and has some genuinely nightmarish imagery.  The film is very much a 1970s movie, but it has aged very well, the tone is very bleak and there is a real sense of inescapable doom throughout (which makes it feel very current).  It all ends with one of the most famous screams in science-fiction history.

Broke Adams and Donald Sutherland in Invasion of the Body Snatchers (1978)

        

Hotel Artemis

Year of Release:  2018
Director:  Drew Pearce
Screenplay:  Drew Pearce
Starring:  Jodie Foster, Stirling K. Brown, Sofia Boutella, Jeff Goldblum, Brian Tyree Henry, Jenny Slate, Zachary Quinto, Charlie Day, Dave Bautista
Running Time:  94 minutes
Genre: Action, science-fiction, crime

Los Angeles, 2028:  A full-scale citywide riot is in progress over the cost of privatised water.  Under cover of the riot a small crew try, unsuccessfully, to rob a bank.  During the escape, brothers Sherman (Brown) and Lev (Henry) are injured; Lev very seriously.  They go to the Hotel Artemis, a combination hotel and hospital that only treats criminals, run for 22 years by the Nurse (Foster) according to a strict set of rules, with assistant / enforcer Everest (Bautista).  Also in the hotel are racist, misogynist arms dealer Acapulco (Day) and contract killer Nice (Boutella).  The Nurse receives word that crime boss The Wolf King (Goldblum), who owns most of Los Angeles (including the Artemis), is on his way for emergency treatment.  Meanwhile the Nurse takes a huge risk, breaking her own rules to help cop Morgan (Slate), who has a connection to her past.

This is a stylish action, crime-thriller with futuristic overtones and a top-drawer cast.  Set almost entirely in the confines of the hotel, which looks like a decaying Old-Hollywood palace. Jodie Foster turns in a typically strong performance as the vulnerable but strong nurse, Jeff Goldblum has a lot of fun with a comparatively small role, and Sofia Boutella is memorable as the seductive, acrobatic killer.  Stirling K. Brown anchors the film as the essentially decent robber who will do anything to save his brother.  With the hotel given to frequent power outages, characters are often shown in shadowy pools of golden light and occasionally bathed in neon neon and bright red emergency lighting.  We are given glimpses of the nightmare world outside in the news bulletins the characters watch and the frequent explosions in the distance.  There are brief impressions of the world outside Los Angeles (a character talks about taking a chopper "south, over the Wall").  This is not a wall-to wall action film, it is more of a thriller, but when the action comes it is well-staged by debuting director Dave Pearce, and exciting.  The story has few surprises and, despite the big-name cast it looks like quite a low-budget film, but it is a lot of fun, and could become quite a cult film in years to come.

Stirling K. Brown and Sofia Boutella check in to Hotel Artemis     

Jurassic World: Fallen Kingdom

Year of Release:  2018
Director:  J. A. Bayona
Screenplay:  Colin Trevorrow and Derek Connolly, based on characters created by Micheal Crichton
Starring:  Chris Pratt, Bryce Dallas Howard, Rafe Spall, Justice Smith, Daniella Pidella, James Cromwell, Toby Jones, Ted Levine, Isabella Sermon, B. D. Wong, Geraldine Chaplin, Jeff Goldblum
Running Time:  128 minutes
Genre: Action, science-fiction

Three years after the events of Jurassic World (2015), the island of Isla Nubla has been more or less abandoned and left to the cloned dinosaurs.  However an imminent volcanic eruption threatens to destroy the island and the dinosaurs.  Despite strong opposition, a charity, headed by Jurassic World's former manager, Claire Deering (Howard), hope to save the dinosaurs.  Claire is contacted by a representative of millionaire Benjamin Lockwood (Cromwell), a partner of the founder of the original Jurassic Park.  He wants Claire to help find the dinosaurs and relocate them to a safe island, where they can live out their lives in peace.  Claire agrees and recruits the aid of former dinosaur trainer Owen Grady (Pratt) to help.  However, once on the island, Claire and Owen find that they are being used for a much more sinister purpose.

This is the fifth film in the Jurassic Park movie franchise, inspired by Micheal Crichton's 1990 novel.  It's an enjoyable action packed adventure, full of spectacular set-pieces and eye-popping special effects.  It starts out as a familiar Jurassic Park adventure, escaping marauding dinosaurs on the tropical island, and then makes a sharp turn becoming something very different, dealing with the franchise's constant moral quandary about the rights and wrongs of cloning extinct animals.  The performances are fine, Chris Pratt is perfect as the roguish but lovable hero, and he makes a great double act with Bryce Dallas Howard, who really carries the weight of the film and does it well.  The bad guys however tend to be one-note villains, and the other character tend to get lost amongst the dino-action, including Jeff Goldblum who, despite prominent billing has little more than a featured cameo.  It holds the attention throughout it's run-time and fans of the franchise won't be disappointed, there are also enough changes in the story to keep it intriguing and surprising enough, while setting the stage for more to come. 

     Jurassic World:  Fallen Kingdom

Thor: Ragnarok

Year of Release:  2017
Director:  Taika Waititi
Screenplay:  Eric Pearson, Craig Kyle and Christopher Yost, based on the comic-book character Thor created by Stan Lee, Larry Lieber and Jack Kirby
Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba, Jeff Goldblum. Tessa Thompson, Karl Urban, Mark Ruffalo, Anthony Hopkins
Running Time:  130 minutes
Genre:  Fantasy, science-fiction, action, adventure, superhero, comedy

Two years after the events of Avengers: Age of Ultron (2015), the Asgardian Thunder God Thor (Hemsworth) is hunting, unsuccessfully, for the powerful Infinity Stones, but is tormented by dreams of Ragnarok, the end of Asgard.  Returning home to Asgard, he finds his trickster half-brother Loki (Hiddleston) in charge and his father, Odin (Hopkins), missing.  With Loki's aid, Thor manages to track Odin down to Earth, where he reveals that he is dying and that his death will allow his first-born child, the Death Goddess Hela (Blanchett), to escape her imprisonment and seize control of Asgard. 

This is the third Thor movie, and the seventeenth film in the Marvel Cinematic Universe (MCU), the shared universe centered on movies based on Marvel Comics characters.  This film is very light in tone, and often very funny, playing more as a comedy than a straightforward action adventure superhero film.  The cast all seem to be enjoying themselves, Chris Hemsworth and Tom Hiddleston are both very good comic actors and they bounce off each other very well, Cate Blanchett goes full on panto villain as the evil Hela, and Jeff Goldblum is hilarious as the intergalactic warlord, who rules a planet where Thor and Loki find themselves trapped on.  To add to the fun, Mark Ruffalo reprises his rule as the Hulk , and Benedict Cumberbatch has a brief appearance as Doctor Strange.  The film manages to balance the humour with enough drama to give scenes some emotional heft if needed, and sometimes comedy makes drama all the more affecting. The film is definitely too long,and the humour doesn't always land, but this is still a fun and funny comedy adventure.

Chris Hemsworth in Thor: Ragnarok