Communion

Year of Release: 1989
Director:  Philippe Mora
Screenplay:  Whitley Strieber, based on the book Communion by Whitley Strieber
Starring:  Christopher Walken, Lindsay Crouse, Frances Sternhagen, Terry Hanauer, Andreas Katsulas, Joel Carlson
Running Time:  105 minutes
Genre:  Science-fiction, horror

New York City, 1985:  Whitley Strieber (Walken) is a novelist living in Manhattan with his wife Anne (Crouse) and young son, Andrew (Carlson).  During a weekend away at their cabin in the woods, Strieber and Andrew experience a bizarre visitation.  Initially dismissing it as a bad dream, Strieber begins to experience bizarre recurring nightmares and displays increasingly irrational behaviour.

The film is based on Whitley Strieber's purportedly non-fiction 1987 bestseller describing his alleged abduction by aliens.  The book is probably best known now for it's front cover which is regarded as one of the most iconic images of the popular "Grey" aliens. Whether you believe that Strieber was really abducted by aliens, or that he was hallucinating, or that he just made the whole thing up, this film will not change your mind.  The film has some striking images, even if the special effects range from the serviceable to the pretty dire.  As Strieber, Walken acts as if he's alternatively in a domestic drama and a manic comedy (apparently, the real Whitley Strieber was very unhappy with Walken's portrayal of him), when he's writing he wears a hat and films himself doing animal impressions.  Another problem with casting Walken is that he is so intense he kind of unbalances the film, and is far scarier just being normal than any aliens.  Lindsay Crouse does well at trying to keep the nonsense grounded.  It's a frustrating film that is mostly pretty bad, but has some good moments.  It plays it's hand to early by showing the aliens too early, and is too ambitious for it's own good.  There are no explanations as to what the aliens want.  It's become something of a cult movie, which must be partly due to the scene where Christopher Walken does a dance with little blue aliens.
The movie Fire in the Sky (1993) is a better film that covers similar ground, as indeed do many episodes of The X-Files (1993-2002, 2016-2018).

Christopher Walken in Communion     

Misery

Year of Release:  1990
Director:  Rob Reiner
Screenplay:  William Goldman, based on the novel Misery by Stephen King
Starring:  James Caan, Kathy Bates, Richard Farnsworth, Frances Sternhagen, Lauren Bacall
Running Time:  107 minutes
Genre:  Thriller, horror

Paul Sheldon (Caan) is the writer of a best-selling series of historical romance novels featuring heroine Misery Chastain.  However he is sick of the series and in his latest novel concludes the series by finally killing off Misery, so he can begin work on more "serious" literary fiction.  However, driving through the mountain roads of Colorado on his way to deliver the manuscript he is badly injured in a serious car accident.  Luckily he is saved by nurse Annie Wilkes (Bates) and taken to her remote farmhouse.  Even better, Annie is his Number One Fan!  However she is not happy about his new artistic direction, and she is even less happy when she reads the final Misery novel.  Now Paul has to write one special Misery novel, just for her.  Because when Annie  gets upset, people get hurt. Very badly hurt.

This is a gripping thriller, based on a 1987 Stephen King novel.  The novel was very personal to King, and he was reluctant to sell the film rights, although he was happy to let Rob Reiner make the film, because Reiner had made Stand By Me (1986), one of King's favourite adaptations of his work.  The book was inspired partly due to the very negative reaction many of his fans had to King's non-horror fantasy novel The Eyes of the Dragon.  King felt that the horror genre was imprisoning him, and he wanted to branch out.  King was also in the grip of a serious drug addiction at the time he was writing the novel, and later claimed that the character of Annie Wilkes was a metaphor for drugs.

The film is about the "contract" between creators and their audience.  The fans pay their money for what the creator produces, but in return they want the creator to keep on producing the material they like.  However, what happens when the creator wants to do something different?  When they do not want to produce what the fans demand.  Of course there is no contract.  You pay for the individual book, comic, film, whatever, and have no right to tell the creator what to do in the future.  There are of course the people who would strongly disagree with this.  The Annie Wilkes of the world who would say "Oh no, you're ours.  You'll do what we say."

Essentially this is a two-hander between James Caan and Kathy Bates, both of whom turn in fantastic performances.  In the unpredictable Annie Wilkes, who can turn from kindly, caring nurse to violent maniac in an instant, Kathy Bates creates one of the screen's greatest and most memorable monsters, and walks away with the entire film.  James Caan is affecting as the tortured writer.  Caan is a big, physically imposing actor, best known for tough guy roles such as Sonny Corleone in The Godfather and it's interesting to see him almost completely de-powered.   Richard Fansworth and Frances Sternhagen provide comic relief, and a break from the claustrophobic tension in the farmhouse,  as the kindly local Sheriff and his sarcastic wife.

The film mostly concerns itself with the psychological duel between Annie and Paul, however it does have one teeth-clenchingly shocking moment with the "hobbling" scene involving Annie, Paul's feet and a large sledgehammer.

Tense, exciting and sometimes very funny, surprisingly so, this is one of the best Stephen King adaptations, and a truly fantastic thriller.

    Bedside manner:  Kathy Bates and James Caan in Misery