Duel

Year:  1971

Director:  Steven Spielberg

Screenplay:  Richard Matheson, based on the short story Duel by Richard Matheson 

Starring:  Dennis Weaver

Running Time:  90 minutes

Genre:  Action, thriller

Middle aged travelling salesman David Mann (Weaver) sets off on a long drive through rural California to meet a client, but the uneventful journey soon turns into a desperate battle for survival when Mann finds himself involved in a deadly cat-and-mouse game with a deranged truck driver (Carey Loftin).

Originally made as a television "Movie of the Week", this film is possibly most notable as the feature film debut from director Steven Spielberg, who at the time only had a few episodes of television shows under his belt, including episodes of Night Gallery and an episode of Columbo.  The original 74 minute TV movie was so successful with critics and audiences that the studio allowed Spielberg to shoot extra footage to increase the running time for a theatrical release.  Aside from several brief encounters with people he meets on his journey, the film almost entirely focusses solely on Mann.  The truck driver is almost entirely unseen, and never seen in full.  A couple of times we see a beefy forearm cocked out of the window, his hands on the steering wheel, and his booted feet, but that's all we see of the driver.  The antagonist becomes the huge, menacing truck itself, with its dirty windows, bellowing air horn and belching black fumes, like a vast mechanical dragon.  Aside from the anonymity of Mann's attacker, the randomness of the pursuit itself is scary, with Mann seemingly targeted for no reason.  Throughout the film, Mann seems almost painfully out of place, during the opening credits we travel from the comfortable suburbs, into the Californian deserts, and even when he is not in danger, Mann, in his suit and tie, seems to be uncomfortable in the blue-collar diners and truck stops where he finds himself.  In an early scene, he telephones his wife (Jacqueline Scott), providing the only glimpse we have of his home life, and she criticises him for not standing up for her against an offensive colleague of his at a party the previous night.  Ultimately, Mann has to shed his veneer of suburban civilisation to find a more primal survival instinct, if he is to defeat his enemy.  While the film doesn't entirely keep up its momentum throughout its entire running time, it is still a gripping suspense film, with plenty of excitement and a thrilling climax.

Keep on truckin':  Dennis Weaver in Duel

Dracula

 Year:  1974

Director:  Dan Curtis

Screenplay:  Richard Matheson, from the novel Dracula by Bram Stoker

Starring:  Jack Palance, Simon Ward, Nigel Davenport, Pamela Brown, Fiona Lewis, Penelope Horner

Running Time:  100 minutes

Genre:  Horror

1897:  Solicitor Jonathan Harker (Murray Brown) is in Transylvania to visit mysterious nobleman Count Dracula (Palance), who plans to buy property in England.  However, Harker finds out too late, what his host's true motivations are.  In England, Arthur Holmwood (Ward) discovers that his fiancé Lucy (Lewis) is Dracula's latest victim, and it is up to him and Professor Van Helsing (Davenport) to stop the vampire for good.

The good count himself may not have proved to be immortal, but Bram Stoker's classic vampire novel has proved to be well nigh un-killable, with numerous adaptations in almost all forms of media.  Every Dracula fan has their favourite, and while this made-for-TV movie may not be one of the best, it is still a solid adaptation.  Producer and director Dan Curtis was familiar with horror having created the frankly bizarre supernatural daily soap opera Dark Shadows (1966-1971), as well as the TV movie The Night Stalker (1972) which was also scripted by Richard Matheson, and other adaptations of horror classics such as The Strange Case of Doctor Jekyll and Mister Hyde (1968) which also starred Jack Palance.  As scripted by horror writer Richard Matheson, this adaptation of Dracula remains faithful to Stoker's novel, albeit streamlining it a lot and cutting many supporting characters, including Dracula's bug-eating servant  Renfield.  Jack Palance, who was best known for playing heavies in gangster films and Westerns, may seem a strange choice for Dracula, but he does well, giving Dracula a Byronic menace, as well as a physicality often absent in other versions of the character.  The other performances are solid, and the film benefits from being filmed largely in England and Yugoslavia, despite being made for American TV.  While the film has its slow points, and there are times when the fairly low budget is obvious, it is a pretty impressive piece of work, and well worth checking out for horror fans.  The film's on-screen title is Bram Stoker's Dracula but, when Francis Ford Coppola was preparing his own film, also titled Bram Stoker's Dracula (1992), he bought the rights to the title in order to avoid comparisons, and the 1974 film is listed as either Dracula or Dan Curtis' Dracula.  There are a couple of other points of similarity between this and the 1992 film, in both Dracula is explicitly referred to as the historical Vlad Dracula (aka Vlad the Impaler) and in both versions Dracula hunts down the reincarnation of his lost love (Lucy in this film and Mina in the 1992 film).     

Jack Palance is Dracula

The Fall of the House of Usher

 Year of Release:  1960

Director:  Roger Corman

Screenplay:  Richard Matheson, based on the short story "The Fall of the House of Usher" by Edgar Allan Poe

Starring:  Vincent Price, Mark Damon, Myrna Fahey, Harry Ellerbe

Running Time:  79 minutes

Genre:  Horror

19th Century America:  Philip Winthrop (Damon) travels to the lonely decaying House of Usher, to visit his fiancée Madeline Usher (Fahey) who lives alone in the mansion with her brother Roderick (Price) and their servant Bristol (Ellerbe).  Madeline and particularly Roderick both suffer from hypersensitivity.  Roderick strongly disapproves of his sister's engagement, because he believes that the Usher bloodline is cursed, and is determined that the family end with him and his sister.

Director Roger Corman and distributor American-International Pictures were known at the time for churning out super low-budget, black-and-white "B" movies, for drive-ins, and grindhouse cinemas, as well as filling out the bottom half of double-bills and kid's matinees.  However the feeling was that the market for those movies was starting to decline, and Corman convinced AIP to put a bit more money behind this film and make it in colour, with some attempt at decent production values, and based on a respected literary source.  Acclaimed horror writer Richard Matheson (author of I Am Legend (1954), The Shrinking Man (1956) and numerous episodes of The Twilight Zone) adapted Edgar Allan Poe's short story into a literate and intelligent script.  Although it was expensive by Roger Corman and AIP standards, this was still a low-budget film, and takes place entirely within the confines of the mansion with only four speaking roles, and the meat of the drama is the struggle between Roderick and Philip for Madeline, whether she likes it or not.  Vincent Price is the standout, turning in a sensitive, quiet performance as the tormented Roderick, making what could be a straightforward villain, pitiable and sympathetic.  Also, he believes that he is doing the right thing, no matter how unpleasant it may be.  Myrna Fahey is effective as the unhappy Madeline.  However, Mark Damon is never really more than the typical square-jawed hero.  The film is directed with style, and Corman manages to get every bit of melodrama from the story.  The house itself becomes a character in the story, with it's constant creaking and crumbling, as it moves toward it's final dissolution.  It really needs to be seen on the biggest screen possible in high definition, to get all the impact from the beautifully designed sets, and such, vibrant colour photography.

Also released simply as House of Usher, it was quite a big hit in it's day, and became the first of eight movie based on Edgar Allan Poe stories that Roger Corman made with Vincent Price.

Mark Damon and Vincent Price in The Fall of the House of Usher