Belfast

Year: 2001

Director:  Kenneth Branagh

Screenplay:  Kenneth Branagh

Starring:  Caitríona Balfe, Judi Dench, Jamie Dornan, Ciarán Hinds, Colin Morgan, Jude Hill

Running Time:  97 minutes

Genre:  Drama

Belfast, 1969:  Nine year old Buddy (Hill) lives with his family in a close knit working-class Protestant neighbourhood.  One day rioters violently attack the homes of the few Catholic families that live on the street.  Buddy's father (Dornan) who works in England, and is only able to see his family once every two weeks, believes that Belfast is becoming too dangerous and wants the family to emigrate, however Buddy's mother (Balfe) doesn't want to leave her home and also doesn't believe they have the means, due to the family being under severe financial pressure.  As tensions escalate, both at home and on the street, Buddy is also preoccupied with the business of being a nine year old boy, playing football on the streets, reading comics, going to the beloved local cinema, and trying to get the seat next to the prettiest girl in class.

The film opens with colour images of present-day Belfast before moving back in time to a monochrome 1969, telling the story of growing up as The Troubles escalate.  The Troubles have featured in numerous films and television series, from The Crying Game (1992) and In the Name of the Father (1993) to Derry Girls (2018- ).  After the riot at the beginning of the film, the streets are barricaded and soldiers guard the area, also sinister local criminal Billy Clanton (played by Colin Morgan) demands that local residents join in the fighting, either actively or with money.  Buddy's father adamantly refuses to join, and Billy becomes increasingly threatening and violent.  However, the focus of the film is not really the Troubles, but Buddy and his family, in amongst all of the tension they live their lives, argue over money, share jokes, go to the cinema, and the children play in the streets.  The film is very funny, and often extremely moving.  There are fantastic performances from Caitríona Balfe and Jamie Dornan as Buddy's parents, and warm performances from Judi Dench and Ciarán Hinds as Buddy's loving grandparents.  Special mention however has to be given to newcomer Jude Hill who plays Buddy, and gives a wonderful performance.  The film is mostly in crisp black-and-white, however when Buddy goes to the cinema everything bursts into colour, which is a wonderful way of depicting the magic of film.  Kenneth Branagh, who wrote the script based on his own childhood experiences growing up in Belfast, is a prolific, if uneven, director, but he has made some excellent films and this is among his very best.

Caitríona Balfe, Jamie Dornan, Judi Dench, Jude Hill and Lewis McAskie in Belfast

First Man

Year of Release:  2018
Director:  Damien Chazelle
Screenplay:  Josh Singer, based on the book First Man:  The Life of Neil A. Armstrong by James R. Hansen
Starring:  Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, Ciaran Hinds, Christopher Abbott, Patrick Fugit, Lukas Haas,
Running Time:  138 minutes
Genre: Drama, historical, biography,

This film tells the story of Neil Armstrong (Gosling) and the first manned mission to the Moon.  It opens in 1961 where Armstrong is a test pilot and culminates with the historical mission in July 1969.  Along the way it deals with Armstrong's relationship with his wife, Janet (Foy), and the personal and professional sacrifices and trials that were made on the way to the Moon.

Everyone is familiar with the Apollo Moon landing in 1969, the first step on the Moon is one of the most iconic images of all time, and the line "One small step for man, one giant leap for mankind," is one of the best known quotes in the world.  This film shows just how risky and dangerous it was.  Basically the astronauts were sitting in a tiny tin can on top of a missile, all of which was pretty much handmade at the time.  The film opens with Armstrong in the middle of a test flight, bouncing off the edge of the atmosphere, shot in fast, almost impressionistic images, from Armstrong's point of view wit constant rattling and roaring.  It's in the aerial and spaceflight sequences where the film soars (no pun intended), exciting, visceral with a genuine sense of wonder.  It captures the excitement of spaceflight and exploration, a time which is pretty much gone now, and it's probably as close as you will ever get to being in a space capsule.  The film depicts the training, and the sometimes fatal missteps along the way to the mission.   It also explores Armstrong's personal life.  Ryan Gosling plays Armstrong as a taciturn, emotionally distant man, it's hinted that he is deeply depressed following the death of his daughter.  As Janet Armstrong, Claire Foy carries the emotional heft of the film.  Having already buried a daughter, and seeing many of her friends and neighbours lose their husbands to the space program, she is very well aware of the risks involved and frustrated that Neil is so casual about it.  In one scene, she forces him to sit down and tell his kids that he may not come back, which he does as if he is at a board meeting.
This is a great film, and needs to be seen on the biggest screen possible.

