Showing posts with label Theodore Bikel. Show all posts
Showing posts with label Theodore Bikel. Show all posts

Saturday, 12 February 2022

I Bury the Living

Year:  1958
Director:  Albert Band
Screenplay:  Louis A. Garfinkle
Starring:  Richard Boone, Theodore Bikel, Peggy Maurer
Running Time:  76 minutes
Genre:  Horror

Businessman Robert Kraft (Boone) finds himself appointed as head of a commission that oversees a large cemetery.  The cemetery caretaker, Andy MacKee (Bikel), uses a huge wall map of the cemetery, the plots which have been bought, but are unoccupied, are marked with a white pin, and the plots that are occupied are marked with a black pin.  When Kraft absent-mindedly places black pins instead of white to mark a newly purchased plot, the owners die suddenly and mysteriously.  Soon Kraft becomes convinced that he can kill people by sticking black pins in their cemetery plots.

I Bury the Living is very much a low budget B-movie, filmed on an obviously minuscule budget, with few sets and less special effects.  Richard Boone looks convincingly fraught as the film goes on, and Theodore Bikel almost manages to get past one of the worst attempts at a Scottish accent in film as the amiable old caretaker.  The film does have some stylish noir photography, and effective music by Gerald Fried, who had already done the music for Stanley Kubrick's early films and would go on to compose the scores for numerous TV shows, including the famous "fight music" from the Star Trek episode "Amok Time".  Director Albert Band also does well with making a large plan with pins stuck in it look threatening and sinister.  In fact this is a really neat little psychological thriller, for about the first hour, and then it all falls apart with a dreadful climax, that feels like something out of Scooby-Doo.  It almost ruins the film, but the preceding hour is good enough to still make it worth watching.  


    Theodore Bikel and Richard Boone in I Bury the Living

Thursday, 10 March 2011

The African Queen

Year: 1951
Director: John Huston
Screenplay: James Agee and John Huston, based on the novel The African Queen by C. S. Forester
Starring: Humphrey Bogart, Katherine Hepburn, Robert Morley, Peter Bull, Theodore Bikel
Running Time: 105 minutes
Genre: Action, adventure, drama, romance

Summary: German East Africa, September 1914: Rose Sayer (Hepburn) and her preacher brother, Samuel (Morley), are Methodist missionaries, living and working in a small village. Supplies, mail and news is regularly delivered by Captain Charles Allnut (Bogart) who sails a small run-down steam-boat called the African Queen. When the First World War breaks out, German soldiers raid the village, and Samuel is so traumatised by the experience that he dies shortly afterwards.
Realising that there is nothing left for her in the village, Rose decides to go away with Allnut in the African Queen. She discovers that the Germans have a large and powerful gunboat stationed in a large lake, which effectively blocks any British counter-attacks. Rose hits on the idea of using the supplies of explosives and canisters of oxygen to turn the African Queen into more or less a giant torpedo and use it to blow up the gunboat.
Allnut reluctantly agrees to go along with the plan. However, to get to the gunboat they have to travel down a long river which is so dangerous that it is considered to be completely unpassable, added to which they would have to pass right by a stronghold full of enemy soldiers.

Opinions: This movie is a fun mix of adventure, action and romance. It benefits enormously from the casting of Humphrey Bogart as the tough, gin swilling, rough-and-ready steamboat captain and Katherine Hepburn as the prim, proper and very strong-willed English missionary. The two have plenty of on-screen chemistry and the dialogue between them is witty and engaging. Both of them are almost constantly caked in dirt and sweat, looking very farm removed from glamorous Hollywood movie stars. The burgeoning relationship between the two characters is well-handled and the mix works well so that the romance element doesn't unbalance the action or vice versa.
The action sequences are well directed, and there are many vividly memorable sequences most notably a very unpleasant encounter with some leeches.
The film is strikingly photographed in Technicolor. A lot of the film was shot on location in Uganda and the Congo, which was very unusual for the time given the size of the cameras used for the Technicolor filming. Certainly it makes for a vivid and exotic backdrop for the action. The cast and crew had a tough time during the location filming, with most of the film-makers falling ill, except Bogart who later claimed that he didn't fall ill because he didn't drink any water on location, and instead used a large supply of whiskey that he had brought with him.
This film is basically a yarn. It doesn't try to be anything else than pure entertainment and it definitely succeeds at that.



Katherine Hepburn and Humphrey Bogart take a ride on board The African Queen