Showing posts with label William Friedkin. Show all posts
Showing posts with label William Friedkin. Show all posts

Saturday, 15 October 2022

To Live and Die in L.A.

 Year:  1985

Director:  William Friedkin

Screenplay:  William Friedkin and Gerald Petievich, based on the novel To Live and Die in L.A. by Gerald Petievich

Starring:  William Petersen, Willem Dafoe, John Pankow, Debra Feuer, John Turturro, Darlanne Fluegel, Dean Stockwell

Running Time:  116 minutes

Genre:  Action, crime, thriller


When his partner is killed investigating a counterfeiting operation, corrupt Secret Service Agent Richard Chance (Petersen) is determined to bring down master counterfeiter Rick Masters (Dafoe) by any means necessary.  However, Chance is forced to team up with by-the-book agent John Vukovich (Pankow), who opposes Chance's anything goes philosophy.

Adapted from the 1984 novel by Gerald Petievich, this gritty crime thriller returns director William Friedkin to the seamy world of amoral cops and brutal criminals that he previously explored in The French Connection (1974), the film that made his name.  In fact, aside from being set in Los Angeles rather than New York and dealing with counterfeiters rather than international drug runners, there are some similarities between To Live and Die in L.A. and The French Connection, both deal with ruthless cops (or, more accurately, Secret Service agents in To Live and Die) who will break any rules they have to to bring down a powerful enemy,  and To Live and De in L.A. also features it's own spectacular car chase set piece.  Despite being set in December and January, Los Angeles seems to burn under blazing sunlight, and beautiful pink evening skies (I don't know, I've never been to Los Angeles, maybe it really is like that in the bleak midwinter).  The film looks beautiful throughout, and has a pulsing score from British new wave band Wang Chung.  There is a gritty, authentic feel to the proceedings, which are filmed in some of the less glamorous parts of the city.  The cast is impressive with a number of actors who weren't well known at the time, but later went on to become major stars, notably Willem Dafoe and John Turturro.  William Petersen is believably callous as the repellant Richard Chase, who is the film's nominal hero and extorts his informer Ruth (Darlanne Fluegel) for information and sexual favours, under threat of having her parole revoked.  Willem Dafoe is good as the murderous counterfeiter,  John Turturro is convincingly desperate as the member of Dafoe's gang who Chance arrested and tries to make a deal with.  Darlanne Fleugel takes the acting honours as the unfortunate collateral damage in Chance's war on crime, and her desperation to break free and make a fresh start is heartbreaking.  The big problem with the film is, as good as it is, there is really no-one to root for here.  The ostensible "heroes" aren't much better than the crooks they are chasing.  However, this is an involving and exciting slice of '80s action thriller.



William Petersen and John Pankow in To Live and Die in L.A.

Friday, 15 June 2018

The French Connection

Year of Release:  1971
Director:  William Friedkin
Screenplay:  Ernest Tidyman, based on the book The French Connection by Robin Moore
Starring:  Gene Hackman, Fernando Rey, Roy Scheider, Tony Lo Bianco, Marcel Bozzuffi
Running Time:  104 minutes
Genre:  Thriller

New York City police detectives Jimmy "Popeye" Doyle (Hackman) and Sonny "Cloudy" Russo (Scheider) investigate a huge international heroin smuggling operation being run out of Marseille by wealthy Alain Charnier (Rey). 

This is one of the most influential cop thrillers ever made.  Inspired by true events it's filmed in a semi-documentary style with a jittery, constantly moving camera on the wintry streets of New York and dialogue that sounds like snatches of overheard conversations.  The filmmakers strived as far as possible for realism.  Police detectives Eddie Egan and Sonny Grosso (the real-life models for the characters played by Gene Hackman and Roy Scheider) were constant presences on set, and the film does spend a lot of time on the minutiae of police work.  The detectives spend most of the time standing in the freezing cold, or huddled in cars and dingy subterranean offices transcribing wiretap tapes, interspersed with sudden bursts of action.  A lot of viewers at the time found the film very confusing (a MAD magazine parody was called "What's the Connection?"), but that kind of storytelling is more familiar now thanks to TV shows such as The Wire (2002-2008).  Gene Hackman turns in a great performance as the generally pretty repellent racist, lecherous, boorish and violent "Popeye" Doyle. 
The film features some spectacular action sequences, including a justly-famous car chase  sequence, which is one of the best ever put onto film.  If you are a fan of thriller, and have not seen this one, it is definitely a must-see.


      Gene Hackman and friends make The French Connection