My Friend Dahmer

 Year: 2017

Director:  Marc Meyers

Screenplay:  Marc Meyers, based on the graphic novel My Friend Dahmer by John "Derf" Backderf

Starring:  Ross Lynch, Anne Heche, Alex Wolff, Dallas Roberts, Tommy Nelson, Vincent Kartheiser

Running Time:  107 minutes

Genre:  Drama

1970s Ohio:  High school student Jeffrey Dahmer (Lynch) is a strange young man, with an unhealthy interest in dissecting animals.  Jeffrey and his younger brother David (Liam Koeth) have a difficult family life with their mentally ill mother (Heche) and a father (Roberts) who tries but fails to connect to Jeffrey.  Jeffrey's acting out at school soon draws the attention of a group of students, including aspiring artist John "Derf" Backderf (Wolff) who befriend him and persuade him to participate in a variety of pranks.  However as time goes on, Jeffrey begins to go down a far darker path.

Jeffrey Dahmer is one of the most notorious serial killers in American history who murdered at least 17 boys and young men before his arrest in 1991.  My Friend Dahmer is an unconventional true crime film, because it doesn't concern itself with any of his crimes.  It's based on an acclaimed 2012 graphic novel by cartoonist John "Derf' Backderf about his teenage friendship with Jeffrey Dahmer, and the bulk of the film concentrates on their senior year at high school in 1978.  The film is almost like a low-key domestic drama, about a troubled teenager, it really depends a lot on the audience's familiarity with Dahmer and his crimes for it's full effect.  The film has some very good performances, particularly from Ross Lynch, who gives a creepy performance as the dead eyed Dahmer.  The film humanises a monster, showing his troubled life and portraying him as a weird, unhappy teenager.  The film mentions the fact that Derf and his gang are arguably exploiting Dahmer by really using him for their entertainment, they use the term "doing a Dahmer" for his attention-seeking pranks such as impersonating a local interior designer with cerebral palsy, suddenly making loud noises, and sneaking into yearbook photos, among other things.  This is an effective, and chilling look at what makes a monster, that manages to feel empathetic and not exploitative.

       Ross Lynch as Jeffrey Dahmer in My Friend Dahmer

Wings of Desire

Year:  1987

Director:  Wim Wenders

Screenplay:  Wim Wenders, Peter Handke, Richard Reitinger

Starring:  Bruno Ganz, Solveig Dommartin, Otto Sander, Curt Bois, Peter Falk

Running Time:  127 minutes

Genre:  Fantasy

West Berlin:  Two angels, Damiel (Ganz) and Cassiel (Sander), watch over the affairs of humans.  The immortal angels are able to hear the thoughts of humans, however they are physically unable to intervene, or even interact with the physical world, and remain invisible to humans, although some can sense their presence.  Suffering from existential angst over his immortal existence set apart from the physical plane, Daniel falls in love with trapeze artist Marion (Dommartin) and decides to renounce his angelic existence for a mortal, human life.

In the years since it's release this philosophical romantic fantasy has become seen as one of the classics of world cinema.  While the film is long, slow, and arguably pretentious, it is intriguing, often funny and ultimately becomes profoundly moving.  The film is visually impressive, most of it is in sepia tinged black-and-white, with sequences in colour, and brief flashes of vintage newsreel footage.  The locations in Berlin range from the more familiar tourist areas such as the Victory Column where the angels frequently gather at the top to observe human life, to more run-down and industrial areas of the city, as well as the Berlin Wall. We also follow the stories of various characters that the angels observe, including an elderly poet, a suicidal young man, and American actor Peter Falk (playing himself) who is filming a war movie in Berlin.  The film has some fantastic performances from Bruno Ganz and Solveig Dommartin in particular, and a warm, funny performance from Peter Falk.  The film also gives a glimpse of life in West Berlin in the years immediately before reunification, including a look at the underground rock clubs with a cameo from Nick Cave and the Bad Seeds.  It is really more a film about a city than about angels.  It is interesting how little traditionally angelic imagery is used, the angels have wings that appear occasionally, but usually appear as normal humans in long overcoats, and there are no references to Heaven or God.  The angels with their ability to pass over the city and hear thoughts provide an insight into the city and the people who live there.  Ultimately it becomes a celebration of the small, transient joys and pains of life, and the beauty of existence.  The film was followed by a sequel Faraway, So Close! (1993) and was remade in 1997 as City of Angels, starring Nicolas Cage and Meg Ryan.  

Bruno Ganz in Wings of Desire

Rope

 Year:  1948

Director:  Alfred Hitchcock

Screenplay:  Hume Cronyn, based on the stage play Rope by Patrick Hamilton

Starring:  James Stewart, John Dall, Farley Granger, Joan Chandler, Sir Cedric Hardwicke, Constance Collier, Douglas Dick, Edith Evanson

Running Time:  80 minutes

Genre:  Thriller

New York City:  Two students, Brandon (Dall) and Philip (Granger), murder their friend David (Dick Hogan) for no other reason than the thrill of it.  After hiding the body in a large antique chest, they throw a party to which they invite David's family and friends, as well as their former teacher (Stewart).

Based on a 1928 stage play by Patrick Hamilton, which was itself loosely based on the notorious 1924 Leopold and Loeb murder case, this is one of Alfred Hitchcock's most experimental films.  Aside from the opening credit sequence, the entire film is set within the confines of Brandon and Philip's palatial New York apartment, and it is filmed to appear as if it is almost one continuous take.  The camera moves are impressive, although due to the fact that the cameras of the time could only hold a maximum of ten minutes worth of film, the camera frequently has to move close into the backs of people's jackets or furniture in order to hide the edit when the film had to be replaced.  This was the first of three films that James Stewart made for Hitchcock and he was critical of the film, commenting that the "really important thing being rehearsed here is the camera, not the actors," and stating much later that "it was worth trying... But it really didn't work."  Hitchcock himself dismissed the continuous take technique as "a stunt."  The film's main set of the apartment's living room is impressive, with a large window looking out over a steadily darkening New York City skyline, all of which was achieved in the studio.  While the film isn't entirely successful, it is an entertaining thriller.  The suspense comes not from David's fate, or the identity of the murderers, the film opens with the murder and the hiding of the body, but on when and how the "perfect murder" will unravel.  The film was very controversial on it's original release, possibly because of the strong homosexual subtext, the fact that Brandon and Philip are in a relationship is made pretty much as blatant as it could be in a mainstream movie in 1948.  For the most part the film manages to be more than just an innovative experiment, with sharp dialogue, strong performances, and the steadily building tension.  However, there are points where the technique overrides the content and your left admiring the camera work, rather than being involved in the story.

What a swell party: Farley Granger, James Stewart and John Dall in Rope