Showing posts with label Stanley Holloway. Show all posts
Showing posts with label Stanley Holloway. Show all posts

Sunday, 18 September 2016

Passport to Pimlico

Year of Release:  1949
Director:  Henry Cornelius
Screenplay:  T. E. B. Clarke
Starring:  Stanley Holloway, Margaret Rutherford, Barbara Murray
Running Time:  84 minutes
Genre:  comedy

This is a fairly early example of the so-called "Ealing Comedies", a series of films from Britain's Ealing Studios, which were notable for their gentle whimsy.  In Passport to Pimlico, an unexploded World War II bomb is accidentally detonated revealing an underground chamber full of treasure, and  a Royal charter stating that Pimlico, a small borough of central London, is legally part of the French Duchy of Burgundy.  The residents of Pimlico immediately decide to embrace their newfound status as Burgundians, and declare independence form the rest of Britain.  However while it is initially a lot of fun (they tear up their ration books and identity cards, enjoy unlimited opening hours at the local pub, and shopping on a Sunday), the necessity of supplies, not to mention law and order, prove to be serious problems.

This is a quintessentially cosy comedy.  There is some extremely gentle satire on postwar British life, but mostly it's the cinematic equivalent of a coffee and a biscuit on a wet Sunday afternoon.  While there are some solid laughs in the film, mostly it's very gentle whimsy.  It's entertaining enough to keep a smile throughout, but mostly that's about it.  It's the kind of film you can switch on and know that there's nothing to worry about in it, nothing likely to offend, and you'll have a couple of laughs.  There are good performances, and there are enough witty lines and plot developments to keep what is basically a one-gag going.  There could be more bite to the satire and some of the darker elements to the situation never get explored, although that's not really so much a criticism, sometimes it's great to have something completely light and funny, with nothing to worry about, particularly these days.  It is also a look at a bygone world, with bombed-out buildings, and rationing and so on.

           Barbara Murray and Stanley Holloway in Passport to Pimlico

Friday, 29 April 2011

Brief Encounter

Year: 1945
Director: David Lean
Screenplay: Noel Coward, Anthony Havelock-Allen, David Lean and Ronald Neame based on the stage play Still Life by Noel Coward
Starring: Celia Johnson, Trevor Howard, Stanley Holloway, Joyce Carey, Cyril Raymond, Everley Gregg
Running Time: 86 minutes
Genre: Drama, romance

Summary: Laura Jesson (Johnson) has a conventional life and a dull, if affectionate, marriage to Fred Jesson (Raymond). By chance, she meets an idealistic doctor, Alec Harvey (Howard) in a railway station. Alec is also married. The two strike up a friendship and are soon meeting up every week. Eventually they come to realise that they have fallen in love, but because they are both married, and the scandal that their relationship would create, they are unable to act on their feelings.

Opinions: This is one of the classic films about "forbidden love" which remains popular to this day, and is screened frequently on television. The movie is very much a product of it's time and place, and the attitudes and values that the two lead characters have, which were very common at the time, could be seen as odd by many people today.
Not much really happens in the movie, much of which consists of the characters having awkward conversations on the street and in railway cafes. The performances are very good from the two leads, who create a strong impression of powerful emotions barely repressed. It's one of the classic evocations of the traditional British "stiff upper lip".
The screenplay, based on a one-act stage play by Noel Coward, is impressive even if some of the dialogue is slightly stilted at times, and some of the humour comes across as forced. The movie is very well-crafted and visually impressive, with crisp black and white photography, and much of it being shot on location in a busy railway station.
The film is powerfully dramatic and is definitely worth watching for it's evocation of another time and place.


"We're neither of us free to love each other. There's too much in the way. There's still time, if we control ourselves and behave like sensible human beings. There's still time."
- Laura Jesson (Celia Johnson) in Brief Encounter



Celia Johnson and Trevor Howard in Brief Encounter