The Killing of a Chinese Bookie

 Year:  1976

Director:  John Cassavetes

Screenplay:  John Cassavetes

Starring:  Ben Gazzara, Timothy Agoglia Carey, Seymour Cassel, Azizi Johari

Running Time:  135 minutes (cut to 109 minutes)

Genre:  Drama, thriller

Cosmo Vittelli (Gazzara) owns and operates the sleazy, failing nightclub Crazy Horse West in Los Angeles.  To make matters worse Cosmo owes a large gambling debt to the Mob.  The gangsters order Cosmo to kill a bookmaker, Harold Ling (Soto Joe Hugh).  After some less than gentle persuasion, Cosmo reluctantly accepts his task, but soon finds the hit is much more complex than he had expected.

Writer, director and actor John Cassavetes appeared as an actor in a number of big Hollywood movies such as The Dirty Dozen (1967), for which he received an Academy Award nomination for Best Supporting Actor, and most notably a starring role as Mia Farrow's traitorous husband in Rosemary's Baby (1968).  However, he is most influential as a writer and director, and his echo is still felt today in the world of Independent Cinema.  Despite its seemingly conventional thriller plot, in terms of style and approach, The Killing of a Chinese Bookie is anything but conventional.  More a character study than a thriller, the film focuses on the dilemmas and pressures of Cosmo Vittelli, a man whose entire world is this sleazy club, and who puts all of the money he earns back into the club, as well as spending a lot of time and effort writing and directing the cheesy cabaret acts, hosted by the club compere "Mr. Sophistication" (Meade Roberts), even though he knows that the audience only care about seeing naked women.  He also has a severe gambling problem.  To celebrate making his last payment on a previous debt to a loan shark, he immediately goes out on a night on the town and ends up losing everything on poker.  Ben Gazzara, who saw Vittelli as a kind coded version of Cassavetes himself, gives a great performance, giving Vittelli a kind of down-at-heels charm, and a cocktail of hope and despair.  As is common with Cassavetes' work, the film has a loose, documentary style look, filmed guerrilla-style on the streets and in nightclubs, restaurants and homes.  The performances, which include Cassavetes regular Seymour Cassel and veteran gangster movie actor Timothy Carey, have a naturalistic, improvised feel about them.  The film was originally released in 1976 with a running time of 135 minutes, and immediately tanked at the box office, being withdrawn from general release after a week, with even Gazzara stating that it "was too long".  Cassavetes re-released the film in 1978 in a much shortened version of 109 minutes, with scenes drastically rearranged and some new footage.  For a long time this was the only version available, but in 2004 the 109 minute and 135 minute versions were released on DVD, so now you can watch both, should you care to.

The eagle-eyed viewer may notice a familiar face in some of the crowd scenes.  David Bowie sat in on much of the filming, just to watch Cassavetes at work, although he was not involved in the film.  However he can be glimpsed in the audience during some of the nightclub scenes.

Ben Gazzara in The Killing of a Chinese Bookie

   

Husbands

Year of Release:  1970

Director:  John Cassavetes

Screenplay:  John Cassavetes

Starring:  Ben Gazzara, Peter Falk, John Cassavetes

Running Time:  140 minutes

Genre:  Comedy drama

Following the death of a mutual friend, three middle-aged New York family men: Harry (Gazzara), Archie (Falk) and Gus (Cassavetes) indulge in a days long binge of heavy drinking and soul-searching, including an impromptu trip to London.

John Cassavetes is possibly most familiar as an actor in Hollywood films such as The Dirty Dozen (1967), Rosemary's Baby (1968) and The Fury (1978), but his most important legacy rests with the groundbreaking independent films he made as director, writer and sometime actor.  After making a name with his directorial debut Shadows (1959), Cassavetes had his first sizeable success with Faces (1968), which allowed hims some studio backing for Husbands.  While Cassavetes came up with the film's story and scenes, the dialogue and action came out of long improvisation sessions with his fellow actors, and Gazzara, Falk and Cassavetes' characters were more or less based on the actors themselves.  The basic plot of Husbands, three guys go out on a booze filled bender for days on end, could apply to any number of comedies, both good and bad, but few go as dark as this does.  This is a film defined by absence.  It starts with a series of still snapshots of a barbecue or pool party where Gus, Harry and Archie are clowning around with their families and their friend Stuart, whose funeral opens the main action of the film.  We never learn anything about Stuart, but it seems as if he was the lynchpin that kept the gang together.  The other three spend the film seeming unmoored, and despite being very similar, they don't seem to like each other very much.  Also, despite the film's title, we never see much of their family lives.  Harry's wife appears briefly and they have a violent argument, and we see Gus' children, played by Cassavetes' own children Nick and Alexandra, but we see nothing of Archie's family.  It is hard to sympathise entirely with this pretty unpleasant trio of middle-aged, middle-class white guys who are creepy, mocking, violent or rude to almost any woman unlucky enough to cross their path.  Following Stuart's funeral they ride the subway, have an impromptu late-night basketball game and get drunk and sing in a bar, when it comes time for them to go to work and spend some time with their families, the three shoot off to London to drink, go to casinos and pick up women (including Jenny Runacre).  This is a tough film to watch, and it's often very uneven.  It's sometimes profound, often dull, sometimes cruel and occasionally funny.  It all ends on a very inconclusive note.

Peter Falk, John Cassavetes and Ben Gazzara are Husbands