Neil Armstrong (Ryan Gosling) in First Man 

The Woman in Black

Year:  2012
Director:  James Watkins
Screenplay:  Jane Goldman, based on the novel The Woman in Black by Susan Hill
Starring:  Daniel Radcliffe, Ciaran Hinds, Janet McTeer, Sophie Stuckey, Misha Handley, Liz White,
Running Time:  95 minutes
Genre:  Horror, thriller, supernatural

This film is basically a good old-fashioned ghost story.  Based on a 1983 novel by Susan Hill, which has already been adapted as a long-running stage play, a made-for-television movie and two radio plays, the story is set in England, sometime at the end of the 19th century or the beginning of the 20th century, and tells the story of young lawyer, Arthur Kipps (Radcliffe), who has a four year old son, Joseph (Handley), and is still grieving for his wife Stella (Stuckey), who died in childbirth.  Arthur's firm sends him to a remote village called Crythin Gifford to handle the estate of Alice Drablow, who owned a nearby manor house called Eel Marsh House.  The locals are very unwelcoming, but Arthur does beforend wealthy landowner Sam Daily (Hinds) and his wife, Elizabeth (McTeer).  At the cluttered, decaying mansion, Arthur soon finds himself haunted by the ghostly figure of a woman clad head to to in black.  He also quickly discovers that whoever sees the Woman in Black summons a dreadful curse.

This genuinely creepy film relies on chills rather than shocks to scare it's audience.  There is no real blood or gore here, but the film has a powerfully oppressive doom-laden atmosphere, with washed out colour and the bleak, featureless countryside where it's set.  It also features a superb performance from Daniel Radcliffe as the grief-stricken young lawyer, who hints at rivers of pain beneath his straight-laced, quiet exterior.  The rest of the cast are good, but don't really get much of a chance to register as this is very much Radcliffe's show, with the film focusing entirely on his character.  The story sticks fairly closely to the traditional ghost story and the script effectively builds up the atmosphere.  The whole thing is played very seriously and is all the better for it.  It deals with some very serious subjects aside from the supernatural elements.  Ultimately the theme of the movie is grief and how it can dominate or destroy people's lives.  Sticking to the traditional spook story formula does mean that there is little that will really surprise fans of the genre, and, despite being admirably restrained for the most part, the film-maker's can't resist a few over the top CGI moments.  Also some viewers may be put off by the film's slow-burning, chilly approach and lack of conventional horror movie shocks.  However, this is a welcome example of traditional ghostly chills and might provide a few restless nights.

                                       Daniel Radcliffe in The Woman in Black
 

Ghost Rider: Spirit of Vengeance

Year:  2012
Director:   Mark Neveldine and Brian Taylor
Screenplay:  Scott Gimple, Seth Hoffman and David Goyer, from a story by David Goyer, based on the comic book character Ghost Rider created by Roy Thomas, Gary Friedrich and Mike Ploog
Starring:  Nicolas Cage, Fergus Riordan, Ciaran Hinds, Violante Placido, Johnny Whitworth, Idris Elba, Christopher Lambert
Running Time:  95 minutes
Genre:  Horror, fantasy, action, supernatural, superhero

Here we go with the not so eagerly awaited sequel to the superhero clunker Ghost Rider (2007), based on the Marvel Comics character.  The film tells the story of Johnny Blaze (Cage) a motorcycle stunt rider who makes a deal with the Devil (Hinds) in order to save the life of his father.  However, the deal means that whenever Blaze is in the presence of any kind of wrongdoer he transforms into the "Ghost Rider", a demonic creature with a flaming skull for a head riding a tricked out motorcycle (anything that he happens to be riding on when he transforms is transformed as well).  In order to escape the curse, Blaze moves to a remote area somewhere in Eastern Europe, where he is found by alcoholic monk Moreau (Elba).  Apparently, the Devil has sent his minons out after a mother, Nadya (Placido), and her thirteen year old son, Danny (Riordan).  The Devil, it soon turns out, is the boy's father.  If Blaze can foil the Devil and keep Nadya and Danny safe, Moreau promises to lift the Ghost Rider curse.  Blaze reluctantly agrees and they soon set off on a run around through Eastern Europe, pursued by the Devil's henchman Carrigan (Whitworth).

This film, which is released in 3D, is a mess.  It never seems to know how seriously to take itself and the cast seem to come from different movies.  Placido and Riordan play it as a drama, Elba plays it as a alight-hearted action movie, Hinds plays the Devil like a gangster, and Nicolas Cage is so over the top he appears to have gone off over the Moon somewhere.  This provides for some hysterical scenes.  In one scene Cage is interrogating a bad guy while trying to keep his Ghost Rider side repressed bellowing that the demon is "ScratchIINNNGG... at... the... DOOORRRR!!!"  There are also irritating comic interludes which distract  from the story (the scene with the Ghost Rider peeing fire while nodding at the camera and chuckling does a lot to rob the character of any mystique or tension he might have once had).  The 3D is serviceable and does provide some entertainment when they are barrelling along the roads.  The computer effects are serviceable but little more, which isn't really good enough for a movie with such a heavy reliance on visual effects.  There are also bizarre animated interludes in order to explain the plot and provide some exposition.  The story itself, with it's liberal borrowings from other religious themed movies, is nothing that has not been done before and done better.

Fans of the original, if any, might enjoy the film, but otherwise it just provides still more proof that Nicolas Cage's career is on a sad downward trajectory, which is a real pity because he has done such great work in the past. 

The dangers of smoking in Ghost Rider:  Spirit of Vengeance