Saw X

 Year:  2023

Director:  Kevin Greutert

Screenplay:  Peter Goldfinger and Josh Stolberg

Starring:  Tobin Bell, Shawnee Smith, Synnøve Mackey Lund, Steven Brand, Renata Vaca, Michael Beach

Running Time:  118 minutes

Genre:  Horror

John Kramer (Bell) has been given just months to live due to his terminal brain cancer.  In desperation, he approaches a clinic in Mexico that promises a radical new treatment to cure cancer.  Kramer soon realises, however, that he has been tricked, and the operation is merely a scam to con cancer sufferers out of thousands of dollars.  However, John Kramer has a few tricks of his own.  What the scammers don't know is that he is none other than the notorious Jigsaw Killer, and soon the predators become the prey, when Kramer forces them to play his sadistic games.

This is the tenth instalment in the hugely popular Saw franchise.  The Saw films focus on serial killer John Kramer, known as "Jigsaw", whose victims are those he deems to have done wrong or wasted their lives.  he doesn't kill his victims directly but imprisons them in elaborate, specially designed traps, which usually make some ironic comment on the "sins" Kramer believes them to have committed.  The traps, which Kramer refers to as "tests" or "games", are lethal but there is a way to escape, at the cost of extreme physical or psychological torture, which very few can withstand, and so most of Kramer's victims are killed by their traps.  The cadaverous, softly-spoken Tobin Bell once more reprises his role as John Kramer, this time taking centre stage as anti-hero rather than out and out villain.  Series regular Shawnee Smith also returns as Amanda, one of Kramer's victims who survived her ordeal and became his devoted apprentice.  The surrogate father-daughter relationship between Kramer and Amanda forms the emotional core of the film.  Norwegian actress Synnøve Mackey Lund is impressive as the heartless head of the scam operation.  Despite being the tenth film in the series, the story takes place between the events of Saw (2004) and Saw II (2005).  The film is slow to get going.   There is a brief scene at the beginning of the film where we see Kramer witnessing a hospital orderly stealing from a patient, and imagining the orderly in one of his death traps, he decides to spare the orderly when he puts the patient's possessions back after noticing Kramer staring at him, despite this it is a long time before we get to the traditional Saw action, although when it does get going it is impressive enough with all the gore and carnage that fans have come to expect from the series.  Incidentally, there is an additional scene partway through the end credits.

        The Gamesmaster:  Tobin Bell in Saw X

Friday the 13th

 Year:  1980

Director:  Sean S. Cunningham

Screenplay:  Victor Miller

Starring:  Betsy Palmer, Adrienne King, Harry Crosby, Laurie Bartram, Mark Nelson, Jeannine Taylor, Robbi Morgan, Kevin Bacon

Running Time:  95 minutes

Genre:  Horror

Camp Crystal Lake is preparing for it's grand reopening after being closed for twenty years.  The camp, however, has a bad reputation town, where it is nicknamed "Camp Blood" due to it's history of mysterious deaths and disappearances.  The local eccentric, Crazy Ralph (Walt Gorney), claims that the camp has a "death curse".  However, six teenage camp counsellors have arrived at the camp, along with the new owner (Pete Brouwer), to prepare for the opening in two weeks time.  When the owner leaves the camp to get some supplies, the counsellors enjoy themselves. However, the fun soon turns to terror as they are brutally murdered one by one by an unknown prowler.

Producer and director Sean S. Cunningham was known to horror fans for producing Wes Craven's notorious debut film The Last House on the Left (1972).  Prompted by the success of John Carpenter's Halloween (1978), Cunningham decided to do his own take on what would become known as the "slasher" genre.  Sticking to the calendar theme of Halloween, the title "Friday the 13th" seemed like a no-brainer for a horror film title, and Cunningham was in fact concerned that the title might already have been used, and so while the script was still being drafted, he took out a full page ad in the film industry trade magazine Variety announcing Friday the 13th as being in production, partly to raise additional financing for the project, and partly to ensure that no-one objected to them using the title.  The film sticks closely to the Halloween story structure, which would become the standard for slasher films.  Beginning with a short prologue set in 1958, most of the film takes place over a 24 hour period in the "present day", on Friday 13th June.  During the scenes set during the day, the first half hour or so of the film, we are introduced to the characters, thinly sketched as they are, and there is one murder, which the main characters are unaware of.  It's at night, during a torrential rain shower, that the fun really starts.  There is nothing particularly memorable in the script, and the performances are variable at best, if effective enough for this type of film.  Future Hollywood star Kevin Bacon has an early appearance as one of the camp counsellors, and a memorable death scene.  The score by Harry Manfredini is obviously inspired by Bernard Herrmann's score for Psycho (1960), but it does have the memorable "ki ki ki, ma ma ma" motif, that represents the unseen killer.  The gore effects are by legendary special effects artist Tom Savinvi, who had previously worked on Dawn of the Dead (1978), and they are impressive.  After the controversy surrounding The Last House on the Left, Sean S. Cunningham wanted to make. film that was, as he put it, "a rollercoaster ride", the film its directed effectively, aside from some quite jarring transitions, and both script and direction suffer from some real lapses in logic (the killer always seems to know where the counsellors will wander off to on their own, and be ready with a variety of different weapons, and also seems to be able to travel from one place to another very quickly without being seen or heard).  The scenes where the camera takes the killer's point-of-view, lurking behind trees and observing the characters from a distance, are effective.  For a fun horror movie, however, it works almost as the cinematic equivalent of a campfire ghost story.  Simple, gruesome, silly and fun.  The film was a huge success, kickstarting the slasher movie boom of the early 1980s and launching a franchise which has, to date, clocked up eleven film, including a cross-over with the Nightmare on Elm Street franchise, a remake, a TV series, comics, novels and video games.    

Jeannine Taylor, Harry Crosby and Adrienne King in Friday the 13th

There's Nothing Out There

 Year:  1991

Director:  Rolfe Kanefsky

Screenplay:  Rolfe Kanefsky

Starring:  Craig Peck, Wendy Bednarz, Mark Collver, John Carhart, Bonnie Bowers

Genre:  Comedy, science-fiction, horror

Running Time:  91 minutes

Seven students head off to a remote house in the woods, and soon come under attack from a vicious alien creature.  However, one of the group, Mike (Peck), is able to use his extensive knowledge of horror movies to help them defeat the creature.

This low-budget blend of comedy and horror is most notable as an early example of post-modern horror, five years before Wes Craven's hugely successful Scream (1996) popularised the genre.  The film parodies the various tropes of teen slasher films, which are discussed at length by sarcastic movie fan Mike.  Bits of the film are clever and funny, such as a character escaping the monster by grabbing the hanging microphone boom and using it to swing to safety, while the soundtrack plays a riff on the "Indiana Jones" theme.  It's the kind of film that would probably work best if played at a horror festival or convention or towards the end of an all-night horror movie marathon, when an audience might be more kindly disposed to laugh at it.  The film suffers from low production values, atrocious performances, and terrible special effects.  The monster is a puppet that looks like a cross between a giant frog and a fish with large teeth and shoots green rays out of it's eyes, which enable it to take control of the minds of its victims.  The female characters really have nothing to do except run around wearing as little as possible, and the film's ostensible hero is extremely unlikeable, with his constant sarcastic comments.  The film is an interesting curio for fans of horror, but has little real value as a movie.  

Sally (Lisa Grant) in There's Nothing Out There