Year of Release: 2016
Director: Dee Rees
Screenplay: Dee Rees and Virgil Williams, based on the novel Mudbound by Hillary Jordan
Starring: Carey Mulligan, Garret Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige, Jonathan Banks, Rob Morgan, Kelvin Harrison Jr.
Running Time: 134 minutes
Genre: Period drama
The film follows two families (one white and one black) in rural Mississippi in the years during and immediately after World War II. Henry McAllan (Clarke) struggles to make a living as a farmer with his unhappy wife, Laura (Mulligan), their two young daughters, and Henry's racist father Pappy (Morgan). Hap Jackson (Harrison Jr.) is a tenant farmer living with his wife Florence (Blige) and their large family, enduring horrible racism, and dreaming of a better life.
Henry's brother Jamie (Hedlund) and the Jackson's eldest son, Ronsel (Clarke), join the military to fight in the war. After the war is over, Jamie and Ronsel return to Mississippi, both suffering from their traumatic experiences overseas, and Ronsel increasingly angry at the racism he is forced to suffer.
This is a powerful film dealing with themes of racism, poverty and Post-Traumatic Stress Disorder. The film takes place over a number of years but it always maintains it's focus on the two families and their struggles, depicting rural Mississippi in powerful detail, while the wartime experiences of Jamie and Ronsel are depicted in brief, vivid sequences. The cast is fantastic all around, and the film is well directed and beautifully shot (the film's cinematographer, Rachel Morrison, is the first woman to be nominated for the Academy Award for Best Cinematography). It's kind of a pity that it is just on Netflix, because it would be incredible on a big screen. The film deals with powerful themes which are still relevant today, particularly the corrosive effects of racism. It's an important film and needs to be seen, although it is obviously not a fun time at the movies. it's deeply troubling, as it should be.
Mary J. Blige and Carey Mulligan in Mudbound
Showing posts with label Garret Hedlund. Show all posts
Showing posts with label Garret Hedlund. Show all posts
Sunday, 28 January 2018
Mudbound
Labels:
Carey Mulligan,
Dee Rees,
Garret Hedlund,
Jason Clarke,
Jason Mitchell,
Jonathan Banks,
Kelvin Harrison Jr.,
Mary J. Blige,
movies,
Mudbound,
period drama,
reviews,
Rob Morgan
Monday, 5 June 2017
Inside Llewyn Davis
Year of Release: 2013
Director: Joel Coen and Ethan Coen
Screenplay: Joel Coen and Ethan Coen
Starring: Oscar Isaac, Carey Mulligan, John Goodman, Garret Hedlund, F. Murray Abraham, Justin Timberlake
Running Time: 105 minutes
Genre: Drama, dark comedy, period, music
Greenwich Village, New York City, the winter of 1961: The film charts a week in the life of struggling folk singer Llewyn Davis (Isaac), sleeping wherever anyone will give him a couch for the night, constantly hustling for low-paying gigs or session work and always hoping for an elusive big break.
This is a beautifully dark comedy, following one very bad week for Llewyn Davis, virtually plotless, the film moves from incident to incident as Davis' troubles mount up, although many of them are self-inflicted. Filmed in muted colours it captures a particular moment in American music, of the folk scene just prior to the emergence of Bob Dylan. It features a fantastic performance from Oscar Isaac as Llewyn Davis who could easily just be a complete prick. While Davis is not a particularly likable character, his obnoxious personality alienating friends and strangers alike, he is never unsympathetic, with Isaac being able to convey so much despair and frustration with just a look. Also the fact that Davis is a good singer, and he could possible make it big if he could get the breaks, but he knows that his break probably will never come, and the fact that often it doesn't matter if someone has talent if they can't catch a break. Isaac is well supported by other great performances, mot notably from Carey Mulligan (as a fellow folk singer who looks like an angel and sings very sweetly but has a lot of anger which she is not shy about expressing) and John Goodman (as an obnoxious drug addicted jazz musician). There are a lot of Coen Brothers hallmarks here, with characters being defined by repeated phrases and motifs, and recurring plot elements (such as Llewyn's search for a missing cat, which runs through the film), and it feels almost like a companion piece to A Serious Man (2009), which has a similar theme of life being like a cosmic joke. The film also has one of the best soundtracks of recent years.
Oscar Isaac, Justin Timberlake and Carey Mulligan in Inside Llewyn Davis
Director: Joel Coen and Ethan Coen
Screenplay: Joel Coen and Ethan Coen
Starring: Oscar Isaac, Carey Mulligan, John Goodman, Garret Hedlund, F. Murray Abraham, Justin Timberlake
Running Time: 105 minutes
Genre: Drama, dark comedy, period, music
Greenwich Village, New York City, the winter of 1961: The film charts a week in the life of struggling folk singer Llewyn Davis (Isaac), sleeping wherever anyone will give him a couch for the night, constantly hustling for low-paying gigs or session work and always hoping for an elusive big break.
This is a beautifully dark comedy, following one very bad week for Llewyn Davis, virtually plotless, the film moves from incident to incident as Davis' troubles mount up, although many of them are self-inflicted. Filmed in muted colours it captures a particular moment in American music, of the folk scene just prior to the emergence of Bob Dylan. It features a fantastic performance from Oscar Isaac as Llewyn Davis who could easily just be a complete prick. While Davis is not a particularly likable character, his obnoxious personality alienating friends and strangers alike, he is never unsympathetic, with Isaac being able to convey so much despair and frustration with just a look. Also the fact that Davis is a good singer, and he could possible make it big if he could get the breaks, but he knows that his break probably will never come, and the fact that often it doesn't matter if someone has talent if they can't catch a break. Isaac is well supported by other great performances, mot notably from Carey Mulligan (as a fellow folk singer who looks like an angel and sings very sweetly but has a lot of anger which she is not shy about expressing) and John Goodman (as an obnoxious drug addicted jazz musician). There are a lot of Coen Brothers hallmarks here, with characters being defined by repeated phrases and motifs, and recurring plot elements (such as Llewyn's search for a missing cat, which runs through the film), and it feels almost like a companion piece to A Serious Man (2009), which has a similar theme of life being like a cosmic joke. The film also has one of the best soundtracks of recent years.
Oscar Isaac, Justin Timberlake and Carey Mulligan in Inside Llewyn Davis
Labels:
Carey Mulligan,
dark comedy,
Ethan Coen,
F. Murray Abraham,
Garret Hedlund,
Inside Llewyn Davis,
Joel Coen,
John Goodman,
Justin Timberlake,
movies,
music,
Oscar Isaac,
period drama,
reviews
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