Event Horizon

 Year of Release:  1997

Director:  Paul W. S. Anderson

Screenplay:  Philip Eisner

Starring:  Laurence Fishburne, Sam Neill, Kathleen Quinlan, Joely Richardson, Sean Pertwee, Jason Isaacs, Richard T. Jones, Jack Noseworthy

Running Time:  92 minutes

Genre:  Science-fiction, horror

In the year 2047, the rescue vessel Lois and Clark is on a mission to retrieve the experimental spacecraft Event Horizon which vanished on it's maiden voyage seven years previously and has suddenly reappeared above Neptune.  Upon investigation it turns out that the Event Horizon is intact, but the crew have been brutally massacred.  It soon becomes apparent that the Event Horizon's revolutionary new gravity drive which allows the ship to travel vast distances by using a sort of artificial black hole to bridge two points in space.  However, the ship has travelled further than was ever planned and has brought something back with it.

This gruesome blend of science-fiction with supernatural horror is an enjoyable slice of "B"-grade hokum.  very heavily influenced by Alien (1979), The Shining (1980) and Hellraiser (1987), as well as Don't Look Now (1973) and Solaris (1972).  The plentiful special effects haven't aged well, the storyline is very derivative and the dialogue is pretty cheesy, however it does have some impressive production design and strong performances from a solid cast.  The film had a difficult production history, was heavily cut by it's studio, and was a critical and commercial flop when it was first released in August 1997, however it has had something of a reappraisal since and is now a major cult film.  It's a consistently entertaining film, which moves quickly and never gets dull.  For some gory late night escapism, this really does the job.  

     Event Horizon

Color Out of Space

 Year of Release:  2019

Director:  Richard Stanley

Screenplay:  Richard Stanley and Scarlett Amaris, based on the short story "The Colour Out of Space" by H. P. Lovecraft

Starring:  Nicolas Cage, Joely Richardson, Elliot Knight, Madeleine Arthur, Q'orianka Kilcher, Tommy Chong

Running Time:  111 minutes

Genre:  Science-fiction, horror

Nathan Gardner (Cage) and Theresa Gardner (Richardson) move with their three children:  Teenagers Lavinia (Arthur) and Benny (Brendan Meyer) and youngest son Jack (Julian Hilliard) to a remote farm in the middle of the New England woods.  One night a meteor crashes down near their home, releasing bizarre coloured lights and seeming to have a strange effect on anyone who comes near it.  Shortly afterwards the meteor seems to vanish.  Hydrologist Ward Phillips (Knight), who is surveying the area for a dam development discovers that something strange seems to have contaminated the water.  As strange events happen around the Gardner family, local animals and people begin to undergo nightmarish transformations.

American writer Howard Philips Lovecraft is one of the most influential and problematic horror and science-fiction authors of all time.  His work is challenging for filmmakers is difficult not only for the horrific racism, sexism and anti-semitism that blights his life and writing, but also Lovecraft's writings tended to be about dimensions and creatures so terrible that the very sight of them would drive a human insane, which is very difficult to realise on screen.  Lovecraft has been adapted to the screen before, perhaps most notably in Re-Animator (1985) and From Beyond (1986), but this is one of the best depictions of Lovecraftian horror that I have seen.  Cult film director Richard Stanley and co-writer Scarlett Amaris update the film enough to be acceptable to modern audiences, while still keeping the cosmic horror feel of the story.  Stanley creates beautifully artistic images, with special effects which range from the subtle to the completely psychedelic, alongside gruesome 1980s style pulp horror.  In the lead role Nicolas Cage goes from quiet and subdued, to his trademark full-on manic frenzy.  The film is overly long and it takes a while to get going, also Cage's over the top performance in the final third of the film becomes almost funny.  It is a good film, not without it's flaws, but is one of the most successful H.P. Lovecraft adaptations, and is full of striking, memorable imagery.

Nicolas Cage sees the Color Out of Space

The Girl with the Dragon Tattoo (2011)

Year:  2011
Director:  David Fincher
Screenplay:  Steven Zaillian, based on the novel The Girl with the Dragon Tattoo by Stieg Larsson
Starring:  Daniel Craig, Rooney Mara, Christopher Plummer, Stellan Skarsgard, Steven Berkoff, Robin Wright, Yorick van Wageningen, Joley Richardson
Running Time:  158 minutes
Genre:  Thriller, crime, drama, mystery

This is the English language film adaptation of the best-selling novel by Steig Larsson, which was first published in 2005, and was already the subject of a 2009 Swedish film.

Disgraced journalist Mikael Blomkvist (Craig) is hired by Henrik Vanger (Plummer) the wealthy, elderly patriarch of a large and powerful family, ostensibly to write his biography, but in reality to investigate the murder of his beloved neice, who disappeared almost forty years previously.  Vanger is convinced that one of the family killed her.  As he investigates, Blomkvist enlists the help of troubled computer hacker Lisbeth Salander (Mara).  Together the two begin to discover some shocking secrets about the Vanger family.  Secrets that some would kill to keep hidden.

This is a very faithful adaptation of the novel.  Visually it is very impressive, with the bleak, wintery landscapes giving the film an almost dreamlike atmosphere.  The cast are uniformly brilliant, with Rooney Mara exceptional in the difficult role of Lisbeth Salander, who is already one of the most memorable characters in modern popular fiction.  The film also manages to condense a complex and long novel into a coherent film.  The film retains the Swedish setting of the original novel, but all the dialogue is English language, with the cast basically speaking in Swedish accents, which seems slightly bizarre.  Also the film moves at a fairly sedate pace, although there are sudden bursts of violence, a couple of which are genuinely shocking and disturbing.  

However, it is a fierce and powerful piece of work, with a superb visual sense and would be worth watching just for Rooney Mara's performance alone.

Rooney Mara is The Girl with the Dragon Tattoo