Showing posts with label Gene Wilder. Show all posts
Showing posts with label Gene Wilder. Show all posts

Monday, 18 July 2022

Bonnie and Clyde

 Year:  1967

Director:  Arthur Penn

Screenplay:  David Newman and Robert Benton

Starring:  Warren Beatty, Faye Dunaway, Michael J. Pollard, Gene Hackman, Estelle Parsons

Running Time:  111 minutes

Genre:  Crime


Texas, 1930s:  Bored waitress Bonnie Parker (Dunaway) is desperate for some excitement in her life.  She thinks that she has found what she is looking for when she meets charismatic thief Clyde Barrow (Beatty).    Along with dim-witted mechanic C. W. Moss (Pollard), Clyde's tough older brother Buck (Hackman) and Buck's highly strung wife, Blanche (Parsons), Bonnie and Clyde embark on a violent crime spree across the southern United States, robbing banks and shops.  Along the way they become celebrities, as well as the target of every lawman in the USA.

"They're young.  They're in love.  And they kill people."

- Poster tagline for Bonnie and Clyde

Loosely based on the real life exploits of Depression era bank-robbers Clyde Barrow and Bonnie Parker, this became one of the most iconic films of the 1960s.  Heavily criticised at the time for it's then groundbreaking violence, as well as it's glamorising of the ruthless duo, this nevertheless became a smash hit, helping to usher the so-called "New Hollywood" of the 1970s as well as influencing any number of "lovers on the run" films such as Badlands (1973), Wild at Heart (1990), True Romance (1993) and Natural Born Killers (1994).  Screenwriters Robert Benton and David Newman were heavily influence by the French New Wave movement, and their original choice to direct the film was François Truffaut, who passed on the project.  However, Truffaut and the French New Wave influenced several elements of the film, including the changes in tone, the choppy editing, and slow-motion sequences.  Warren Beatty, who produced the film, is perfectly cast as is Faye Dunaway, and the two have real chemistry.  Michael J. Pollard plays naive, moon-faced C. W. Moss, the gang's getaway driver and mechanic.  Pollard, who was pretty much unknown at the time, and was nominated for the Academy Award, Golden Globe and BAFTA got so much attention for the role that he announced a joke candidacy for President of the Unites States, which inspired a novelty song by Jim Lowe called "Michael J. Pollard for President".  Gene Hackman was also Oscar nominated for his role as Clyde's older brother Buck.  Estelle Parsons plays preacher's daughter Blanche, who is married to Buck, and becomes a reluctant a reluctant member of the gang.  Blanche and Bonnie's mutual hatred of each other threatens to undo the group from within.  After viewing the film, the real Blanche Barrow complained about her depiction saying: "That film made me look like a screaming horse's ass!"  Comedian Gene Wilder makes his screen debut in the film as a nerdy undertaker who is kidnapped by the gang.  

While the film is not now as shocking as it was in 1967, it is still a striking film, which has aged surprisingly well.  The tone of the film moves from humour to tragedy, from warmth to cold, stylised violence.  The tone changes in the same scene, the action scenes are often shown as comical slapstick, which then moves into shocking, graphic violence.  Amongst the brutality there are moments of humanity and tenderness, the gang joke around and okay games, take photographs of themselves and Bonnie immortalises their adventures in poetry.  The romance between Bonnie and Clyde is genuinely moving.  The film was released by Warner Bros., who specialised in gangster movies throughout the thirties, and Bonnie and Clyde brings together Old Hollywood glamour, with European experimentalism, to create a new type of American film.      



"I'm Miss Bonnie Parker, this here's Clyde Barrow.  We rob banks."  Faye Dunaway and Warren Beatty as Bonnie and Clyde

Thursday, 22 February 2018

Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)

Year of Release:  1972
Director:  Woody Allen
Screenplay:  Woody Allen, based on the book Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) by Dr. David Ruebens
Starring:  Woody Allen, Louise Lasser, John Carradine, Tony Randall, Burt Reynolds, Gene Wilder, Lynn Redgrave
Running Time:  84 minutes
Genre:  Comedy

This film is a selection of seven sketches inspired by questions relating to sex and sexual behaviour:  In medieval England a court jester (Allen) attempts to seduce the Queen (Redgrave); A respectable doctor (Wilder) falls in love with a sheep; An Italian man (Allen again) discovers that his wife (Lasser) can only reach orgasm in public places; A middle-aged married man (Lou Jacobi) takes to wearing women's clothing; A cheery 1950s game show attempts to teach America about sexual fetishes; A mad scientist (Carradine) unleashes a giant, monstrous breast on the world; A nervous sperm (Allen) prepares to leap into the great unknown.

The original book, Everything You Always Wanted to Know About Sex, was a serious sex manual, which became a huge bestseller and was one of the most popular and influential non-fiction books of it's time.  Allen, here, takes chapter headings from the book, and spins them off into the comedy sketches.  The kind of sketch comedy format, while it has often been popular on TV (maybe not in the past few years, but it certainly used to be), never really works in movies, partly because because sketches tend to be hit or miss,  and also because they tend to be very lightweight, they are really either too short to get into, or they are too long to sustain the joke.  By and large this is funny, with each segment having at least one good laugh in it.  It belongs to the early part of Allen's career, when he really was trying to make straightforward comedies, without the dramatic or philosophical concerns that would later come to dominate. The film pokes fun at Shakespeare, Italian cinema, and science-fiction and horror movies.  The best segment is the last one; which takes place in the hi-tech control centre of a man's brain while he's on a date, with Allen as a nervous, white-uniformed sperm.  That last segment is inventive and very funny.
It's certainly worth watching, but I would point out that this is a product of the early 1970s and has not dated well in terms of it's attitudes and some of it's humor, so proceed with caution.

Woody Allen is going to tell you Everything You Always Wanted to Know About Sex*  (*But Were Afraid to Ask)