Women Talking

Year:  2022

Director:  Sarah Polley

Screenplay:  Sarah Polley, based on the novel Women Talking by Miriam Toews

Starring:  Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand

Running Time:  104 minutes 

Genre:  Drama

In an isolated Mennonite colony women are drugged and raped over a period of years.  Their claims are dismissed by the colony's authorities as either supernatural attacks or "wild female imagination".  Until, that is one of the attackers is caught, and he promptly names the others.  The attackers are arrested and taken to the nearest city to stand trial.  The other men of the colony accompany them in order to pay their bail.  The colony elders order the women to forgive their attackers by the time they return in two days or be banished from the colony.  Left alone, the women debate how to proceed:  Should they stay and obey their orders?  Stay and fight the men?  Or leave and found a new colony?

Based on the 2018 novel by Miriam Toews, which itself was based on a real life incident that occurred in a Mennonite colony in Bolivia.  The film doesn't focus on the attacks, instead it focuses on the women's response, and most of the film is the debate on how they should proceed.  In fact men are more or less entirely absent from the film with the notable exception of August (played by Ben Whishaw), the gentle schoolteacher who was educated away from the colony, and takes the minutes of the meetings, because none of the women have been taught how to read and write.  In the novel he narrates the story, but in the film the voice-over narrator is the yet unborn daughter of one of the women. The other exception is Melvin (played by August Winter) a transgender man who was raped and refuses to speak except to the youngest children who he cares for while the women are debating.  However men and male violence is the spectre that haunts the entire film.  The women live in an extremely patriarchal society where they are completely subservient to the men.  The film doesn't really come down against the Mennonite way of life, none of the women want to abandon their faith they just want to interpret it in a better and more fair way.  The film has a muted, washed out colour scheme, that evokes old photographs from the 19th century.  It is briefly mentioned that the year is 2010, but the only vision of modernity is a census taker driving through the colony in an old truck, with a loudspeaker on the roof playing the song "Daydream Believer".  The film boasts excellent performances, particularly from Rooney Mara, Claire Foy, Jessie Buckley and Ben Whishaw.  This is a great film, wonderfully directed by Sarah Polley, who keeps the drama tight and intense, but provides enough brief glimpses of the world away from the meetings, so it doesn't feel to claustrophobic, and also lets up the tension with some flashes of mordant humour.  It's a moving and powerful piece of quiet rebellion.

Women Talking

First Man

Year of Release:  2018
Director:  Damien Chazelle
Screenplay:  Josh Singer, based on the book First Man:  The Life of Neil A. Armstrong by James R. Hansen
Starring:  Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciaran Hinds, Christopher Abbott, Patrick Fugit, Lukas Haas,
Running Time:  138 minutes
Genre: Drama, historical, biography,

This film tells the story of Neil Armstrong (Gosling) and the first manned mission to the Moon.  It opens in 1961 where Armstrong is a test pilot and culminates with the historical mission in July 1969.  Along the way it deals with Armstrong's relationship with his wife, Janet (Foy), and the personal and professional sacrifices and trials that were made on the way to the Moon.

Everyone is familiar with the Apollo Moon landing in 1969, the first step on the Moon is one of the most iconic images of all time, and the line "One small step for man, one giant leap for mankind," is one of the best known quotes in the world.  This film shows just how risky and dangerous it was.  Basically the astronauts were sitting in a tiny tin can on top of a missile, all of which was pretty much handmade at the time.  The film opens with Armstrong in the middle of a test flight, bouncing off the edge of the atmosphere, shot in fast, almost impressionistic images, from Armstrong's point of view wit constant rattling and roaring.  It's in the aerial and spaceflight sequences where the film soars (no pun intended), exciting, visceral with a genuine sense of wonder.  It captures the excitement of spaceflight and exploration, a time which is pretty much gone now, and it's probably as close as you will ever get to being in a space capsule.  The film depicts the training, and the sometimes fatal missteps along the way to the mission.   It also explores Armstrong's personal life.  Ryan Gosling plays Armstrong as a taciturn, emotionally distant man, it's hinted that he is deeply depressed following the death of his daughter.  As Janet Armstrong, Claire Foy carries the emotional heft of the film.  Having already buried a daughter, and seeing many of her friends and neighbours lose their husbands to the space program, she is very well aware of the risks involved and frustrated that Neil is so casual about it.  In one scene, she forces him to sit down and tell his kids that he may not come back, which he does as if he is at a board meeting.
This is a great film, and needs to be seen on the biggest screen possible.

Neil Armstrong (Ryan Gosling) in First Man 

Season of the Witch

Year: 2010
Director: Dominic Sena
Screenplay: Bragi F. Schut
Starring: Nicolas Cage, Ron Perlman, Stephen Campbell Moore, Claire Foy, Robert Sheehan, Ulrich Thomsen, Stephen Graham, Christopher Lee
Running Time: 98 minutes
Genre: Period, action, adventure, horror

Summary: In the 14th Century, two knights fighting in the Crusades, Behman (Cage) and Felson (Perlman), are sickened by the slaughter of innocent people, including women and children, and so decide to leave. Returning home to Europe as deserters, they find their homeland ravaged by the Black Death. Arriving in a town, they are soon arrested, but are offered a pardon if they agree to help transport a young woman (Foy) accused of witchcraft, and who the town's priests believe caused the Black Death by sorcery. The knights are to take her on a dangerous six day journey to a remote monastery where she is to be put on trial and where it is believed the monks will be able to undo her magic. They are accompanied by a third knight (Thomsen), a priest (Moore), an altar boy who wants to become a knight (Sheehan) and a convicted swindler (Graham) who is to serve as a guide. As they embark on their already perilous journey, they soon disover that, despite being bound in chains and held in a cage, their prisoner is not as defenceless as she appears.

Opinions: This movie blends road movie, buddy movie, supernatural horror and medieval action-adventure. However, it is less than successful. Nicolas Cage is not a bad actor at all, he can be very good, but he is annoyingly inconsistent, and it is fair to say that he has made more than his share of turkeys. Certainly he does not convince as a fourteenth century knight. Ron Perlman, however, is impressive as his fellow knight, who provides the film with much needed screen presence and intentional humour. Claire Foy, best known from the BBC television version of Little Dorrit (2008), is impressive as the accused woman, managing to appear both innocent and sinister. In fact, it is a real pity that she is not given more to do.
Visually, it ranges from beign quite good, to some truly horrendous special effects. The producton design is quite effective though and the senes shot on location look good.
The script is very silly in places, and it is not particularly scary. However, there is enough action, and both intentional and unintentional humour, to keep up the interest. The movie will probably become a cult film in the future and is probably best checked out when it is shown on late night TV.


Nicolas Cage in Season of the Witch