Year of Release: 1959
Director: Yasujiro Ozu
Screenplay: Kogo Noda and Yasujiro Ozu
Starring: Keiji Sada, Yoshiko Kuga, Chishu Ryu, Kuniko Miyake, Haruko Sugamura, Shitara Koji, Masahiko Shimazu
Running Time: 94 minutes
Genre: Comedy, drama
Set in a Tokyo suburb, the film focuses on two young brothers: Minoru (Shitara Koji) and Isamu (Masahiko Shimazu), who are desperate for a TV set, but their parents refuse to buy one for them, partly because they are expensive, and partly because the boy's father (Ryu) believes that television turns people into idiots. Angered by their parent's refusal, and sick of being told to keep quiet all the time when adults indulge in pointless small talk and conversational niceties that don't really mean anything (such as "Good morning", "How are you?", "Good evening" etc.), the boys resolve to stop talking altogether, a decision which causes tension and misunderstandings in their gossipy, close-knit neighborhood.
This is a gentle, sweet-natured comedy from legendary film-maker Yasujiro Ozu, and is a loose remake of his own 1932 film I Was Born, But.... As always with Ozu, this is beautifully shot film, in vibrant Technicolor. Every shot is perfectly composed and designed, largely filmed in low-angles with the action framed in doorways or corridors, and sometimes taking place in the distance. It's also sedate, moving at a very slow pace, with very little actually happening. However, it is funny and joyful, although it is hardly a laugh-riot. It is also a deceptively simple film, it has weight, dealing with traditional Ozu themes such as the generation gap, and the changing of Japanese society. It also pokes fun at small talk and everyday conversational pleasantries, while also acknowledging that they are kind of a necessity.
Silence is golden for Isamu (Masahiko Shimazu) and Minoru (Shitara Koji) in Good Morning.
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