Mistress America

Year of Release:  2015
Director:  Noah Baumbach
Screenplay:  Noah Baumbach, Greta Gerwig
Starring:  Greta Gerwig, Lola Kirke
Running Time:  84 minutes
Genre:  Comedy, drama

Eighteen year old Tracy Fishko (Kirke) is in her first semester at Barnard College in New York City, and is struggling to adapt to college life.  Following her mother's advice, Tracy reaches out to Brooke Cardinas (Gerwig), her soon-to-be stepsister.  Tracy is fascinated by the older, impulsive, free-spirited Brooke, and her eccentric lifestyle.

This is almost a companion piece to the earlier Noah Baumbach - Greta Gerwig collaboration Frances Ha (2013), in which Gerwig plays a similar impulsive but fragile character.  While it is not laugh-out-loud funny, it is amusing throughout, and is an often moving take on the pains of young adulthood.  Both Tracy and Brooke are very similar, if at different stages in life.  They are both trying to find their place in the world, and they are both ambitious.  Tracy, who has literary ambitions, is inspired to write a cruel short story based on Brooke called "Mistress America", portraying her as a  self-destructive, ridiculously impulsive "manic pixie dream girl".  Brooke has ambitions to start a restaurant, but while she is good at ideas, she is not very practical, and finds it hard to realise her ambitions, and at the age of thirty, Brooke, despite her seeming confidence and free-wheeling lifestyle, is just as confused, fragile and vulnerable as Tracy.  Some may find it difficult to sympathise with the problems of a couple of relatively wealthy, young, white people trying to make friends and fulfill their artistic ambitions in New York, and that is fair.  While I did not always find the character likeable, I always found them sympathetic and relatable.  Like the lead charcaters, the film has a loose, free-wheeling feel to it, including a crucial extended sequence late in the film, set in Connecticut, which while funny and effective, still feels a little out of place with the rest of the film.  Baumbach directs with some style, getting a lot from small character moments.  There are some good performances, but the film is completely dominated by the luminous Greta Gerwig.       

Greta Gerwig and Lola Kirke in Mistress America   

Frances Ha

Year of Release:  2013
Director:  Noah Baumbach
Screenplay:  Noah Baumbach and Greta Gerwig
Starring:  Greta Gerwig, Mickey Sumner, Charlotte d'Amboise, Adam Driver, Michael Zegen
Running Time:  86 minutes
Genre:  Comedy drama

Frances (Gerwig) is a struggling 27 year old dancer living in New York City with her best friend Sophie (Summer).  Her life is upended when Sophie announces that she plans to move to a more upmarket neighbourhood, which Frances can't afford, forcing her to find somewhere else to live, while trying to make ends meet.

Photographed in shimmering monochrome, this virtually plotless film is more a glimpse into the life of Frances, an ambitious young woman, trying to make her own way in the Big Apple, albeit without much success.  Frances herself is frequently frustrating, impulsive and irritating, but is never unsympathetic or unlikeable.  She makes bad decisions and frequently gets herself into trouble.  Early in the film she breaks up with her boyfriend because she doesn't want to move in with him and she really shows very little interest in dating anyone, although one of her roommates does seem to be interested in her.  The big relationship in Frances' life is her friendship with Sophie, and this film portrays friendship in a beguiling and very relatable way.  The two share jokes, and tell each other pretty much everything from their deepest secrets and hopes and fears to something funny that one of them sees on the way to the grocery store.  They fight, they argue, they get on each other's nerves, but the bond is always there.  Even Sophie's fiance, and Frances' jealousy, doesn't destroy their bond.
While the loose, plotless nature of the film may put off some viewers, and some may find Frances deeply annoying, this is a smart and funny film, which has a lot to say about friendship and finding a place for yourself in the world.  Certainly the biggest asset to the film is Greta Gerwig, who co-wrote the film with director Noah Baumbach and stars as Frances.  Charismatic and quirky, with a mix of exuberance, dorkishness and vulnerability, she owns the film, and is in virtually every scene.  Recently Greta Gerwig has spent more time behind the camera than in front of it, as the writer and director of acclaimed films Lady Bird (2017) and Little Women (2019), and this is a reminder of what a great actress she is.

Greta Gerwig in Frances Ha       

Little Women

Year of Release:  2019
Director:  Greta Gerwig
Screenplay:  Greta Gerwig, based on the novel Little Women by Louisa May Alcott
Starring:  Saoirse Ronan, Emma Watson, Florence Pugh, Eliza Scanlen, Laura Dern, Timothée Chalamet
Running Time:  135 minutes
Genre:  Period drama

Set in the 1860s the film follows the four March sisters:  Responsible Meg (Watson) the oldest of the four; stubborn and fiery Jo (Ronan), an aspiring writer; kind, shy and musical Beth (Scanlen) and the youngest of the four, Amy (Pugh), an aspiring painter. 

This is one of several adaptations of Louisa May Alcott's classic novel, which I have never read, and I have never seen any of the other adaptations of it, and so I cannot say how faithful or not this film is to it's source.  The film introduces us to the March sisters as adults, and moves back and forth between their childhood and their adult lives.  The film is beautifully made with some ravishing images, and impeccably played by a very strong cast.  After having made a splash with her directorial debut Lady Bird, this marks Greta Gerwig as one of the most promising new directors working today.  The film has a large cast of characters and moves between a number of different storylines and time frames, with nary a misstep.  It also successfully balances period detail with a contemporary relevance.

Emma Watson, Florence Pugh, Saoirse Ronan and Eliza Scanlen in Little Women