Women Talking

Year:  2022

Director:  Sarah Polley

Screenplay:  Sarah Polley, based on the novel Women Talking by Miriam Toews

Starring:  Rooney Mara, Claire Foy, Jessie Buckley, Judith Ivey, Ben Whishaw, Frances McDormand

Running Time:  104 minutes 

Genre:  Drama

In an isolated Mennonite colony women are drugged and raped over a period of years.  Their claims are dismissed by the colony's authorities as either supernatural attacks or "wild female imagination".  Until, that is one of the attackers is caught, and he promptly names the others.  The attackers are arrested and taken to the nearest city to stand trial.  The other men of the colony accompany them in order to pay their bail.  The colony elders order the women to forgive their attackers by the time they return in two days or be banished from the colony.  Left alone, the women debate how to proceed:  Should they stay and obey their orders?  Stay and fight the men?  Or leave and found a new colony?

Based on the 2018 novel by Miriam Toews, which itself was based on a real life incident that occurred in a Mennonite colony in Bolivia.  The film doesn't focus on the attacks, instead it focuses on the women's response, and most of the film is the debate on how they should proceed.  In fact men are more or less entirely absent from the film with the notable exception of August (played by Ben Whishaw), the gentle schoolteacher who was educated away from the colony, and takes the minutes of the meetings, because none of the women have been taught how to read and write.  In the novel he narrates the story, but in the film the voice-over narrator is the yet unborn daughter of one of the women. The other exception is Melvin (played by August Winter) a transgender man who was raped and refuses to speak except to the youngest children who he cares for while the women are debating.  However men and male violence is the spectre that haunts the entire film.  The women live in an extremely patriarchal society where they are completely subservient to the men.  The film doesn't really come down against the Mennonite way of life, none of the women want to abandon their faith they just want to interpret it in a better and more fair way.  The film has a muted, washed out colour scheme, that evokes old photographs from the 19th century.  It is briefly mentioned that the year is 2010, but the only vision of modernity is a census taker driving through the colony in an old truck, with a loudspeaker on the roof playing the song "Daydream Believer".  The film boasts excellent performances, particularly from Rooney Mara, Claire Foy, Jessie Buckley and Ben Whishaw.  This is a great film, wonderfully directed by Sarah Polley, who keeps the drama tight and intense, but provides enough brief glimpses of the world away from the meetings, so it doesn't feel to claustrophobic, and also lets up the tension with some flashes of mordant humour.  It's a moving and powerful piece of quiet rebellion.

Women Talking

Men

 Year:  2022

Director:  Alex Garland

Screenplay:  Alex Garland

Starring:  Jessie Buckley, Rory Kinnear, Paapa Essiedu, Gayle Rankin

Running Time:  100 minutes

Genre:  Horror

Following the apparent suicide of her abusive husband (Essiedu), Harper Marlowe (Buckley) takes a two week break from her home in London, renting a holiday home in the isolated village of Cotson.  During a long walk in the country, Harper is horrified by a vision of a naked hairless man, who appears to follow her home.  Walking around the village, Harper is deeply disturbed by the creepy, toxic men that she encounters (all of whom are played by Kinnear).

This is a deeply strange, but oddly effective slice of folk horror, a subgenre of horror films which use folklore and tradition, particularly in a rural, isolated landscape.  Jessie Buckley, who is one of the best actors working at the moment, gives a fantastic performance as the tormented Harper, and Rory Kinnear is fantastic as multiple men, all of whom display various types of toxic masculinity, and the truly disturbing image of Kinnear's face superimposed on a schoolboy, who frequently wears a Marilyn Monroe mask.  The death of Harper's husband, and the events leading up to it, are shown piece by piece in flashback, lit in a warm, orange, late-evening light, while the scenes in the country are all bright greens and grey stones.  the film uses a lot of religious and pagan imagery, particular the Green Man (a face surrounded by leaves and vegetation).  For the most part, this is a strange, effective slow-burner, however in the last act, the film seems to go in for more conventional horror movie territory, before ending in genuinely nightmarish, surreal imagery.  I enjoyed the film, even though I am not sure I really understood everything that was happening in it.  This is a film that is worth your time, a powerful and pertinent look at disturbing and problematic male behaviour, particularly against women, and some of the most memorable, bizarre imagery to be seen in a long time.  

 Jessie Buckley in Men