Year: 1971
Director: Luchino Visconti
Screenplay: Luchino Visconti and Nicola Badalucco, based on the novella Death in Venice by Thomas Mann
Starring: Dirk Bogarde, Björn Andrésen, Mark Burns, Romolo Valli, Nora Ricci, Marisa Berenson, Carole André, Silvana Mangano
Running Time: 130 minutes
Genre: Drama
At the dawn of the 20th Century, ailing composer Gustav von Aschendbach (Bogarde), finding his physical and mental health suffering after a disastrous concert, travels to Venice for a quiet holiday to recuperate. In a palatial hotel on the Lido, Aschenbach notices teenager Tadzio (Andrésen) and becomes increasingly obsessed with him. Meanwhile, Aschenbach becomes aware of rumours of an outbreak of cholera sweeping Venice.
Based on a 1912 novella by German writer Thomas Mann, this is possibly one of the best known films of celebrated Italian filmmaker Luchino Visconti. British actor Dirk Bogarde, who previously worked with Visconti on The Damned (1969), plays fastidious German composer Gustav von Aschenbach, who is obsessed with the pursuit of ideal beauty. Failing to find it in his music, he believes he has found it in the adolescent Tadzio. The film is seen more or less through Aschenbach's eyes, and Tadzio is seen as an object of desire, and it is unclear as to whether Aschenbach's fixation on Tadzio is carnal or if he sees Tadzio as having the perfect beauty of a statue or painting. The two never speak, Aschenbach stays watching Tadzio in hotel dining rooms, on the beach just outside the hotel, and takes to following Tadzio and his family through the winding streets of Venice. The two exchange glances, but that is it. However Aschenbach does at one point fantasise about warning Tadzio's mother, played by Silvana Mangano, of the outbreak in Venice. The film's narrative in Venice is broken by flashback to Aschenbach's past and dreams. Dirk Bogarde gives a great performance as Aschenbach, snapping at hotel staff and guards in a train station, discussing aesthetics with a friend, he becomes ultimately a pathetic and rather tragic figure, with his face painted white, lips painted red and hair dyed black to make himself look younger. Bogarde manages to convey a lot without dialogue, depicting his yearning through longing looks. The film looks beautiful with every frame carefully composed and features some beautiful images, complemented by a classical score, famously featuring Gustav Mahler's Third and Fifth Symphonies. This is a slow, languid film, which is nevertheless surprisingly moving. The story's premise of an adult's infatuation with an adolescent is, to put it mildly, uncomfortable and problematic, although it is a powerful work of art. Aschenbach is a man who knows he is dying, who knows that his time has passed, alone and forgotten in the stately grandeur of a bygone age, in a place where even the air is making him feel increasingly sick, he sees in Tadzio the youth, life and beauty that he craves but that he can never have.
Björn Andrésen, who plays Tadzio, and who was 16 at the time of the film's release, has since criticised the film and the unwelcome and often predatory attention that he received during it's production and following it's release. The Most Beautiful Boy in the World, a documentary about Andrésen, was released in 2019.
Dirk Bogarde in Death in Venice
