Phenomena

 Year:  1985

Director:  Dario Argento

Screenplay:  Franco Ferrini and Dario Argento

Starring:  Jennifer Connelly, Daria Nicolodi, Dalila Di Lazzaro, Donald Pleasence, Patrick Bauchau

Running Time:  116 minutes

Genre:  Horror

American teenager Jennifer Corvino (Connelly) arrives at an exclusive Swiss boarding school and soon discovers that the nearby area is being plagued by a vicious serial killer.  Jennifer, it turns out, has the ability to psychically communicate with any kind of insect, and teams up with elderly, wheelchair-bound Scottish entomologist John McGregor (Pleasance), and his intelligent chimpanzee, to track down the killer.

Dario Argento is generally regarded as one of the greatest Italian horror filmmakers.  Despite featuring a lot of Argento hallmarks, Phenomena is far from his best work.  It feels like a mix of the giallo films that Argento made his name with (black-gloved killer stalking young women, point of view shots, the main character witnessing an important detail early one which she is afterwards unable to remember, inept police investigation, and an  overly convoluted final reveal), with dark adult fairy tale (Jennifer's mystical powers, surreal nightmare imagery) and gothic romance (Jennifer Connelly spends a lot of her time running through a dark forest at night in a billowing white nightgown, as might be seen on the covers of numerous '70s paperback originals).  While it doesn't seem to be intentionally funny, the film is so ridiculous it's hard not to laugh at Jennifer's psychic bond with bugs (including teaming up with a fly to find evidence), Donald Pleasence's Scottish accent and the heroic chimp.  The performances are pretty bad, even from normally very good actors such as Jennifer Connelly and Donald Pleasence, who seems to be playing the whole thing for comedy.  Argento's skill at creating arresting images generates some interest, but there are very few of the trademark elaborate set-pieces that Argento can be so skilled at.  While the film is gruesome, gore fans may be disappointed at the comparative lack of bloodshed on display.  The score, from regular Argento collaborators Goblin, mixes lilting fairy-tale style music with sudden bursts of loud heavy metal, along with music from Bill Wyman, Iron Maiden and Motörhead among others.  The plot makes absolutely no sense at all.  It's fun if your in the right frame of mind for it, and the climax is so over the top it's quite entertaining.  On it's original release in the US and the UK the film was retitled Creepers with 20 minutes of footage cut.

Jennifer Connelly in Phenomena

Top Gun: Maverick

Year:  2022

Director:  Joseph Kosinski

Screenplay:  Ehren Kruger, Eric Warren Singer and Christopher McQuarrie, from a story by Peter Craig and Justin Marks

Starring:  Tom Cruise, Miles Teller, Jennifer Connelly, Jon Hamm, Glen Powell, Lewis Pullman, Ed Harris, Val Kilmer

Running Time:  131 minutes

Genre:  Action, drama

US Navy test pilot, Captain Pete "Maverick" Mitchell (Cruise) is ordered to return to the elite fighter training school known as "Top Gun" train some of the best Top Gun graduates for a seemingly impossible mission.  To complicate matters, one of Maverick's students, Bradley "Rooster" Bradshaw (Teller), is the son of Maverick's former co-pilot and close friend Goose, who was killed in an accident during their time at Top Gun in the 1980s.

Top Gun (1986) is possibly one of the most beloved films of the 1980s, and it is extremely risky to return to such a popular film over thirty years later.  Top Gun: Maverick opens with a virtually shot-for-shot remake of the opening of the original Top Gun, the same music, the same opening text explaining what Top Gun is, the same scenes of fighter jets lifting off of aircraft carriers to the strains of Kenny Loggins' "Danger Zone" and even the same typeface for the credits.  After this, Top Gun: Maverick settles down to it's own thing, while still delivering enough call backs and references to the original to satisfy nostalgic '80s kids. Maverick follows the same basic plot structure as the original but, in the original, the goal for the pilots is to win the Top Gun Trophy, in this film the goal is to complete this almost impossible mission and return alive, immediately raising the stakes.  While the first Top Gun is bookended by aerial scraps against the enemy (who are not identified in either film, but you can probably guess who they are supposed to be) they almost seem like add ons to provide some drama and action.  In both films the enemy pilots are completely dehumanised, rendered faceless by the black visors and full face masks.  Tom Cruise, reprising his star making role, does what he does best, with his mega-watt smile and movie star charisma undimmed despite the passage of years.  Miles Teller is good as Rooster, the son of Maverick's best friend Goose, who dies in the first film.  Rooster hates Maverick, blaming him not only for his father's death, but also for apparently sabotaging his career.  Jennifer Connelly does what she can with a fairly underwritten role as bar-owner Penny, Maverick's love interest.  As with the first film, women don't have much to do, however at least here there are a couple of female pilots.  The film is tense, and has some real excitement in the aviation sequences.  It has humour, drama and some emotion.  While the film is as pro-military as the first, and will doubtless cause applications to the US Navy to climb higher and faster than one of Maverick's jets, it is most of all a perfect example of a real summer blockbuster.

Tom Cruise in Top Gun: Maverick

Alita: Battle Angel

Year of Release:  2019
Director:  Robert Rodriguez
Screenplay:  James Cameron and Laeta Kalogridis, based on the manga series Gunnm (aka Battle Angel Alita) by Yukito Kishiro
Starring:  Rosa Salazar, Christoph Waltz, Jennifer Connelly, Mahershala Ali, Ed Skrein, Jackie Earle Haley, Keean Johnson
Running Time:  122 minutes
Genre:  Science-fiction, action, cyberpunk

The year is 2563, three hundred years after a catastrophic war known as "The Fall" decimated Earth. The vast majority of the inhabitants of Earth live in huge decaying metropolises, such as Iron City, while the chosen few ascend to the wealthy floating city of Zalem.  While scouting an Iron City junkyard, cyborg scientist Dr. Dyson Ido (Waltz) discovers a dismembered humanoid cyborg (Salazar).  Ido is able to rebuild and reactivate the cyborg who he dubs "Alita", and who has advanced combat skills but no memory of her true identity or previous life.  As she tries to recover her memories and identity, Alita has to survive in the deadly Iron City, particularly when she discovers that powerful people will stop at nothing to see her dead.

The Japanese manga series Gunnm (known in the West as Battle Angel Alita) was first published in 1990, and had already produced several spin-offs and animated adaptations.  Writer, director and producer James Cameron had been a long time fan of the manga series, and after a long period in development, handed the reins to director Robert Rodriguez. 
I have never read the manga or seen any of the previous adaptations, so I cannot speak to how faithful or not the film is.  It is visually stunning, creating a grimly beautiful new world in Iron City, and incredible, cyborg creatures.  The action is frenetic, spectacular, genuinely exciting, and surprisingly violent.  Despite sometimes cliched dialogue, and a lack of a conclusive ending (it's almost bound to lead to sequels), this is a beguiling and fascinating new world, and Rosa Salazar is brilliant in the title role, being both heartrendingly vulnerable and a ruthlessly efficient warrior.

Rosa Salazar is Alita:  Battle Angel