Year of Release: 2018
Director: Terry Gilliam
Screenplay: Terry Gilliam and Tony Girsoni, based on the novel Don Quixote by Miguel de Cervantes
Starring: Adam Driver, Jonathan Pryce, Stellan Skarsgård, Olga Kurylenko
Running Time: 132 minutes
Genre: Action-adventure, comedy
Toby (Driver) is a disillusioned director who is in Spain shooting a commercial based on the story of Don Quixote, he also happens to be near the location of his student film, The Man Who Killed Don Quixote, which he made with non-professional actors ten years previously. Toby runs into his star, a cobbler, Javier (Pryce), who now believes that he really is Don Quixote, and that Toby is his loyal squire, Sancho Panza. Javier drags Toby off in search of adventure.
This film has become almost notorious, due to how long it has been in the works. Gilliam had been attempting to make a film based on Miguel de Cervantes' 17th century novel Don Quixote, since about 1990, and there have been several aborted attempts to film The Man Who Killed Don Quixote, one of which has been immortalised in the 2002 documentary film Lost in La Mancha, so Gilliam deserves some credit just for getting the thing made. Is the finished film worth waiting nearly 30 years for? No. Is it a good film and worth seeing? Yes. This features both the good and the bad of Terry Gilliam's work. It is sprawling, overlong, uneven and indulgent. It is also ambitious and imaginative. When it is good, and it is good very often, then it is truly wonderful. At it's worse, it's just a mess but, despite it's generous running time, it's never dull. It's also surprisingly dark. Adam Driver is good as a pretty unlikeable character, and Jonathan Pryce is great as the frail but noble Don Quixote who becomes almost admirable in his romantic delusion. Stellan Skarsgård is good as ever as Toby's formidable Boss, and Olga Kurylenko is very good, if underused, as the Boss' seductive wife, Jacqui. The film covers some very familiar Gilliam territory: The individual versus society, dreams versus reality, and the nature of sanity or insanity. The film looks fantastic throughout with some striking locations and set pieces. When looking at Terry Gilliam's career, it is easy to see why Quixote holds such an attraction for him, and he is to be admired for succeeding in his quest to get this film made.
It is not a perfect film, and it may not be the masterpiece that Gilliam fans may have hoped for, but it is a flawed, enjoyable, eccentric work touched by moments of genius, and I will take that over the bland, committee led franchise fare that seems to make up a lot of modern movies any day of the week.
Adam Driver and Jonathan Pryce ride out in The Man Who Killed Don Quixote
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