Showing posts with label Bill Paxton. Show all posts
Showing posts with label Bill Paxton. Show all posts

Monday, 21 June 2021

Aliens

Year of Release:  1986

Director:  James Cameron

Screenplay:  James Cameron, from a story by James Cameron, David Giler and Walter Hill

Starring:  Sigourney Weaver, Michael Biehn, Carrie Henn, Paul Reiser, Lance Henriksen, Bill Paxton, Jenette Goldstein

Running Time:  137 minutes (theatrical cut); 157 minutes (director's cut)

Genre:  Science-fiction, action, horror


Following the events of Alien (1979), Ripley (Weaver) is found in suspended animation in an escape pod.  Recuperating on a space station orbiting Earth, she learns that she has been drifting through space in stasis for 57 years.   Traumatised by her experiences, her situation is only made worse by the fact that no-one believes her story.  It turns out that the planet where the Alien was found, Planet LV-426, has been home to a human colony for the past twenty years.  That is until Earth loses contact with the LV-426 colony, and Ripley is persuaded to join a platoon of Colonial Marines on a mission to investigate.  


Aliens is one of the great sequels in film history.  While Alien is a horror film in space, Aliens takes a completely different approach and is a war film in space, in fact writer/director James Cameron described it as being a Vietnam film in space, with it's depiction of a technologically superior invading force being repelled by an enemy which they have completely underestimated.  The film takes it's time building up the characters and suspense, but when the Aliens do appear in all their slimy, toothy, insectoid glory the film immediately kicks into high gear and doesn't let up until the end credits roll.  The Aliens are a largely unseen enemy, usually attacking en masse or hidden in shadow, or moving so fast that you can barely get a good look at them, this was partly practical because the production couldn't get many Alien costumes.  The action scenes are well staged and exciting, and the special effects still hold up today, with the Alien Nest, where their luckless victims are gruesomely cocooned to be impregnated by the facehuggers, memorable and disturbing.  The lengthy set up means that we get to spend time with the characters, they are not just there to be eaten by the monsters.  There is a theme of motherhood in the movie, Ripley is a mother, and there is a scene which is in the extended director's cut, but not in the theatrical cut,  where she is informed that he daughter had died during her absence.  The sole survivor of the colony is a young girl called Newt (played by Carrie Henn) and she becomes a surrogate daughter to Ripley.  In the film's climax however, Ripley has to battle the vast Alien Queen, which lays the Alien eggs.  It's the battle between two mothers: one seeking to protect her daughter, the other seeking vengeance for her slaughtered children.  The heart of the film really belongs to Newt and Ripley, the scenes between them have real emotional heft, and the male characters with a couple of notable exceptions, by and large take a back seat.  Sigourney Weaver gives one of her best performances as Ripley, who is one of the great characters in action movies, tough, compassionate and ruthlessly practical where necessary

The film continues and expands the anti-corporate theme of the original, with the treacherous weasel Carter Burke (played by Paul Reiser), an oily space yuppie and Eighties Guy par excellance who unfortunately feels all too contemporary, whose actions lead Ripley to contemplate whether the humans are any better than the Aliens.  Also in the supporting cast is Michael Biehn as likeable Marine Hicks, and provides the closest thing that the film has to a love interest for Ripley; Lance Henriksen as the soft spoken but slightly sinister android (although "artificial person" is the preferred term) Bishop; and Bill Paxton as Hudson, the most arrogant of the Marines, but the one who quickly falls apart.  

The 1980s were the era of flamboyant, excessive action spectacles, where living action figures routinely blasted enough firepower to wipe out a small country, as well as throwing up endless sequels to anything even slightly popular (which, to be fair, is something that for better or worse shows no sign of ever going away).  Aliens is a high point, expanding and developing the story of it's predecessor, as well as taking it in a completely new direction, igniting the screen with spectacular carnage, and nightmarish visions, but with added intelligence and heart, putting it ahead of it's contemporaries.  The best of the Alien franchise, and one of the highpoint of action cinema.



Sigourney Weaver hunts Aliens

      

Tuesday, 16 August 2011

Near Dark

Year: 1987
Director: Kathryn Bigelow
Screenplay: Eric Red and Kathryn Bigelow
Starring: Adrian Pasdar, Jenny Wright, Lance Henriksen, Bill Paxton, Janette Goldstein, Tim Thomerson, Joshua Miller, Marcie Leeds
Running Time: 95 minutes
Genre: Horror, action, supernatural

Summary: Oklahoma: One night Caleb Cotton (Pasdar) meets Mae (Wright), an attractive young drifter. There is a real attraction between them and, after some flirting, he tries to kiss her, but instead she bites his neck and runs off. Caleb starts to feel severely sick, and the sun causes his flesh to smoke and burn. As he heads home to his vetinerian father, Loy (Thomerson) and young sister Sarah (Leeds), Caleb is abducted by Mae's "family" who turn out to be a nomadic band of vampires who travel around in stolen cars and mobile homes searching for blood and trying desperately to stay one step ahead of the law and the daylight. The group is led by the charismatic Jessie Hooker (Henriksen) and his "wife" Diamondback (Goldstein), and is also made up of the callous psychopath Severen (Paxton), and Homer (Miller), who is forver trapped in the body of a child, at odds with his adult mind and drives.
Caleb tries to fit in with the group, who give him a week to prove that he deserves to be among them, or they will kill him, while Loy and Sarah travel the South in a desperate bid to rescue him.

Opinions: This film is a very effective blend of action and vampire horror. The film was originally intended by Bigelow to be a revisionist Western, but she found it diffcult to get financing for a Western movie (at that time the genre, unlike vampires, was calmly resting in peace), however, mixing it with a more commerical genre made it a far more palatable prospect for investors.
The movie, however, was a commercial failure. It was released in summer 1987 at the same time as the more comedy oriented The Lost Boys, which was far more successful and has a very similar plot.
However, reviews were strong, and this has grown into quite a major cult film. The film is beautifully shot with some impressive panoramas of the desert landscapes and glittering night-time images that evoke the romance of the vampire lifestyle. The vampires themselves are well handled. Far from the glamorous, sexy vampires that have always been so popular, these ones are grimy, dirty and perpetual outsiders. Despite some of the horrible things that they do, the vampires become weirdly likeable and almost sympathetic. Their murderous ways are more or less enforced on them by their condition, and they also genuinely care about each other. Ultimately the film is about family, the conflict between the "bad" family (the vampires) and the "good" family (Caleb's sister and father) for Caleb's soul.
Kathryn Bigelow is a brilliant action movie director and she handles the action sequences here expertly, giving them a genuine sense of excitement. The film is also well-paced. It moves fast and is empty of all unessentials. Exciting, tense and, at times, genuinely scary, this is one of the best vampire movies of the 1980s.
In one scene Caleb walks past a cinema marquee advertising Aliens (1986). Lance Henriksen, Janette Goldstein and Bill Paxton all appeared in Aliens and Kathryn Bigelow was later married to the film's director James Cameron.

"Howdy. I'm gonna seperate your head from your shoulders. Hope you don't mind none."
- Severen (Bill Paxton) makes new friends in Near Dark



Bill Paxton and Adrian Pasdar stop for a drink in Near Dark