Year: 1991
Director: David Cronenberg
Screenplay: David Cronenberg, based on the novel Naked Lunch by William S, Burroughs
Starring: Peter Weller, Judy Davis, Ian Holm, Julian Sands, Roy Scheider
Running Time: 115 minutes
Genre: Science-fiction, fantasy
New York City, 1953: Pest exterminator William Lee (Weller) discovers that his wife, Joan (Davis), has become addicted to the yellow powder he uses to kill bugs. Lee is contacted by a giant talking insect that claims that he is a secret agent and that the bug is his boss. It further informs him that his wife is a non-human agent of the sinister Interzone Incorporated. Lee accidentally kills Joan while attempting to shoot a glass off her head. Lee flees to Interzone, a "notorious free port on the North African coast", and finds himself in a surreal nightmare of giant, talking bugs, shapeshifting typewriters and monstrous "Mugwumps".
William S. Burroughs' controversial novel, Naked Lunch, was first published in 1959, and has baffled, appalled and fascinated readers ever since. The "novel' (for want of a better term) is a bizarre and often incoherent mishmash of vignettes and stories without any conventional structure or plot, and had been widely considered unfilmable. However directors such as Stanley Kubrick had attempted to crack it. In the 1960s experimental filmmaker Anthony Balch attempted to make a musical adaptation with a script written by Burroughs himself starring Mick Jagger, and, at one stage, Dennis Hopper. Cronenberg solved the problem by largely jettisoning the book. The film instead is more structured around Burroughs' life and the writing of the novel, mixed with various elements of Burroughs writing, not all of which come from Naked Lunch. Cronenberg stated that the difficulty of making a film about a writer, is that the act of writing itself is not particularly exciting to watch. He solved it by merging Burroughs' life with his fantasies. The name William Lee was often used by Burroughs as his alter ego, and sometimes a pseudonym on some of his books, and Burroughs did kill his wife while trying to shoot a glass from her head, and Burroughs considered this incident the start of his life as a writer. Some of Burroughs friends, such as writers Jack Kerouac, Allen Ginsberg and Paul Bowles, appear in thinly disguised portrayals. The cadaverous, pale-eyed Peter Weller, who is probably best known for RoboCop (1987), is well cast as in the lead role, looking and sounding a lot like a 1940s film noir gumshoe. Judy Davis plays the dual role of Joan Lee and Joan Frost, a double of Lee's wife who he meets in Interzone. Ian Holm plays Joan Frost's husband, the sinister writer Tom (based on American writer Paul Bowles), and Roy Scheider plays the evil Doctor Benway, one of Burroughs' most memorable characters. Interzone itself was a frequent setting for Burroughs' writing, and was the title of 1989 book of short stories. It's based on the International Zone of Tangiers, where Burroughs lived for a time. The fact that Interzone is very obviously created on soundstages, helps make it seem less a place than a state of mind. The film features some startling special effects and creatures. As bizarre and graphic as the film is in places, it is still much more restrained than Burroughs' imaginings, which displeased some fans. Certainly the film is more David Cronenberg than William Burroughs, in it's tone and style, reducing the novel's themes of drugs and particularly toning down the novel's sexual elements, and making it more a film about writing, however Cronenberg's detached style of directing, chimes well with Burroughs' dry, dispassionate prose style. It is also possibly the best introduction to Burroughs for a mainstream audience.
