Westworld

Year:  1973

Director:  Michael Crichton

Screenplay:  Michael Crichton

Starring:  Richard Benjamin, Yul Brynner, James Brolin

Running Time:  88 minutes

Genre:  Science-fiction, Western

Welcome to Delos, a state of the art amusement park where, for a mere $1,000 per day, guests can live out their fantasies in one of three different "worlds": Western World (themed on the Wild West), Medieval World or Roman World.   The zones are populated by highly sophisticated robots, which look virtually indistinguishable from humans, and are programmed to allow the guests to live out any adventure or desire that they have.  Of course, the sophisticated computer programming means that the robots will never turn on their human guests and begin slaughtering home.  Nothing can possibly go wrong.  Until everything does.

This was written and directed by author/filmmaker Michael Crichton, who would return to the theme of a futuristic amusement park run amok with his novel Jurassic Park (1990).  The film moves between two friends, Peter Martin (played by Richard Benjamin) a first time visitor to Delos and John Blane (played by James Brolin) who is something of a Delos veteran, and their experiences in Western World as they become targets of a homicidal Gunslinger (played by Yul Brynner); the scientists and technicians in the vast subterranean complex below the theme park, where damaged androids are repaired, and the whole park is monitored; and an obnoxious guest in Medieval World.  It's not really until nearly an hour into the film where the robots completely break down and become murderous, and the story moves fully into thriller territory.  Up until then its is almost a comedy parodying Western tropes.  In it's last half hour the film becomes a genuinely tense chase as the Gunslinger remorselessly hunts down it's prey.  Richard Benjamin is good as the nervous, slightly jittery first time visitor, and James Brolin is charismatic as the relaxed would-be cowboy, but it is Yul Brynner as the deathly pale, blank-faced robot who provides the most iconic performance.  The film is mostly well structured, opening with an advert for Delos, which really gives all the backstory you need, and following Peter and John as they arrive and get to experience Western World.  Meanwhile in Medieval World a would be king (Norman Bartold) spends his time flirting with the Queen (Victoria Shaw) and eyeing up buxom serving wenches.  As this is all going on in the park, in the laboratories and offices below, the technicians are concerned that the robots are displaying more malfunctions and errors than usual.  The problems and malfunctions mount up slowly but steadily, until everything suddenly goes haywire.   The film is certainly showing it's age now.  The special effects and futuristic technology on-screen now look very dated, which is inevitable.  It's not a great film, it moves from light-hearted almost comedy to full science-fiction  action thriller a little too late and too suddenly.  It is good though, it's funny and suspenseful and features some memorable sequences.  

The film was a hit in it's day, and was followed by a sequel, Futureworld (1976), a TV series Beyond Westworld which ran for five episodes in 1980, and the far more successful Westworld TV series which began on HBO in 2016 and has, as of January 2022, run for three seasons with a fourth on the way.

Yul Brynner in Westworld

The Amityville Horror

Year: 1979
Director: Stuart Rosenberg
Screenplay: Sandor Stern, based on the book The Amityville Horror by Jay Anson
Starring: James Brolin, Margot Kidder, Rod Steiger, Don Stroud, Murray Hamilton
Running Time: 117 minutes
Genre: Horror, supernatural

Summary: Amityville, Long Island, 1974: A young man brutally kills his parents and his siblings in a large house by the river.
A year later, George Lutz (Brolin) and his new wife Kathy (Kidder) buy the house, attracted by the low price. They move in with Kathy's three children and start trying to settle down, however they soon become plagued by a variety of bizarre occurances: An upstairs room is infested with flies, black goo oozes out of the toilets, objects mysteriously go missing, certain people become nauseous or overcome with fear in the house or even when they get near it, the family dog is forever scratching at a certain patch of wall in the basement, glowing eyes are seen from the windows in the middle of the night, the youngest daughter (Natasha Ryan) makes an imaginary friend who may be real, and George starts to undergo disturbing changes in personality.
After a disturbing experience in the house, the Lutz family priest Father Delaney (Steiger), becomes convinced that there are demonic forces at work in the house.

Opinions: This film was based on a best-selling horror novel by Jay Anson which detailed the allegedly real-life experiences of a family living in a haunted house. The book's claims to be factual made it very controversial in it's day, and the debate is still ongoing.
Whether or not the film is based on real events isn't really the issue, however. The movie is a fairly turgid spook house ride which goes through all the motions of a traditional haunted house story. The film is badly paced and full of stretches where nothing really happens. In the last half hour or so there is some tension generated, but it's all gone by the frankly ridiculous ending. It never really strikes to life and never manages to generate either scares or any real excitement. On the plus side James Brolin and Margot Kidder both turn in very good performances and when the film does work it is generally down to them. Rod Steiger carbes out massive slices of ham for himself overacting so wildly as the family priest that you can almost see the teethmarks in the scenery.
Possibly the most interesting aspect of the film is the emphasis on the financial consequences of the ghostly goings-on. Stephen King, who discusses the film at length in his 1982 non-fiction book Danse Macabre suggests that part of the reason for the enormous success of the film was the way it tapped into very real economic concerns of the time. I certainly think that he has a point with that. The characters frequently discuss money and business, and in one scene Kathy's brother, who looks all of about 15, is getting married and they lose a large sum of money which they need to pay the caterer's and George practically goes beserk trying to find it, practically tearing the room apart and screaming. As he puts it early in the film "this house'll nickel-and-dime us to death".
At it's core though it is a very traditional haunted house story which could, with very few changes to the plot, be a campfire ghost story, and the Amityville hauntings have already entered modern American folklore. Whatever the reason, for all it's flaws, the film was one of the biggest box office hits of 1979 and spawned to dateseven sequels, and itself was remade in 2005.


"I am not some pink-cheeked seminarian who doesn't know the difference between the supernatural and a bad clam! I am a trained psychotherpaist! I wnet into that house and what I saw there was real, what I felt there was real and what I heard there was real! Now, gentlemen, I have a family in my parish that's at great risk! They're facing real danger."
- Father Delaney (Rod Steiger) staes his case in The Amityville Horror




James Brolin and Margot Kidder in The Amityville Horror